Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Вміст надано Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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008: The decline and fall of an orchestra player
MP3•Головна епізоду
Manage episode 436569242 series 2359277
Вміст надано Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Akiko is back to take on what could be a depressing subject: the inevitable erosion of your skills as a violinist when you play in an orchestra. But don’t every violinist’s skills go away eventually, or is there something about being in an orchestra that makes it happen faster? We got the idea for this episode from listener Helen Smit, who brought my attention to a discussion thread over at violinist.com: http://www.violinist.com/discussion/thread.cfm?page=1105 As it happened, I had actually read that thread without commenting, and found it very interesting. It all started with a young person wondering if she had a chance to make it as a professional. That’s a pretty common question over at v.com, and this was a more enlightening thread than some of those can be. A lot of comments warned the original poster against putting too much stock in a pro orchestra career, partly because it’s so competitive, and then because one’s skills are bound to disappear. So in this episode, we get into whether or not that’s true, and if so, what is it about the orchestra life that contributes to it? And is there anything we can do about it?
…
continue reading
69 епізодів
MP3•Головна епізоду
Manage episode 436569242 series 2359277
Вміст надано Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Nathan Cole and Akiko Tarumoto, Nathan Cole, and Akiko Tarumoto або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Akiko is back to take on what could be a depressing subject: the inevitable erosion of your skills as a violinist when you play in an orchestra. But don’t every violinist’s skills go away eventually, or is there something about being in an orchestra that makes it happen faster? We got the idea for this episode from listener Helen Smit, who brought my attention to a discussion thread over at violinist.com: http://www.violinist.com/discussion/thread.cfm?page=1105 As it happened, I had actually read that thread without commenting, and found it very interesting. It all started with a young person wondering if she had a chance to make it as a professional. That’s a pretty common question over at v.com, and this was a more enlightening thread than some of those can be. A lot of comments warned the original poster against putting too much stock in a pro orchestra career, partly because it’s so competitive, and then because one’s skills are bound to disappear. So in this episode, we get into whether or not that’s true, and if so, what is it about the orchestra life that contributes to it? And is there anything we can do about it?
…
continue reading
69 епізодів
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