Are you looking for more happiness, success and vitality in your life? Get inspired each week with wellness and performance expert, Integrative Medicine Fellow, author & keynote speaker, Kristel Bauer. Live Greatly shares empowering conversations and insights about happiness, wellness & success to support your personal and professional development. Kristel talks with top experts, leaders and inspiring individuals to help you embrace a growth mindset and excel in your work/life. Kristel then ...
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Вміст надано Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Схожі до Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
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As She Rises brings together local poets and activists from throughout North America to depict the effects of climate change on their home and their people. Each episode carries the listener to a new place through a collection of voices, local recordings and soundscapes. Stories span from the Louisiana Bayou, to the tundras of Alaska to the drying bed of the Colorado River. Centering the voices of native women and women of color, As She Rises personalizes the elusive magnitude of climate cha ...
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The Final Flight of Captain Forrester
In late 1972, U.S. Marine Captain Ron Forrester disappeared on a bombing run into North Vietnam. Back home in Texas, his family could only wait and hope. Audio subscribers to Texas Monthly can get early access to episodes of the series, plus exclusive interviews and audio. Visit texasmonthly.com/audio to join. Go to HelloFresh.com/FLIGHT10FM to get 10 Free Meals with a Free Item For Life.…
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How Do Utopian Visions Shape Our Reality & Future? - Highlights - S. D. CHROSTOWSKA
Manage episode 430695925 series 3288431
Вміст надано Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
275 епізодів
ПоширитиManage episode 430695925 series 3288431
Вміст надано Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Empowering Stories, and Inspiring Women: Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.”
S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission, The Eyelid, A Cage for Every Child, and, most recently, Utopia in the Age of Survival: Between Myth and Politics. Her essays have appeared in such venues as Public Culture, Telos, Boundary 2, and The Hedgehog Review. She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia, which runs from July to September 2024 in Saint-Cirq-Lapopie, France.
https://profiles.laps.yorku.ca/profiles/sylwiac/
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
275 епізодів
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“I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods. I think there's a certain thread in American history of, like, individualism at all costs. The Van Laars named their house Self-reliance, which is a testament to the idea that they, I think, falsely believe themselves to have, have created their own power, their own capital, their own wealth, and ignore the fact that it's really the labor of the working class community around them- that, and of the people of Albany who've invested their money in the Van Laars Bank - that that really contributed to the acquisition of this enormous wealth that they now have and this enormous power that they now have.” Liz Moore is the author of the New York Times bestselling novel Long Bright River , which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods , Heft , and The Unseen World. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 Family, Addiction & Overcoming Trauma - LIZ MOORE on Long Bright River starring AMANDA SEYFRIED 49:08
“ I've lived in Philadelphia for about 16 years. The book itself was inspired by my time spent in the Kensington neighborhood of Philadelphia interviewing a lot of the people that I met there, both longtime residents of the neighborhood and also people who were transient, a lot of people struggling with addiction and a lot of women doing sex work to fund their physical addiction to opioids. You find out about their past, their road into addiction, their aspirations, their fears. I began to lead free writing workshops at an organization named St. Francis Inn, which is a longstanding food service organization in the community. They had a women's day shelter where I taught. I was really able to connect with people within the community on a quite personal level and loved my experiences in Kensington. And I still go, I'm still quite close with a number of the community workers, people who run free healthcare clinics. All of it ultimately informed the writing of Long Bright River.” Liz Moore is the author of the New York Times bestselling novel Long Bright River , which was one of Barack Obama’s favorite books of the year, and has been made into a Peacock series starring Amanda Seyfried. Set against the opioid crisis and a string of mysterious murders, it’s a love story between two very different sisters and their path to recovery. Moore is winner of the 2014-2015 Rome Prize in Literature. Her other books include The God of the Woods , Heft , and The Unseen World. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
“This novel is the third in what I see as a little set of books that all feature unnamed female protagonists who have experienced varying degrees of passivity and agency in their lives. They're all women who speak the words of other people.” Katie Kitamura is the author five novels, most recently Audition and Intimacies , which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize . She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
“I'm really interested in the formal aspect of characters who are channeling language, who are speaking the words of other people, and in characters who are aware of how little agency they actually have, who have passivity forced upon them, who perhaps even embrace their passivity to a certain extent but eventually seek out where they can enact their agency.” Katie Kitamura is the author five novels, most recently Audition and Intimacies , which was named one of the New York Times 10 Best Books of 2021, longlisted for the National Book Award and the PEN/Faulkner Award, and a finalist for a Joyce Carol Oates Prize . She is a recipient of the Rome Prize in Literature, fellowships from the Cullman Center and the Lannan Foundation, and many other honors. Her work has been translated into twenty-one languages. She teaches in the creative writing program at New York University. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
“When I first started writing this book, it really foregrounded the problems within our land ownership system, which treats land as a commodity. The way we talk about land and issues like racial and food justice reflects this. We tend to focus on the problems, attaching big concepts to them, such as racial justice or environmental justice. I realized that my job primarily consists of going around and talking to activists and community groups about their work. I’m interested not just in the very big problems we face as a society, economy, and political system, but also in how people are trying to think through solutions or approaches to those problems. Audrea Lim is a Brooklyn-based freelance writer and journalist whose work focuses on land, energy, and the environment. Her writing has appeared in TheNew Yorker, Harper’s, Rolling Stone, the New York Times, the Guardian , the New Republic , and The Nation . Lim is the editor of The World We Need and the author of Free The Land: How We Can Fight Poverty and Climate Chaos . She is a visiting scholar at the Asian/Pacific/American Institute at New York University and was a 2022 Macdowell fellow. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast @ audrea_lim The music on this episode is “Snowball” from the album Sunken Cities, performed by Audrea Lim and her band Odd Rumblings.…
Why is there so much conflict over people, land, and resources? How can we rethink capitalism and land ownership to create a fairer, more equitable society? Audrea Lim is a Brooklyn-based freelance writer and journalist whose work focuses on land, energy, and the environment. Her writing has appeared in TheNew Yorker, Harper’s, Rolling Stone, the New York Times, the Guardian , the New Republic , and The Nation . Lim is the editor of The World We Need and the author of Free The Land: How We Can Fight Poverty and Climate Chaos . She is a visiting scholar at the Asian/Pacific/American Institute at New York University and was a 2022 Macdowell fellow. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast @ audrea_lim The music on this episode is “Snowball” from the album Sunken Cities, performed by Audrea Lim and her band Odd Rumblings.…
