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On this episode of Advances in Care , host Erin Welsh and Dr. Craig Smith, Chair of the Department of Surgery and Surgeon-in-Chief at NewYork-Presbyterian and Columbia discuss the highlights of Dr. Smith’s 40+ year career as a cardiac surgeon and how the culture of Columbia has been a catalyst for innovation in cardiac care. Dr. Smith describes the excitement of helping to pioneer the institution’s heart transplant program in the 1980s, when it was just one of only three hospitals in the country practicing heart transplantation. Dr. Smith also explains how a unique collaboration with Columbia’s cardiology team led to the first of several groundbreaking trials, called PARTNER (Placement of AoRTic TraNscatheteR Valve), which paved the way for a monumental treatment for aortic stenosis — the most common heart valve disease that is lethal if left untreated. During the trial, Dr. Smith worked closely with Dr. Martin B. Leon, Professor of Medicine at Columbia University Irving Medical Center and Chief Innovation Officer and the Director of the Cardiovascular Data Science Center for the Division of Cardiology. Their findings elevated TAVR, or transcatheter aortic valve replacement, to eventually become the gold-standard for aortic stenosis patients at all levels of illness severity and surgical risk. Today, an experienced team of specialists at Columbia treat TAVR patients with a combination of advancements including advanced replacement valve materials, three-dimensional and ECG imaging, and a personalized approach to cardiac care. Finally, Dr. Smith shares his thoughts on new frontiers of cardiac surgery, like the challenge of repairing the mitral and tricuspid valves, and the promising application of robotic surgery for complex, high-risk operations. He reflects on life after he retires from operating, and shares his observations of how NewYork-Presbyterian and Columbia have evolved in the decades since he began his residency. For more information visit nyp.org/Advances…
Passage, Paragraph, and Prayer
Відзначити всі (не)відтворені ...
Manage series 2984019
Вміст надано Trinity Evangelical Lutheran Church. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Trinity Evangelical Lutheran Church або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“Passage, Paragraph, and Prayer” is a biweekly devotional podcast. Each episode consists of a passage from the Bible, a paragraph meditating on that passage, and a closing prayer. This podcast is produced by Trinity Evangelical Lutheran Church in Winner, South Dakota.
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316 епізодів
Відзначити всі (не)відтворені ...
Manage series 2984019
Вміст надано Trinity Evangelical Lutheran Church. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Trinity Evangelical Lutheran Church або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“Passage, Paragraph, and Prayer” is a biweekly devotional podcast. Each episode consists of a passage from the Bible, a paragraph meditating on that passage, and a closing prayer. This podcast is produced by Trinity Evangelical Lutheran Church in Winner, South Dakota.
…
continue reading
316 епізодів
Усі епізоди
×In this devotion, we wrap up the twelfth stanza of Psalm 119 by considering the unexhausted and inexhaustible treasures lying there for everyone, of every age and ability, in God’s word. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4
How could God say to Noah, “An end to all flesh has occurred to me,” and not include Noah and his family? How could Noah and his family be exempted from ”all flesh”? Perhaps more importantly, how do we exempt ourselves from the destruction that is coming on all flesh on the Last Day? Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).…
The wicked love to lie in wait for the faithful and to trap them—to trap them doing wrong, or to trap them with questions they can’t answer. What is the solution for the faithful? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4
As we read the description of the earth in Genesis 6:9–11, we can’t help but ask, “Is this describing life on earth more than 4,000 years ago, or life on earth today?” Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).…
Even though we don’t like the idea of belonging to someone else, it’s simply a fact that everybody is the property of someone else, to one extent or another. (Think of how often you use “my” or “mine” in relation to those around you.) So when the psalmist says that we belong to God, the question is not whether that is morally right. The question is whether that is to our advantage and what kind of owner God is. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
Noah is described as “blameless in his generations,” and that really meant something in his time. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).
Memorials often urge us never to forget the tragedy or atrocity being memorialized, so that we don’t repeat it. The psalmist urges us to follow his lead in resolving never to forget God’s precepts for a very different reason. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
Genesis 6:9 begins the third of the ten “accounts” that make up the book of Genesis (2:4ff; 5:1ff; 6:9ff; 10:1ff; 11:10ff; 11:27ff; 25:12ff; 25:19ff; 36:1ff; 37:2ff). The “account of Noah” begins by talking about Noah’s righteousness and blamelessness. In this devotion we consider what those two traits entail. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).…
How are you doing with your affliction? Whether your affliction is a disease, adverse people or circumstances, wrestling with your conscience, wrestling with unhealthy desires, wrestling with the meaning of life, or facing up to the reality of death, are you able to successfully confront and deal with that affliction, or are you perishing in it? Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
In Genesis 6:9 we’re told that, in the midst of an increasingly and breathtakingly wicked world, Noah was a righteous man, blameless in his generations, and he made his way through life with God. But before we get there, Genesis 6:8 tells us where that righteousness came from—not from Noah, but from the favor of God. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).…
In the first three verses of the twelfth stanza of Psalm 119 (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. In vs. 91, he also uses this evidence to comment on God’s name, the Lord of Hosts. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
The only reason we are able to rage is because we humans were originally created in the image of God, and God is capable of rage too. But his rage is much different from ours. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).…
In the first three verses of the twelfth stanza of Psalm 119 (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
How does God feel about our sins? What do they do to him? Genesis 6:5–6 answers these questions in soul-stirring language. Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).
In this devotion, we begin looking at the twelfth stanza of Psalm 119. In the first three verses of this stanza (vv. 89–91), the psalmist praises the Lord’s word by going back to its first use, the creation of the universe, and noting how we can still see the effects of that first use to this day. Music Credit: Johann Sebastian Bach, Trio from Brandenburg Concerto, No. 1, Movement 4…
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