The Sharing of Sound Art

New Books in Sound Studies

In this podcast, Claire MacDonald and Sarah Parry discuss the history of recording, the sharing of sound art between artists, how recording has shaped communities, the impact of technology on artists and their publics, and the artist's voice and the different genres it inhabits.

About the Contributors:

Claire MacDonald is a curator, writer, and editor whose work focuses on the intersections of performance, writing, and art. She is a founding editor of Performance Research and a contributing editor to PAJ: A Journal of Performance and Art. She recently served as Director of the International Centre for Fine Art Research at University of Arts London, and is currently Professor II at the Norwegian Theatre Academy. She has a PhD in Critical and Creative Writing from the University of East Anglia, and has recently written a novel. Sarah Parry has been teaching at the Univeristy of British Columbia since 2005. Her Ph.D. dissertation at the University of Alberta, entitled "Caedmon Records, the Cold War, and the Scene of the Postmodern", explored the history of Caedmon Records, a company that pioneered the recording of the spoken word. She teaches critical theory and modern and postmodern American poetry. Other interests include sound recording history and acoustical poetics.

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