How has feminism changed in light of the way we live now? DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together ) on recognizing political conditions in personal relationships. MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process. TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century ) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development. ELLEN RAPOPORT (Creator, Exec. Producer of Minx ) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work. LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards ) on the significance of representing ordinary women’s experiences. SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg. SARA AHMED (Author, The Feminist Killjoy Handbook ) reclaims the stereotypes, calling for solidarity among feminists. INTAN PARAMADITHA (Author, The Wandering ) reflects on the importance of intergenerational knowledge among women. DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines. KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience. Listen to full interviews Episode Website www.creativeprocess.info/pod IG: @creativeprocesspodcast…
In this episode on the Speaking Out of Place podcast, Professor David Palumbo-Liu talks with Tao Leigh Goffe about her new, magisterial Dark Laboratory: On Columbus, the Caribbean, and the Origins of the Climate Crisis . Spanning many fields and disciplines in the natural sciences, social sciences, the humanities, and the arts, Professor Goffe weaves together a historically rich and geographically complex picture of how capitalism and racism undergird the climate crisis in ways made invisible or benign via the work of the west’s “dark laboratory.” Writing back through accounts of indigenous bird watching and Black provisional grounds, we talk about things as seemingly different as the massive guano industry built on Chinese and Indian labor in the 19th century to Malcolm X’s boyhood vegetable garden in Michigan. We talk in particular about one of the key passages of Dark Laboratory, where Tao writes: “Still, we manage to create a poetics out of that which wishes to destroy us and the planet. How else will we be able to live in ‘the after’? We must reassess what a problem is. Living is not a problem, as Audrey Lorde reminds us. I would add that dying is not a problem either. Decomposing is essential to the natural order and cycle of life. Living at the expense of others is a problem.” Tao Leigh Goffe is a writer, theorist, and interdisciplinary artist who grew up between the UK and New York City. For the past fifteen years she has specialized in colonial histories of race, geology, climate, and media technologies. Dr. Goffe lives and works in Manhattan where she is an Associate Professor at CUNY in Black Studies. She teaches classes on literary theory and cultural history. Dr. Goffe’s book on how the climate crisis is a racial crisis is called DARK LABORATORY (Doubleday and Hamish Hamilton (Penguin UK, 2025 ). Her second book BLACK CAPITAL, CHINESE DEBT, under contract with Duke University Press, presents a long history of racialization, modern finance, and indebtedness. It brings together subjects of the Atlantic and Pacific markets from 1806 to the present under European colonialism. Dr. Goffe is a fellow at the Harvard University Kennedy School in racial justice. Her research explores Black diasporic intellectual histories, political, and ecological life. She studied English literature at Princeton University before earning her PhD at Yale University. Dr. Goffe’s research and curatorial work is rooted in literatures and theories of labor that center Black feminist engagements with Indigeneity and Asian diasporic racial formations. Committed to building intellectual communities beyond institutions, she is the founder of the Dark Laboratory , an engine for the study of race, technology, and ecology through digital storytelling. Dr. Goffe is also the Executive Director of the Afro-Asia Group , an organization that centers the intersections of African and Asian diasporas, futurity, and radical coalition towards sovereignty. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
1 The Creative Process w/ JULIE ANDREWS, PAUL SCHRADER, JOHN PATRICK SHANLEY, ETGAR KERET, JOY GORMAN WETTELS, CHAYSE IRVIN, MANUEL BILLETER 14:06
JULIE ANDREWS (Oscar, Tony & Pulitzer Prize-winning Actress & Singer · The Sound of Music, Mary Poppins ) Andrews shares her experience working on Mary Poppins, revealing behind-the-scenes secrets about the character. She reminisces about her collaboration with Walt Disney and Tony Walton. ETGAR KERET (Cannes Film Festival Award-winning Director & Author) Keret discusses the profound impact of his parents' survival stories from the Holocaust on his work. He explores how extreme human experiences can lead to extraordinary resilience and creativity, JOHN PATRICK SHANLEY (Oscar, Tony & Pulitzer Prize-winning Writer/Director · Doubt, Moonstruck, Joe Versus the Volcano ) Shanley highlights the invaluable lessons and life experiences gained from his time in the Marine Corps. He emphasizes the significance of diverse interactions and communal living, underscoring how these experiences shape both his artistic vision and societal views. JOY GORMAN WETTELS ( Exec. Producer of 13 Reasons Why, UnPrisoned · Founder of Joy Coalition) Joy Gorman Wettels reflects on her theatrical upbringing and the influence of her mother’s passion for Sondheim and Neil Simon. She shares touching memories of the LGBTQ+ community in her life and how these early experiences cultivated her love for storytelling and community theater. PAUL SCHRADER (Screenwriter/Director · Taxi Driver, Raging Bull, First Reformed ) Schrader analyzes the lasting impact of Taxi Driver on his work. He details his technique of immersing the audience into the protagonist’s perspective and psychology. CHAYSE IRVIN (Award-winning Cinematographer · Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee’s BlacKkKlansman ) Irvin discusses using mise-en-scène to represent characters’ psychological states. MANUEL BILLETER (Cinematographer · The Gilded Age · Inventing Anna · Jessica Jones · Luke Cage ) Billeter recounts his early inspirations from masters like Fellini and Antonioni and his invaluable learning experiences while working alongside Alfonso Cuarón. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Insta: @creativeprocesspodcast…
1 We Grow the World Together: Parenting Toward Abolition with MAYA SCHENWAR & KIM WILSON 1:03:41
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Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode of Speaking Out of Place podcast Professor David Palumbo-Liu talks with Maya Schenwar and Kim Wilson on their new book, We Grow the World Together: Parenting Toward Abolition . They talk about what inspired them to commission a wide range of amazing activists, artists, scholars, and organizers to write whatever came to their minds about the topic of parenting and abolition. The result is a rich mosaic of unique insights expressed in diverse forms, but each one touching deeply on the interdependency of living beings and the importance of caregiving in all its forms. It is this commitment that leads us always to imagine an abolitionist future for ourselves, and all children. Maya Schenwa r is Truthout's editor-in-chief, author of Locked Down, Locked Out: Why Prison Doesn’t Work and How We Can Do Better , and co-editor of Who Do You Serve, Who Do you Protect? Police Violence and Resistance in the United States . Kim Wilson is an artist, educator, writer, and organizer. She is the co-founder, cohost, and producer of Beyond Prisons, a podcast on incarceration and prison abolition. A social scientist by training, Dr. Wilson has a PhD in Urban Affairs and Public Policy, and her work focuses on examining the interconnected functioning of systems, including poverty, racism, ableism, and heteropatriarchy, within a carceral structure. Her work delves into the extension and expansion of these systems beyond their physical manifestations of cages and fences, to reveal how carcerality is imbued in policy and practice. She explores how these systems synergize to exacerbate the challenges faced by under-resourced communities, revealing a deliberate intention to undermine and further marginalize vulnerable populations. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
“In reality, we're all complex people with feelings and our own sets of baggage. I do think we are very good at self-sabotage, all of us. It's a very easy road to go down. It's safe because it's comfortable, and we know it. When you can find the ways you self-sabotage and try to stop that, it will hopefully lead to a happier life and things that are meaningful. When I was in my late twenties, I got out of a serious relationship and kind of reentered the dating scene. I was shocked by the simplification of a lot of complicated feelings around dating and how women are so easily labeled crazy, and men are so easily labeled assholes.” Sophie Brooks is a London-born, Brooklyn-based writer and director. Her sophomore feature Oh, Hi! premiered at the 2025 Sundance Film Festival. Her debut film, The Boy Downstairs, was acquired by Film Rise and HBO at the Tribeca Film Festival. It was produced by David Brooks, Paul Brooks, and Dan Clifton and stars Zosia Mamet, Matthew Shear, and Diana Irvine. Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
