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264: brad allen williams
Manage episode 407103788 series 3557786
Вміст надано Leo Sidran. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Leo Sidran або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
brad allen williams is not only a great guitar player but also a serious recording engineer, and someone who understands both the technical and emotional sides to record making. Known for his work with Jose James, Nate Smith and Brittany Howard, he released his album œconomy on Pete Min’s Colorfield label earlier this year.
Like all Colorfield releases, œconomy was born from an improvisatory spirit that reflects the label’s mission. Artists show up to the recording sessions with nothing written. They create spontaneously in the studio and then edit, arrange, and develop those improvisations into their record. In the case of brad’s œconomy album, he added string arrangements to his free form compositions and a few virtuosic cameos by drummer Mark Guiliana.
This conversation is an exploration of that process and a master class in Memphis music history, a meditation on the merits of music with “layered emotions”, a conversation about the relationship between suffering and art, connecting the threads of noise rock and bebop, specialization vs broad knowledge, the value of vulnerability in music, why he doesn’t capitalize his name, and the journey that led him from Memphis to Los Angeles by way of Southern Mississippi, North Texas, New Jersey, New York, and the moon.
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