In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано Podnose. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Podnose або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Deadpool With Emma Burnell
Manage episode 333976324 series 2634001
Вміст надано Podnose. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Podnose або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time we’re heading into the Multiverse for a look at Deadpool from 2016, and joining Tim for a chat about Wade Wilson running up the biggest taxi fare in superhero history is journalist Emma Burnell. What will they find to say about the Marvel Cinematic Universe's secret origins in a pizza-themed Friends ripoff, how to distinguish a guy in a suit from a guy in a suit and the long-forgotten legal requirement for all eighties movies to have Yello on the soundtrack, and what does any of this have to do with The Ferris Bueller's Day Off - Nuns On The Run Cinematic Universe? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/.
If you enjoy It's Good, Except It Sucks, you can help to support the show by buying us a coffee here. Insert your own reference to the mid-eighties Mr. Coffee ad. Actually, not 'insert'. Don't encourage him.
98 епізодів
Поширити
Manage episode 333976324 series 2634001
Вміст надано Podnose. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Podnose або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
It’s Good, Except It Sucks is a movie by movie – and television series by television series – hurtle through the Marvel Cinematic Universe, hosted by Tim Worthington with a series of superpowered guests.
This time we’re heading into the Multiverse for a look at Deadpool from 2016, and joining Tim for a chat about Wade Wilson running up the biggest taxi fare in superhero history is journalist Emma Burnell. What will they find to say about the Marvel Cinematic Universe's secret origins in a pizza-themed Friends ripoff, how to distinguish a guy in a suit from a guy in a suit and the long-forgotten legal requirement for all eighties movies to have Yello on the soundtrack, and what does any of this have to do with The Ferris Bueller's Day Off - Nuns On The Run Cinematic Universe? Get listening and find out!
You can find more editions of It's Good, Except It Sucks at http://timworthington.org/.
If you enjoy It's Good, Except It Sucks, you can help to support the show by buying us a coffee here. Insert your own reference to the mid-eighties Mr. Coffee ad. Actually, not 'insert'. Don't encourage him.
98 епізодів
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Схожі до It's Good, Except It Sucks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
The Weekly Planet covers all things movies, TV shows and comics. Often considered the first and worst podcast on the Planet Broadcasting Network. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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