In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано Zebras In America. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Zebras In America або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Popcorn Eschaton 19 - 'Modern Times' And 'They Live' With Prof. Stephen McFarland
Manage episode 380360531 series 1434134
Вміст надано Zebras In America. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Zebras In America або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Manage episode 380360531 series 1434134
Вміст надано Zebras In America. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Zebras In America або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Professor Stephen McFarland joins Scott and John to discuss Charlie Chaplin's 'Modern Times,' John Carpenter's 'They Live,' and the representation of the working poor on film. What does the staying power of Chaplin's "The Tramp" say about how we view the oppressed? What does the vision of society in 'They Live' tell us about how the media itself views those same oppressed people? All this, and all the shirtless Roddy Piper talk you can handle on Popcorn Eschaton! Logo designed by Jesse Arnold (https://www.instagram.com/just.shelve.it/) Theme music is "Sun Blood" by Oxeneers (https://oxeneers1.bandcamp.com/
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Схожі до Zebras In America
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