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Вміст надано PJ Mathews. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією PJ Mathews або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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This Is Woman's Work with Nicole Kalil


1 Unlocking Your Hidden Genius: How to Harness Your Innate Talents with Betsy Wills & Alex Ellison | Ep. 289 32:08
Did you know there’s an actual science to uncovering your hidden genius? It’s not about filling out a “dream job” worksheet—it’s about understanding how your brain is wired, identifying your natural aptitudes, and using them to thrive. This isn’t just a self-discovery exercise. It’s a game-changer for your career, your relationships, and how you show up in the world. Betsy Wills and Alex Ellison are redefining how we approach career discovery, proving that finding the right path isn’t just about landing a job—it’s about creating a life that aligns with who you actually are. ✅ Betsy Wills – Cofounder of YouScience, a groundbreaking psychometric assessment platform reshaping how we understand our talents. She’s also the Director of Marketing & Branding at Diversified Trust and a frequent lecturer at Vanderbilt University and NYU’s Stern School of Business. ✅ Alex Ellison – Founder of Throughline Guidance, a global college and career counseling practice. She’s a sought-after writer, speaker, and expert in college readiness and career development. ✅ Together, they co-authored Your Hidden Genius: The Science-Backed Strategy to Uncovering and Harnessing Your Innate Talents. Discovering your hidden genius isn’t just about career success—it’s about tapping into what makes you, you . Connect with Betsy & Alex: Website (Free Downloads): www.yourhiddengenius.com Book: https://www.harpercollins.com/products/your-hidden-genius-elizabeth-m-willsalexandra-ellison Related Podcast Episodes: How To Be You, But Better with Olga Khazan | 288 Finding Purpose Through Human Design with Emma Dunwoody | 228 195 / Finding (And Using) Your Voice with Amy Green Smith Share the Love: If you found this episode insightful, please share it with a friend, tag us on social media, and leave a review on your favorite podcast platform! 🔗 Subscribe & Review: Apple Podcasts | Spotify | Amazon Music…
UCD Scholarcast - Series 2: Archaeologies of Art: Papers from the Sixth World Archaeological Congress
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Scholarcast 11: Art and Archaeology: Reflections of an Artist/Curator
Manage episode 151453372 series 1028270
Вміст надано PJ Mathews. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією PJ Mathews або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
The presentation is based on my own experience as an artist/practitioner and the experience gained as Director/curator of Sculpture in the Parklands working with both Irish and international artists who have created new artworks that respond to the rich environmental, archaeological and industrial history of Lough Boora, County Offaly. For over 25 years my artwork has explored the subtleties of ritual and imagination. I create artefacts that often combine the textured surfaces and flowing lines of our past with the strong and austere forms of modern architecture. The ultimate goal is to create a work of art that is timeless, thought provoking and responsive to the human spirit. As Director and curator of Sculpture in the Parklands I have been an observer of artistic practice as opposed to directly involved in it. The sculpture park is located in a cut away bog that has been brought back to life over the past ten years through the introduction of lakes and wetland habitats. The sculpture project has added another layer of engagement for visitors to the area by combining visual and conceptual interpretations of geography, landscape, the industrial history of peat harvesting and the people who had lived and worked there. Besides permanent or time based work, the project has a commitment to commissioning video artists, composers, writers and performance artists to interpret and document this unique landscape, archaeology and industrial history.
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5 епізоди
Manage episode 151453372 series 1028270
Вміст надано PJ Mathews. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією PJ Mathews або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
The presentation is based on my own experience as an artist/practitioner and the experience gained as Director/curator of Sculpture in the Parklands working with both Irish and international artists who have created new artworks that respond to the rich environmental, archaeological and industrial history of Lough Boora, County Offaly. For over 25 years my artwork has explored the subtleties of ritual and imagination. I create artefacts that often combine the textured surfaces and flowing lines of our past with the strong and austere forms of modern architecture. The ultimate goal is to create a work of art that is timeless, thought provoking and responsive to the human spirit. As Director and curator of Sculpture in the Parklands I have been an observer of artistic practice as opposed to directly involved in it. The sculpture park is located in a cut away bog that has been brought back to life over the past ten years through the introduction of lakes and wetland habitats. The sculpture project has added another layer of engagement for visitors to the area by combining visual and conceptual interpretations of geography, landscape, the industrial history of peat harvesting and the people who had lived and worked there. Besides permanent or time based work, the project has a commitment to commissioning video artists, composers, writers and performance artists to interpret and document this unique landscape, archaeology and industrial history.
…
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5 епізоди
Усі епізоди
×Is archaeology a science? Is archaeology a humanity? What are the politics of spectatorship and archaeological representation? These initial thoughts form the basis for our archaeological explorations. Within current archaeological discourse, there are a growing number of requests for expressions, which illuminate and expose the interpretive and artistic qualities of presentation and narration. Yet few scholars actively utilise expressive practice to explore these philosophical issues. As such, we feel that this is an opportune time to intervene in the visual and textual discourse by issuing a manifesto for our project, building upon our previous works (e.g. Cochrane and Russell 2007). We call for the development of a critically reflexive practice of visual archaeological expressionism, which seeks to contest traditional modes of thought and action.…
The presentation is based on my own experience as an artist/practitioner and the experience gained as Director/curator of Sculpture in the Parklands working with both Irish and international artists who have created new artworks that respond to the rich environmental, archaeological and industrial history of Lough Boora, County Offaly. For over 25 years my artwork has explored the subtleties of ritual and imagination. I create artefacts that often combine the textured surfaces and flowing lines of our past with the strong and austere forms of modern architecture. The ultimate goal is to create a work of art that is timeless, thought provoking and responsive to the human spirit. As Director and curator of Sculpture in the Parklands I have been an observer of artistic practice as opposed to directly involved in it. The sculpture park is located in a cut away bog that has been brought back to life over the past ten years through the introduction of lakes and wetland habitats. The sculpture project has added another layer of engagement for visitors to the area by combining visual and conceptual interpretations of geography, landscape, the industrial history of peat harvesting and the people who had lived and worked there. Besides permanent or time based work, the project has a commitment to commissioning video artists, composers, writers and performance artists to interpret and document this unique landscape, archaeology and industrial history.…
This short paper offers a personal reflection based on the author’s involvement in the reconstruction phase of the Francis Bacon studio project. During this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn with the debris of his creative practice, and its walls - which played the role of artist’s pallete - embellished with vibrant pigments. The paper draws on ‘rubbish theory’ relating to the aesthetics of industrial ruins exemplified in the work of Tim Edensor. This research provides a way of exploring why Bacon may have found working in the archaeological equivalent of a ‘midden’ both an efficacious and enjoyable process.…
Professor Bailey discusses the various relationships between art and archaeology, and argues that the most exciting current work is pushing hard against the boundaries of both disciplines. His proposal is for archaeologists and artists to take big risks in their work and to cut loose the restraints of their traditional subject boundaries. The result will be work that is neither art nor archaeology, but something else altogether and something that can take the study of human nature into uncharted and exciting new territories.…
Ian Russell introduces Series 2 of UCDscholarcast. In the summer of 2008, Ian Russell curated a series of contemporary art projects entitled Abhar agus Meon as part of Ireland’s hosting of the Sixth World Archaeological Congress at University College Dublin. The projects were placed in the shared spaces between the contemporary arts, archaeology and heritage in Ireland. This introduction is a reflective statement and contextualization of the projects and the intellectual history of the relationship between art and archaeology.…
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