Hitting the Flow State, Locking Yourself Away, and Staying in the Sh*t - Playwright's Spotlight with Bernardo Cubria

James Elden's Playwright's Spotlight

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I always find something to learn in an episode of Playwright's Spotlight. However, Bernardo Cubria's insight to playwriting was nonstop. Every minute turned another corner of knowledge. His approach and insight to playwriting was intimidating that I'm not sure I could keep up - from a naivety to submitting plays that could lead to success to paying for opportunities to extracting knowledge from workshops. Bernardo shares his steps from completing the first draft, what consists of smart, intelligent feedback, Liz Lerman's critical approach to feedback, and hitting the flow state of creativity. We also tackle telling the best story, staying the course, how to approach rewrites, and the benefits of Clown School as well as "staying in the shit," not to mention compensation outside of money and what makes a brilliant director. It's only a small sample of topics that could have gone for much longer. As with playwriting, I encourage you to stay the course and listen to the entirety of this episode. You won't walk away empty handed, or headed, and will hopefully be a much better playwright by the episode's end. Either way, I hope you enjoy my conversation with Bernardo as much as I did. His energy and humor is contagious. Enjoy!!!
Bernardo Cubría is a Mexican playwright and screenwriter based in Los Angeles. He is the winner of the 2021 Smith Prize for Political Theatre. His play, The Play You Want won the 2020 BETC Generations Award and was also a finalist for the 2020 Ingenio Play Festival. His play The Giant Void in my Soul was nominated for Best Playwright at the 2018 Ovation Awards, Los Angeles Drama critics Circle Awards, and The Stage Raw Awards. His play Neighbors: A Fair Trade Agreement will be receiving it's world premier at INTAR in NYC in the fall of 2017. It was a Semi-Finalist for the O'Neil in 2017, and his play The Judgment of Fools has received three critically acclaimed production in NYC, LA, and Houston, TX. His play The Redhead is Coming was a part of F*ckfest at The Brick in NYC in 2015. He is a proud member of Ammo Theatre Company in LA.
To view the video format of this episode, visit the link below -
https://youtu.be/ibY4478Fsb4
Links to sites and resources mentioned in this episode -
Crabs in a Bucket Play Info and Tickets -
https://www.echotheatercompany.com/crabs-in-a-bucket/#:~:text=Crabs%20in%20a%20Bucket%20follows,who%20still%20live%20among%20them
Ammo Theatre -
https://www.ammunitiontheatre.com
The O'neill's -
https://www.theoneill.org/npc
Play Submission Helper -
https://playsubmissionshelper.com/category/play-submissions/
LAByrinth Theatre Company -
https://labtheater.org
CTG (Center Theatre Group) -
https://www.centertheatregroup.org
Websites and socials for James Elden, Punk Monkey Productions and Playwright's Spotlight
Punk Monkey Productions -
www.punkmonkeyproductions.com
PLAY Noir -
www.playnoir.com

PLAY Noir Anthology –
www.punkmonkeyproductions.com/contact.html

James Elden -
Twitter - @jameseldensauer
IG - @alakardrake
FB - fb.com/jameseldensauer
Punk Monkey Productions and PLAY Noir -
Twitter - @punkmonkeyprods
- @playnoirla
IG - @punkmonkeyprods
- @playnoir_la
FB - fb.com/playnoir
- fb.com/punkmonkeyproductions
Playwright's Spotlight -
Twitter - @wrightlightpod
IG - @playwrights_spotlight
Playwriting services through Los Angeles Collegiate Playwrights Festival

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