What is love? How do the relationships we have early in our lives affect us for years to come? How can we break free from cycles of damage to form relationships of mutual understanding, respect, and love? Sophie Brooks is a London-born, Brooklyn-based writer and director. Her sophomore feature Oh, Hi! premiered at the 2025 Sundance Film Festival. Her debut film, The Boy Downstairs, was acquired by Film Rise and HBO at the Tribeca Film Festival. It was produced by David Brooks, Paul Brooks, and Dan Clifton and stars Zosia Mamet, Matthew Shear, and Diana Irvine. “In reality, we're all complex people with feelings and our own sets of baggage. I do think we are very good at self-sabotage, all of us. It's a very easy road to go down. It's safe because it's comfortable, and we know it. When you can find the ways you self-sabotage and try to stop that, it will hopefully lead to a happier life and things that are meaningful. When I was in my late twenties, I got out of a serious relationship and kind of reentered the dating scene. I was shocked by the simplification of a lot of complicated feelings around dating and how women are so easily labeled crazy, and men are so easily labeled assholes.” Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
1 How to Build Relationships, Hook Up & Raise Hell Together: Conversation w/ DEAN SPADE - Highlights 16:04
“This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.” Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law . His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 LOVE in a F*cked-Up World: DEAN SPADE on How to Build Relationships, Hook Up & Raise Hell Together 57:41
Why is it that we find the courage to boldly confront mainstream societal norms and structures, yet are so often unable to treat romantic partners with care and generosity? Why do we lose our principles when we become insecure, disappointed, or jealous? Why do we act our worst in sexual and romantic relationships? And why do we prioritize romantic connection above other types of relationships, like friendship? Dean Spade is an organizer, speaker, author, and professor at Seattle University's School of Law, where he teaches courses on policing, imprisonment, gender, race, and social movements. He is the author of Mutual Aid: Building Solidarity During this Crisis (and the next) and Normal Life: Administrative Violence, Critical Trans Politics and the Limits of Law . His latest book is Love in a F*cked-Up World: How to Build Relationships, Hook Up, and Raise Hell Together . “This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 THREE WOMEN starring Shailene Woodley, DeWanda Wise, Betty Gilpin: Conversation w/ LAURA EASON - Highlights 12:43
“I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.” Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women . Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards . Laura's many plays include the critically acclaimed Sex with Strangers . She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days . She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Female Desire, Sex & Intimacy: Emmy-nominated Producer, Writer, Playwright LAURA EASON on THREE WOMEN 52:43
What is love? How do the narratives we internalize shape our understanding of relationships, intimacy, and family? Laura Eason is an Emmy-nominated producer, screenwriter, and playwright. Currently, she is the executive producer and showrunner of the Starz drama series Three Women . Based on a book by Lisa Taddeo, the series stars Shailene Woodley, DeWanda Wise, Betty Gilpin and Gabrielle Creevy. Laura’s writing and producing credits for television include The Loudest Voice and four seasons of House of Cards . Laura's many plays include the critically acclaimed Sex with Strangers . She has also adapted many classic novels for the stage, including a highly successful version of Around the World in 80 Days . She has served as Artistic Director of Lookingglass Theatre Company in Chicago, where she also acted, directed, and produced in upwards of 20 shows. “I think the show conveys to the women watching that their lives matter. They don't have to be some gorgeous aspirational person, although Sloane absolutely fits that mold. But for others living in the Midwest, struggling and feeling unseen, hopefully, the mirrors of Lina and Maggie will help them not feel so alone and remind them that their stories are important and matter.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Building Worlds Beyond Modernity’s Double Fracture: A Discussion with Azucena Castro & Malcom Ferdinand 57:47
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu is delighted and privileged to be in conversation with Azucena Castro and Malcom Ferdinand. They start with a discussion of what Ferdinand calls the “double fracture”—the environmental division of humans from their connection to the biosphere, and the colonial division instantiated by white supremacism and patriarchy. He insists that we not see these two phenomena as separate, rather as intimately connected. This double fracture makes any attempts to solve either environmental violence or colonial violence ineffective. In her foreword to Ferdinand’s Decolonial Ecologies , Angela Y. Davis writes that as she read the book, she “recognized how perfectly his conceptualizations illuminate the frameworks we need for both philosophical and popular understandings of our planetary conditions today.” The conversation covers how art, film, and poetry can manifest some of those frameworks, and Azucena takes us into a deep discussion of this and reads two poems in Spanish and then in English translation and has Malcom gloss them for us. Azucena Castro is assistant professor at Rice University in Houston. Currently, she is a Swedish Research Council Postdoctoral Researcher at the Stockholm Resilience Center, Faculty of Science, Stockholm University. She held positions as a Postdoctoral Researcher in Latin American and Caribbean cultures at Stanford University and cultural geography at the Institute of Geography, University of Buenos Aires. Her scholarly work focuses on 20th and 21st-century Latin American cultural products through the lens of climate and energy justice, multispecies resistance, and anti-extractivist critique in the artivist scenes of South America, particularly, Southern Cone and Brazil. Azucena is the author of the book Poetic Postnatures. Ecological Thinking and Politics of Strangeness in Contemporary Latin American Poetry , Series SubAtlantic at De Gruyter (2025). She has edited the volume Futuros multiespecie. Prácticas vinculantes para un planeta en emergencia (Bartlebooth. Critical Spaces, 2023), and co-edited the Essay Cluster “GeoSemantics: Earthly Memories and Inhuman Becomings in the Global South” at ASAP /Journal. As part of her engagement with community-based research and collaborative filmmaking, she has co-developed the energy justice project “No aire, no te vendas” (Penn Environmental Humanities, University of Pennsylvania) focusing on winds in ancient cosmologies and human communities in the Afro-Wayúu territories of La Guajira, Colombia in the intersection of old and green extractivism. Malcom Ferdinand is an environmental engineer from University College London and doctor in political philosophy from Université Paris Diderot. He is now a researcher at the CNRS (IRISSO/University Paris Dauphine). At the crossroad of political philosophy, postcolonial theory and political ecology, his research focuses on the Black Atlantic and particularly the Caribbean. He explores the relations between current ecological crises and the colonial history of modernity. He published a book based on his PhD dissertation entitled Decolonial Ecology: Thinking of Ecology from the Caribbean World.( Polity 2021) that challenges classical environmental thoughts. He recently published an in-depth study of the pesticide contamination of martinique and Guadeloupe entitled S'aimer la Terre: défaire l'habiter colonial ( Seuil 2024). www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Shaping Iranian Diasporic Identities in Times of Crisis & Change: A Conversation with Persis Karim & Roya Ahmadi 37:17
