In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Popcorn Eschaton 32 - 'Only Yesterday' And 'My Neighbor Totoro'
Manage episode 416164531 series 1434134
Вміст надано Zebras In America. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Zebras In America або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Manage episode 416164531 series 1434134
Вміст надано Zebras In America. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Zebras In America або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Scott and John continue to explore the world of animation, this time journeying to the Japanese countryside to celebrate a pair of Studio Ghibli films. First, they discuss the 1991 Isao Takahata-directed classic film of nostalgia and self-discovery, 'Only Yesterday.' Then they explore perhaps the most signature Ghibli film (and character), the Hayoo Miyazaki classic 'My Neighbor Totoro.' Logo designed by Jesse Arnold (https://www.instagram.com/just.shelve.it/) Theme music is "Sun Blood" by Oxeneers (https://oxeneers1.bandcamp.com/ Music sample comes from the track "A Soaking Wet Creature" from the 'My Neighbor Totoro' soundtrack, composed by Joe Hisaish
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