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7: Ep 007 - How Kiran Rao rewrote women in Hindi cinema
Manage episode 419942015 series 3404541
Вміст надано The Podcaster - The Way We Were. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Podcaster - The Way We Were або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Laapataa Ladies' title is perhaps indicative of the absence of women in male-centric mainstream entertainment. Of women who are not just decorative, pliant, seductive or suffering endlessly to justify their prominence in a narrative. If you want to see how differently men and women portray female characters , watch Imtiaz Ali's 'She' and Maria Schrader's 'She Said.' The woman in 'She' is a manipulated, sexualised, brutalised being who finds her power in seduction and 'She Said' is the real story of two mothers/journalists who together ended Harvey Weinstein's reign of horror and abuse.
'Laapataa Ladies' is also path breaking in its intention to portray 'ordinary' women as heroic. They don't have to go through great degradation, oppression and pain in order to qualify for greatness. They are not sacrificial mothers, avenging angels, preoccupied with men or children. Feminism here is articulated by women as the freedom to be who they truly are. Unlike Bhansali's cinema where feminine suffering is endlessly glorified.
'Laapataa Ladies' is also path breaking in its intention to portray 'ordinary' women as heroic. They don't have to go through great degradation, oppression and pain in order to qualify for greatness. They are not sacrificial mothers, avenging angels, preoccupied with men or children. Feminism here is articulated by women as the freedom to be who they truly are. Unlike Bhansali's cinema where feminine suffering is endlessly glorified.
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