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Persis Karim, co-producer and co-director of a new documentary film, The Dawn is Too Far: Stories of Iranian-American Life . She is joined by Roya Ahmadi, a student at Stanford who interned at the Center for Iranian Diaspora Studies at San Francisco State University and was part of the production team for the film. The film captures the lives of young Iranian-Americans who come to the San Francisco Bay Area around the time of the Iranian Revolution, and find themselves involved with, and helping to shape, a vibrant, international culture of politics and art. We talk about both the similarities and differences between those days and today—especially with regard to diasporic identity formation in different historical times, and the persistent need to resist racism and bigotry and act in solidarity with others. Persis Karim is the director of the Center for Iranian Diaspora Studies at San Francisco State University, where she also teaches in the Department of Humanities and Comparative and World Literature. Since 1999, she has been actively working to expand the field of Iranian Diaspora Studies, beginning with the first anthology of Iranian writing she co-edited, A World Between: Poems, Short Stories and Essays by Iranian-Americans . She is the editor of two other anthologies of Iranian diaspora literature: Let Me Tell You Where I’ve Been: New Writing by Women of the Iranian Diaspora , and Tremors: New Fiction by Iranian-American Writers . Before coming to San Francisco State, she was a professor of English & Comparative Literature at San Jose State where she was the founder and director of the Persian Studies program, and coordinator of the Middle East Studies Minor. She has published numerous articles about Iranian diaspora literature and culture for academic publications including Iranian Studies , Comparative Studies of South Asian, African and Middle East Studies (CSSAMES), and MELUS: Multi-Ethnic Literatures of the United States . “The Dawn is Too Far: Stories of Iranian-American Life,” is her first film project (co-directed and co-produced with Soumyaa Behrens). She received her Master’s in Middle East Studies and her Ph.D. in Comparative Literature from UT Austin. She is also a poet. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 The Dialectic is in the Sea: A Conversation with Christen A. Smith on the Work of Black Feminist Beatrix Nascimento 1:05:38
1:05:38 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:05:38
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode on Speaking Out of Place podcast Professor David Palumbo-Liu talks with Professor Christen A Smith on a new book she has co-edited entitled, The Dialectic is in the Sea: The Black Radical Thought of Beatrix Nascimento . Smith explains that “Beatriz Nascimento was a critical figure in Brazil’s Black Movement until her untimely death in 1995. Although she published only a handful of articles before she died and left only a few other recorded thoughts, her ideas about the symbolic relationship between quilombos (Afro-Brazilian maroon societies) and black subjectivity encourage us to re-imagine the meaning of Black liberation from a transnational, Black feminist perspective.” The conversation delves into Nascimento’s rich and complex cultural and intellectual productions, taking in everything from her films and essays to her student papers, which Smith and her co-editors include in their volume. Nascimento was also a poet, and we are grateful that Christen graces us with reading two poems in Portuguese and then in English translation. Christen A. Smith is Associate Professor of African American Studies and of Anthropology a Yale University. Before arriving at Yale, Smith was Associate Professor of Anthropology and African and African Diaspora Studies and Director of the Center for Women’s and Gender Studies at the University of Texas at Austin. She is the author of the book, Afro-Paradise: Blackness, Violence and Performance in Brazil (University of Illinois Press, 2016), co-author of the book The Dialectic is in the Sea: The Black Radical Thought of Beatriz Nascimento (Princeton University Press, 2023) and co-editor of Black Feminist Constellations: Black Women in Dialogue and Translation (University of Texas Press, 2023). In 2017, she started Cite Black Women.—a transnational initiative that brings awareness to society’s gross tendency to ignore Black women’s intellectual contributions and not to cite Black women inside and outside of the academy. www.palumbo-liu.com https://speakingoutofplace.com Bluesky @ palumboliu.bsky.social Instagram @ speaking_out_of_place…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life’s big questions? MAX RICHTER (Award-winning Composer & Pianist · His album Sleep is the most streamed classical album of all time) reflects on the importance of creativity and how literature, music, and visual art offer windows into other people’s perceptions and experiences, fostering understanding and connection. ETGAR KERET (Cannes Film Festival Award-winning Director · Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years ) shares insights from his upbringing and how his mother's storytelling shaped his perception of creativity and authenticity. ANTHONY JOSEPH (T.S. Eliot Prize-winning Poet, Novelist & Singer-songwriter · Author of Sonnets for Albert ) discusses the fragmented documentation of Caribbean life and how his poetry attempts to piece together these fragments. CLAUDIA FORESTIERI (Emmy Award-winning Writer · Creator of HBOMax’s Gordita Chronicles ) talks about the crucial role of immigrants in building and revitalizing America, portraying them as "Born Again Americans." BRIGITTE MUNOZ-LIEBOWITZ (Showrunner Gordita Chronicles · One Day at a Time ) highlights the inevitability of adversity in life and its role in fostering growth. She underscores the importance of a positive outlook in overcoming the challenges of immigration. JOHNJOE McFADDEN (Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe · Professor of Molecular Genetics at University of Surrey) explores the communicative power of art, detailing how complex ideas and feelings can be conveyed holistically. SHEHAN KARUNATILAKA (Booker Prize-winning Author of The Seven Moons of Maali Almeida ) discusses his choice of writing in the second person to explore the spiritual dimension. CATHERINE CURTIN (Actress · Stranger Things · Orange Is the New Black · Homeland ) reflects on creative freedom, experimental theater and her work in film and television. KATE MUETH (Founder/Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls) emphasizes the importance of connecting stories to meaning and how her creative process prioritizes authenticity and personal fulfillment over industry expectations. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Can We Redefine Our Relationship with Mother Earth? Scientists, Writers & Activists Speak Out 14:13
What can we learn from whales, the ways they communicate, and how their life cycle affects whole ecosystems, absorbing carbon and helping cool the planet? How have we contributed to the ecological degradation of the environment? How does language influence perception and our relationship to the more than human world? NAN HAUSER (Whale Researcher; President, Center for Cetacean Research & Conservation; Director, Cook Islands Whale Research) describes how a whale protected her from a tiger shark during an underwater filming session and reflects on their emotional connection. DAVID FARRIER (Author of Footprints: In Search of Future Fossils · Professor of the University of Edinburgh) explores the long-term impacts humans have on the environment, emphasizing the material legacies we leave behind for future generations. DANA FISHER (Director of the Center for Environment, Community, & Equity; Author of Saving Ourselves: From Climate Shocks to Climate Action) discusses her "apocalyptic optimism," arguing that significant social and environmental change is likely to occur in response to extreme risk events, which will drive mass mobilization. SIR GEOFF MULGAN Author of Another World is Possible: How to Reignite Social & Political Imagination; Professor of Collective Intelligence, Public Policy & Social Innovation at University College London) on the evolution and potential of the circular economy. He elaborates on how adopting practices that promote reusing and recycling can drastically reduce waste and resource consumption. LEAH THOMAS (Author of The Intersectional Environmentalist: How to Dismantle Systems of Oppression to Protect People + Planet; Founder of @greengirlleah & The Intersectional Environmentalist platform) advocates for an inclusive approach that addresses the specific environmental injustices faced by marginalized communities and encourages incorporating social justice into environmental advocacy. MAYA VAN ROSSUM (Founder of Green Amendments For The Generations; Leader of Delaware Riverkeeper Network; Author of The Green Amendment: The People's Fight for a Clean, Safe, and Healthy Environment) underscores the profound impact of pollution and environmental degradation on human lives and stresses the significance of storytelling that address these deep-rooted issues. MICHAEL CRONIN (Author of Eco-Travel: Journeying in the Age of the Anthropocene; Senior Researcher at the Trinity Centre for Literary & Cultural Translation) argues for horizontal relationships with the environment, moving away from hierarchical views, and emphasizes the need to recognize the non-human world. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Art, Community & Connection - Filmmakers, Musicians & Artists discuss their Creative Process 16:04
Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make? Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He underscores how music can transport individuals to different places and evoke emotional responses and relates his personal experiences of homesickness for his native Orkney. Debora Cahn (television creator, writer, and Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat ) discusses the craft of long-form storytelling in television. She highlights the process of building immersive worlds and the challenge of integrating ideas into narratives that resonate with audiences on a universal level. Julian Lennon (singer-songwriter and documentary filmmaker, founder of The White Feather Foundation, and photographer/author of Life’s Fragile Moments ) reflects on the influence of his heroes and teachers and remembers the thing his mother taught him. He speaks about the importance of empathy, respect, and positivity, and how these values shape his creative and humanitarian efforts. Ed Zwick (Academy-Award-winning writer, director, and producer, and author of Hits, Flops, and Other Illusions ) analyzes the elusive nature of talent and the magical moments in casting where undeniable potential shines through. Zwick shares insights into the subtle and unspoken aspects of directing that elevate a performance and bring a story to life. Chris Blackwell (Founder of Island Records and inductee of the Rock & Roll Hall of Fame) highlights the importance of instinct in recognizing and nurturing talent. He recounts his initial hesitation before signing Cat Stevens to Island Records. He shares how artistic partnerships grow out of personal connections and friendship. Joy Gorman Wettels (Executive producer of UnPrisoned and the founder of Joy Coalition) highlights stigmatized social issues through her storytelling. She emphasizes that humanizing these issues by creating relatable, empathetic characters can lead to real-world change and understanding. Rick Carnes (Songwriter and President of the Songwriters Guild of America) discusses the fundamental elements of songwriting and how music marks significant moments in people’s lives. He elaborates on his creative process and the importance of mindfulness and emotional awareness in writing meaningful songs. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Women, Politics & The Art of Diplomacy w/ DEBORA CAHN - Creator of Netflix’s THE DIPLOMAT starring Keri Russell
“The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they’ve negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction. I feel very fortunate that the medium I’m in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.” Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat , a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland , ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl , which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Awards for The West Wing and FX’s limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft. www.creativeprocess.info IG www.instagram.com/creativeprocesspodcast image credit: Alex Bailey / Netflix…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 THE DIPLOMAT with DEBORA CAHN - Emmy-winning Showrunner, Exec. Producer - The West Wing, Homeland 44:02
What are the unseen challenges faced by diplomats, and what role do they play in maintaining global order? How do TV shows influence our understanding of real-world politics? How do women navigate power, and what does it take for them to lead in politics? Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat , a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland , ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl , which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Awards for The West Wing and FX’s limited series Fosse/Verdon and the 2023 Quincy Award for Responsible Statecraft. “The question of who's good and who's bad is always front of mind for me because my basic goal is to get to the place where no one is good or bad; everybody is in an unspeakably complicated situation. From the very beginning of the series, this event happens. We believe that it was perpetrated by Iran. Fairly quickly, we learn through the relationships that have been built over time between our heroes, Kate and Hal, and people in other countries that they’ve negotiated with that the assumptions we're making are completely incorrect. In fact, the people we assume have some sort of malintent toward us are being falsely accused. Someone else is playing on the stereotypes we have of those people in order to send us off in the wrong direction. I feel very fortunate that the medium I’m in is television, which is a very long form of storytelling. You're not telling a single story; you're telling a world. You're inviting people into a world and asking them to live there with you and these characters for a period of time. The best I can do is build a world where people grapple with these important questions and try their best. All I can expect from people and from myself is that we're trying to do something larger than ourselves.” www.creativeprocess.info IG www.instagram.com/creativeprocesspodcast image credit: Netflix…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 The Art of Writing w/ Neil Gaiman, Ada Limón, Jericho Brown, E.J. Koh, Marge Piercy & Max Stossel 25:35
This episode explores the enduring power of storytelling to shape our world and illuminate the human experience. Writers Neil Gaiman, Ada Limón, Jericho Brown, E.J. Koh, Marge Piercy, and Max Stossel discuss creativity, resilience, and the power of words to heal and bring people together. Neil Gaiman (Writer, Producer, Showrunner · The Sandman , American Gods , Good Omens , Coraline ) explores the secret lives of writers, reflecting on the masks they wear in the pursuit of truth and beauty. Jericho Brown (Pulitzer Prize-winning Poet: The Tradition · Editor of How We Do It: Black Writers on Craft, Practice, and Skill ) shares “Foreday in the Morning”, highlighting the hard work and resilience in Black America. He examines the vernacular of his poetry and how it intertwines themes of race, nationality, and familial love. Ada Limón (U.S. Poet Laureate · The Hurting Kind , The Carrying ) presents an "apocalyptic love poem" that questions the intersection of despair and hope in today's changing world. She reflects deeply on the personal and universal struggles of finding beauty amidst environmental and existential crises. Marge Piercy (Award-winning Novelist, Poet & Activist) delves into the emotional weight of words and memories, the terror of child separation, and the impending doom facing our world due to environmental destruction and political negligence. E.J. Koh (Award-Winning Memoirist & Poet · The Magical Language of Others · A Lesser Love ) recounts a haunting family history from Jeju Island in Korea, emphasizing the lasting impacts of trauma and the collective memory of ancestral sufferings. Max Stossel (Award-winning Poet, Filmmaker, Speaker, Creator of Words That Move ) uses the metaphor of a boxing ring to discuss the complexities of human conflict and connection, encouraging a shift from adversarial relationships to collaborative problem-solving. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Harnessing Creativity to Heal & Unwind the Body & Mind w/ DR. JULIA CHRISTENSEN - Highlights 16:52
"The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.” Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it. https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxl www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 The Pathway to Flow with Neuroscientist, Fmr. Dancer DR. JULIA CHRISTENSEN 1:05:48
1:05:48 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:05:48
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяHow can we unlock a state of flow in our daily lives? How does connecting with nature influence our mental and physical well-being? How do movement, dance and play help us feel more creative, connected, and content? Dr. Julia F. Christensen is a Danish neuroscientist and former dancer currently working as a senior scientist at the Max Planck Institute for Empirical Aesthetics in Germany. She studied psychology, human evolution, and neuroscience in France, Spain and the UK. For her postdoctoral training, she worked in international, interdisciplinary research labs at University College London, City, University London and the Warburg Institute, London and was awarded a postdoctoral Newton International Fellowship by the British Academy. Her new book The Pathway to Flow is about the science of flow, why our brain needs it and how to create the right habits in our brain to get it. "The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.” https://www.linkedin.com/in/dr-julia-f-christensen-36539a144https://www.instagram.com/dr.julia.f.christensen?igsh=cHZkODgxczJqZmxl www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Hans Scherhaufer…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 The New Indonesian Regime & Revitalizing the Decolonial Critique 1:10:12
1:10:12 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:10:12
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяToday, Sunday morning, October 20, former general Prabowo Subianto is being sworn in as Indonesia’s new president. In this episode on Speaking Out of Place podcast Professor David Palumbo-Liu and Azeezah Kanji talk with Intan Paramaditha and Michael Vann about the road leading up to this inauguration, beginning in the 1960s with the Suharto regime. Prabowo is a strong-arm authoritarian figure with a bloody record of human rights violations, yet he has remade his image as a cuddly, elder populist figure. We spend some time talking about how his regime is likely to continue, if not accelerate, aggressive and brutal economic development policies that have wrecked the environment and displaced Indigenous peoples. We talk a lot about how both the Indonesian media and some of its art world has been enlisted to promote this regime, and how decolonial feminists and others have taken on the task to both resist and present, and embody, other ways of being through listening to and engaging with voices from outside Jakarta and the liberal elites. www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 www.instagram.com/speaking_out_of_place…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 How Our Brains Choose What to Learn & Navigate Uncertainty - Highlights - JACQUELINE GOTTLIEB 16:00
“I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.” Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Curiosity, Cognition & Creativity with Neuroscientist DR. JACQUELINE GOTTLIEB 1:03:07
1:03:07 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:03:07
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяWhat ignites curiosity in humans? How does our brain select things we need to know and ignore what isn’t essential? How does our perception shape what we know about the world? Dr. Jacqueline Gottlieb is a Professor of Neuroscience and Principal Investigator at Columbia University’s Zuckerman Mind Brain Behavior Institute. Dr. Gottlieb studies the mechanisms that underlie the brain's higher cognitive functions, including decision making, memory, and attention. Her interest is in how the brain gathers the evidence it needs—and ignores what it doesn’t—during everyday tasks and during special states such as curiosity. “I came to neuroscience from a humanistic perspective. I was very interested to find out who we are. What do we know? What do we think we know? Why do we think we know certain things? How do we see things? How do we perceive them? Ultimately, the question behind curiosity is what things we find interesting in our environment. The way I think about eye movements is that they really are trained in some largely subconscious process.” www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
“Often when people write or make movies about romances with young adults, I think they are very flippant about it and don't take it seriously. But I think that those friendships and romantic relationships are some of the most important ones because they really set the stage for the rest of our lives. If your first relationship is incredibly toxic and damaging, it can take you years to figure out that that's not normal, and that that's not actually how relationships are meant to be.” Meaghan Oppenheimer is a screenwriter, executive producer, and showrunner who tells stories driven by flawed, deeply human characters and the relationships between them. She’s behind Hulu’s drama series Tell Me Lies , starring Grace Van Patten and Jackson White and adapted from Carola Lovering’s novel of the same name. Her earlier projects include the 2015 film We Are Your Friends , starring Zac Efron as a passionate young DJ, and the 2018 drama series Queen America , set in Oppenheimer’s hometown of Tulsa, Oklahoma and starring Catherine Zeta-Jones. Season 2 of Tell Me Lies will premiere September 4th on Hulu. Oppenheimer is also currently developing the upcoming Hulu show Second Wife , to star Tom Ellis and Emma Roberts. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 How can journalism make people care about crises & create solutions? - Highlights - NICHOLAS KRISTOF 16:26
"When we wrote Half the Sky about empowering women around the world, if it had been just a woman writing that book, it would have been marginalized as just a woman's issue. And it would have been weird if it had been just a man writing it, but I think a man and a woman addressing gender inequity together underscores that this is an issue that affects all of us, whatever our sex. And that we all have to get to work to try to address it. So, it's been a wonderful partnership. I'm trying to get people to care about a crisis in ways that may bring solutions to it. And that's also how I deal with the terror and the fear to find a sense of purpose in what I do. It's incredibly heartbreaking to see some of the things and hear some of the stories, but at the end of the day, it feels like–inconsistently here and there–you can shine a light on problems, and by shining that light, you actually make a difference." Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times , where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life , and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope , A Path Appears , Half the Sky , Thunder from the East , and China Wakes . www.nytimes.com/column/nicholas-kristof www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
How can journalism make people care and bring about solutions? What role does storytelling play in shining a light on injustice and crises and creating a catalyst for change? Nicholas D. Kristof is a two-time Pulitzer-winning journalist and Op-ed columnist for The New York Times , where he was previously bureau chief in Hong Kong, Beijing, and Tokyo. Kristof is a regular CNN contributor and has covered, among many other events and crises, the Tiananmen Square protests, the Darfur genocide, the Yemeni civil war, and the U.S. opioid crisis. He is the author of the memoir Chasing Hope, A Reporter's Life , and coauthor, with his wife, Sheryl WuDunn, of five previous books: Tightrope , A Path Appears , Half the Sky , Thunder from the East , and China Wakes . "When we wrote Half the Sky about empowering women around the world, if it had been just a woman writing that book, it would have been marginalized as just a woman's issue. And it would have been weird if it had been just a man writing it, but I think a man and a woman addressing gender inequity together underscores that this is an issue that affects all of us, whatever our sex. And that we all have to get to work to try to address it. So, it's been a wonderful partnership. I'm trying to get people to care about a crisis in ways that may bring solutions to it. And that's also how I deal with the terror and the fear to find a sense of purpose in what I do. It's incredibly heartbreaking to see some of the things and hear some of the stories, but at the end of the day, it feels like–inconsistently here and there–you can shine a light on problems, and by shining that light, you actually make a difference." www.nytimes.com/column/nicholas-kristof www.penguinrandomhouse.com/books/720814/chasing-hope-by-nicholas-d-kristof Family vineyard & apple orchard in Yamhill, Oregon: www.kristoffarms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: David Hume Kennerly…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science with RENÉE BERGLAND 1:00:31
1:00:31 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:00:31
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяHow do the works of Emily Dickinson and Charles Darwin continue to influence our understanding of nature, ecological interdependence, and the human experience? How does understanding history help us address current social and environmental issues. How can dialogues between the arts and sciences foster holistic, sustainable solutions to global crises? Renée Bergland is a literary critic, historian of science, and educator. As a storyteller, Bergland connects the lives of historical figures to the problems of the present day. As an educator, she emphasizes the interdisciplinary connections between the sciences and humanities. A longtime professor at Simmons University, where she is the Program director of Literature and writing, Bergland has also researched and taught at institutions such as Dartmouth College, Harvard University, and MIT. Bergland’s past published titles include Maria Mitchell and the Sexing of Science: An Astronomer Among the American Romantics and The National Uncanny: Indian Ghosts and American Subjects . Her most recent book, Natural Magic: Emily Dickinson, Charles Darwin, and the Dawn of Modern Science , was published in April of 2024. It explores Dickinson and Darwin’s shared enchanted view of the natural world in a time when poetry and natural philosophy, once freely intertwined, began to grow apart. “One of the poems of Dickinson's that I think explains Darwin the best starts out, ‘There is a flower that bees prefer / and butterflies desire.’ She's talking about the clover, and in that poem she describes the clover and the grass as kinsmen. They're related to each other, but they're contending, she says, for sod and sun. They are competing to see who can get the most soil, the most nutrients, but she calls them ‘sweet litigants for life.’ And that interpretation of Darwinism, where they're sweet and they're struggling, but they're both actually litigants for life, they're both arguing for the biosphere and advocates—that takes us back to the first lines of the poem. ‘There's a flower that bees prefer / and butterflies desire.' The way that the clover and the grass compete is by trying to see who can be more beautiful, who can be more brightly colored, who can smell better, who can lure more pollinators, more insects and birds and collaborate better with them, and have a better chance of surviving. That is certainly a version of survival of the fittest, but it's not a dog eat dog violent version. It's a version where the way you get a generational advantage, and perhaps have more little clovers following in your footsteps, is by collaborating better, by making yourself more beautiful, more alluring, and more inviting, inviting pollinators to work with you. That's straight from Darwin. Darwin's very clear in On the Origin of Species that when he talks about the struggle for life, he's primarily talking about co-adaptation and collaboration between species that can learn to work together. He's the one who actually, as he explains the struggle for life, says it's nothing like two dogs fighting over a bone. That's not what it is. But unfortunately, a lot of that co-adaptation language got lost in the popular imagination. And that's one of the reasons that turning to Dickinson can help us understand—because she so beautifully depicts a Darwinian world where, yes, there's death, but there's more than anything, there's life.” www.reneebergland.com https://press.princeton.edu/books/hardcover/9780691235288/natural-magic www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 PRIYAMVADA GOPAL & FRANÇOISE VERGÈS on the Recent Elections in Britain & France 1:06:53
1:06:53 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:06:53
Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається"I would say what we can celebrate is the incredible mobilization of the young people. They went everywhere, they knocked on the door, they mobilized. This was an incredible, incredible mobilization. So that was extraordinary because it showed real mobilization and an understanding that the National Rally was a real threat. We knew that if they came to power, the first people who would be targeted would be people of color, and that was absolutely clear." For our snap episode on the snap elections in the UK and France, Professor David Palumbo-Liu and Azeezah Kanji talk with eminent decolonial scholar activists, Françoise Vergès in France and Priyamvala Gopal in the UK. Following the defeat of right wing parties in both countries in the polls, we discuss what's changed with the elections, what hasn't changed, and what should movements, activists, and organizers be focusing on. Priyamvada Gopal is Professor of Postcolonial Studies at the Faculty of English, University of Cambridge and Professorial Fellow, Churchill College. Her present interests are in the literatures, politics, and cultures of empire, colonialism and decolonisation. She has related interests in the novel, South Asian literature, and postcolonial cultures. Her published work includes Literary Radicalism in India: Gender, Nation and the Transition to Independence (Routledge, 2005), After Iraq: Reframing Postcolonial Studies (Special issue of New Formations co-edited with Neil Lazarus), The IndianEnglish Novel: Nation, History and Narration (Oxford University Press, 2009) and, most recently, I nsurgent Empire: Anticolonial Resistance and British Dissent (Verso, 2019) which was shortlisted for the British Academy Prize for Global Cultural Understanding and the Bread and Roses Prize. Her writing has also appeared in The Hindu, Outlook India, India Today, The Independent, Prospect Magazine, The New Statesman, The Guardian, Al-Jazeera English (AJE) and The Nation (USA). She is working on a new project called Decolonization: the Life and Times of an Idea which examines a range of thinkers, contexts and struggles across the Global South. Françoise Vergès is a writer and decolonial antiracist feminist activist. A Reunionnese, she received an education that ran counter to the French hegemonic school from her anticolonial communist and feminist parents and the members of their organisations. She received her Ph.D in Political Theory from Berkeley University in 1995. She remained an activist during these years, collaborated on Isaac Julien’s film "Black Skin, White Masks » and published in feminist and theory journals. She has taught at Sussex University and Goldsmiths College and has been a visiting professor at different universities. She has never held a teaching position in France but created the Chair Global South(s) at Collège d’études mondiales where she held workshops on different topics (2014-2018). She was president of the National Committee for the History and Remembrance of Slavery (2009-2012), was a co-founder of Decolonize the Arts (2015-2020), the director of the scientific and cultural programme for a museum project in Reunion Island (2004-2010, a project killed by the State and the local conservatives). She is the convener and curator of L’Atelier a collective and collaborative seminar/public performance with activist and artists of color. Recent publications include: Programme de désordre absolu. Décoloniser le musée (2023), A Feminist Theory of Violence (2021), De la violence coloniale dans l’espace public (2021), T he Wombs of Women. Capital, Race, Feminism (2021), A Decolonial Feminism (2020). www.palumbo-liu.com https://speakingoutofplace.com https://twitter.com/palumboliu?s=20 www.instagram.com/speaking_out_of_place…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
“I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.” S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia? S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. “I like to think of utopianism as “effective social daydreaming” because utopia is associated with consciously imagining societies. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous.” https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 VILHELM HAMMERSHØI: Silence 6:43
Can silence be painted? How can artists capture interior states, solitude, and the passing of time? How are the homes we live in a reflection of the people who inhabit them? How can we read a painting to piece together the life of the artist? From 1 June to 13 July 2024, Hauser & Wirth presents Vilhelm Hammershøi: Silence in its new gallery location in Basel. This exhibition celebrates the renowned Danish artist, Vilhelm Hammershøi, for its first solo exhibition, and presents 16 works from private collections curated by art historian Felix Krämer. Art historian and writer Florian Illies commented on Hammershøi's work: “One often forgets that Hammershøi, despite this self-restraint, was an artist who had traveled a lot…who knew the artists of his time. But its effect was completely different…He does the exact opposite to everyone else. And it is precisely this difference that makes him so special. This mystery is what makes him so compelling to us today.” Hammershøi’s works defy genre or movements, utilizing elements inspired by the Old Master in combination with his present, private sphere, and speak to contemporary viewers with timeless motifs, yet communicate profound meanings between themselves. https://www.hauserwirth.com/hauser-wirth-exhibitions/vilhelm-hammershoi-silence www.hauserwirth.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Interior with the Artist’s Wife, Seen from Behind 1901 Oil on canvas 45 x 39 cm / 17 3/4 x 15 3/8 in Photo: Annik Wetter Photographie Image courtesy of Hauser & Wirth…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Making Impactful Films with Oscar & Emmy-winning Director SHARMEEN OBAID-CHINOY - Highlights 10:29
“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman. In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time. You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.” Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women? Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. “As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman. In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time. You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.” www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
How can we show more kindness, respect, and love to the animals we share this planet with? What lessons can we learn from non-human animals about living in greater harmony with nature? Ingrid Newkirk is the Founder and President of PETA, actively leading the organization and advocating for animal rights. PETA is the largest animal rights organization in the world with more than 9 million members and supporters globally. Under her leadership, PETA has achieved significant victories, such as ending car-crash tests on animals, pushing major fashion brands to go fur-free, influencing Ringling Bros. to become an animal-free circus, and helping pass a law that allows the U.S. Food and Drug Administration to approve new medications without conducting cruel tests on animals. Ingrid has written 14 books and has been featured in major publications like The New Yorker and The Guardian, and was the subject of HBO's documentary I Am an Animal and was named one of Forbes’ “100 Most Powerful Women.” She joined One Planet Podcast to reflect on her 75 years as animal rights advocate. “I think things do change because of agitation. So agitation is vital. I mean, nobody who is in a cause should be there to win a popularity contest, whether you're working for children or the elderly or working for peace animals, it's all against nonviolence, aggression, domination, and needless cruelty and suffering. It's all for respect. So you have to be vigorous. You have to use your voice. You can use it politely, but if people don't listen, at PETA, we escalate. So we always start off with a polite letter, a polite entreaty. We always try to, as I say, do the homework. So we have the options that we put out on the table to say, look, instead of doing this, you could do that, and we will help you transition to that. They’re not human traits. They’re all shared traits because, of course, we all love. We all love our families, or not. We all grieve if somebody we love disappears or dies. A family dog, perhaps. A grandfather. We all feel loneliness, we all feel joy. We all really value our freedom. And so I think, if anything, looking into the eyes of the animal, even online, you see a person in there. There’s a someone in whatever the shape or the physical properties of that individual are. And that lesson is that I am you. You are me, only different. We are all the same in all the ways that count…Any living being teaches you– Look into my eyes. And there you are, the reflection of yourself. So we need to learn from the animals how to live more gently and consume less and be more thoughtful and look out for each other in this great circle of life.” www.peta.org www.ingridnewkirk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Apocalyptic Optimism: How We Can We Save Ourselves from the Climate Crisis? - Highlights - DANA FISHER 14:44
“I call myself an apocalyptic optimist. In other words, I do believe there is hope to save ourselves from the climate crisis that we have caused. However, I also believe that saving ourselves will only be possible with a mass mobilization that is driven by the pain and suffering of climate shocks around the world. A generalized sense of extreme risk can lead to peaceful and less-peaceful mass mobilizations at the levels needed to stimulate an AnthroShift. Only a global risk event (or numerous smaller events that are seen as threatening social and economic centers of power) will motivate the kind of massive social change that is needed. In other words, without a risk pivot—be it driven by social or environmental change—an AnthroShift that is large enough to respond adequately to the climate crisis and open a large enough window of opportunity postshock is improbable. At this point, it is impossible to predict if such a shock will come from ecological disaster, war, pandemic, or another unforeseen risk. What is certain, though, is that without such a shock that motivates an AnthroShift large enough to reorient all the sectors of society to respond meaningfully to the climate crisis, it is hard to envision the world achieving the levels of climate action needed. Instead, the best we can hope for is incremental change that does not disrupt the dominant nodes of political and economic power; such incremental change has the potential to reduce the gravity of the crisis, but it will not stop the coming climate crisis.” – Saving Ourselves: From Climate Shocks to Climate Action Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action. https://danarfisher.com https://cece.american.edu www.acc.gov www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
How can we make the radical social changes needed to address the climate crisis? What kind of large ecological disaster or mass mobilization in the streets needs to take place before we take meaningful climate action? Dana R. Fisher is the Director of the Center for Environment, Community, & Equity and Professor in the School of International Service at American University. Fisher’s research focuses on questions related to democracy, civic engagement, activism, and climate politics. Current projects include studying political elites’ responses to climate change, and the ways federal service corps programs in the US are integrating climate into their work. She is a self-described climate-apocalyptic optimist and co-developed the framework of AnthroShift to explain how social actors are reconfigured in the aftermath of widespread perceptions and experiences of risk. Her seventh book is Saving Ourselves: From Climate Shocks to Climate Action. “I call myself an apocalyptic optimist. In other words, I do believe there is hope to save ourselves from the climate crisis that we have caused. However, I also believe that saving ourselves will only be possible with a mass mobilization that is driven by the pain and suffering of climate shocks around the world. A generalized sense of extreme risk can lead to peaceful and less-peaceful mass mobilizations at the levels needed to stimulate an AnthroShift. Only a global risk event (or numerous smaller events that are seen as threatening social and economic centers of power) will motivate the kind of massive social change that is needed. In other words, without a risk pivot—be it driven by social or environmental change—an AnthroShift that is large enough to respond adequately to the climate crisis and open a large enough window of opportunity postshock is improbable. At this point, it is impossible to predict if such a shock will come from ecological disaster, war, pandemic, or another unforeseen risk. What is certain, though, is that without such a shock that motivates an AnthroShift large enough to reorient all the sectors of society to respond meaningfully to the climate crisis, it is hard to envision the world achieving the levels of climate action needed. Instead, the best we can hope for is incremental change that does not disrupt the dominant nodes of political and economic power; such incremental change has the potential to reduce the gravity of the crisis, but it will not stop the coming climate crisis.” – Saving Ourselves: From Climate Shocks to Climate Action https://danarfisher.com https://cece.american.edu www.acc.gov www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Credit Sarah Fillman from FillmanFoto, 2023…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
1 Working to Restore: Harnessing the Power of Business to Heal the Earth - Highlights - ESHA CHHABRA 14:26
"At the end of 2019, I started a tea company. It's called Alaya Tea. We do loose leaf organic tea, and we source as regeneratively as possible, but the packaging was a real headache. We didn't want to do glass because it's too difficult to ship. Aluminum has its own challenges, and the other option is plastic stand up pouches, and you can get a lot of them that are made out of recycled plastics. But we decided to go down the compostable route. Now, even compostable is not a hundred percent solution at the moment. The supply chain of compostables is also very complex. And there's some good compostables, and there's some not so good compostables. And it was a real experience to see what it's like for businesses when they're trying to figure out these solutions. You start to empathize and you really start to understand that this is not easy stuff to figure out because, yes, the materials can exist out there. And yes, there are innovations happening with seaweed and mushrooms and all these other things, but does it work for a business?" Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth. www.eshachhabra.com www.beacon.org/Working-to-Restore-P2081.aspx www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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Feminism, Women’s Stories: The Creative Process: Empowering Stories, Inspiring Women, Gender Equality, Women's Rights & Empowerment
What is regenerative business? How can we create a business mindset that addresses social, economic and environmental issues? Esha Chhabra has written for national and international publications over the last 15 years, focusing on global development, the environment, and the intersection of business and impact. Her work has been featured in The New York Times, The Economist, The Guardian, and other publications. She is the author of Working to Restore: Harnessing the Power of Business to Heal the Earth. “There’s a lot of greenwashing that's going on these days. It is great marketing. And that was really the reason why I wrote this book. I had started to see the patterns. You can start to tell them the companies that are genuinely doing it versus the companies that are just talking about it. So that was one indicator, you know, a company that would send out a press release about their goals and what they anticipated to do in the next 5 to 10 years was very different from companies who had said, you know what, this is what we've achieved. Regenerative started coming into the lexicon, the term in 2017, 2018. And regenerative means to regenerate, means to bring life into something. To sustain means to keep the status quo. And regenerative looks at things from a very holistic lens. You know, it's like if you're going to run a regenerative farm, it's all the different components of the farm and the ecosystem ideally come within the ecosystem.” www.eshachhabra.com www.beacon.org/Working-to-Restore-P2081.aspx www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
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