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#499 - Todd Haynes on May December

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Manage episode 383387418 series 115436
Вміст надано Film at Lincoln Center Podcast and Film at Lincoln Center. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Film at Lincoln Center Podcast and Film at Lincoln Center або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
This week we’re excited to present a conversation with Todd Haynes, the director of the NYFF61 Opening Night selection May December, which will be opening at Film at Lincoln Center this Friday exclusively on 35mm film. The conversation was moderated by playwright and actor Jeremy O. Harris. Elizabeth (Natalie Portman), a popular television star, has arrived in a tight-knit island community in Savannah. Here, she will be doing intimate research for a new part, ingratiating herself into the lives of Gracie (Julianne Moore), whom she’ll be playing on-screen, and her much younger husband, Joe (Charles Melton), to better understand the psychology and circumstances that more than 20 years ago made them notorious tabloid figures. As Elizabeth attempts to get closer to the family, the uncomfortable facts of their scandal unfurl, causing difficult, long-dormant emotions to resurface. From the sensational premise born from first time screenwriter Samy Burch’s brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. It’s a feat of storytelling and pinpoint-precise tone that is shrewd in its wicked embrace of melodrama while also genuinely moving in its humane treatment of tricky subject matter. Boasting a trio of bravura, mercurial performances by Moore, Portman, and Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes’s status as one of our consummate movie artists. A Netflix release. All NYFF61 Talks are sponsored by HBO.
  continue reading

543 епізодів

Artwork
iconПоширити
 
Manage episode 383387418 series 115436
Вміст надано Film at Lincoln Center Podcast and Film at Lincoln Center. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Film at Lincoln Center Podcast and Film at Lincoln Center або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
This week we’re excited to present a conversation with Todd Haynes, the director of the NYFF61 Opening Night selection May December, which will be opening at Film at Lincoln Center this Friday exclusively on 35mm film. The conversation was moderated by playwright and actor Jeremy O. Harris. Elizabeth (Natalie Portman), a popular television star, has arrived in a tight-knit island community in Savannah. Here, she will be doing intimate research for a new part, ingratiating herself into the lives of Gracie (Julianne Moore), whom she’ll be playing on-screen, and her much younger husband, Joe (Charles Melton), to better understand the psychology and circumstances that more than 20 years ago made them notorious tabloid figures. As Elizabeth attempts to get closer to the family, the uncomfortable facts of their scandal unfurl, causing difficult, long-dormant emotions to resurface. From the sensational premise born from first time screenwriter Samy Burch’s brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. It’s a feat of storytelling and pinpoint-precise tone that is shrewd in its wicked embrace of melodrama while also genuinely moving in its humane treatment of tricky subject matter. Boasting a trio of bravura, mercurial performances by Moore, Portman, and Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes’s status as one of our consummate movie artists. A Netflix release. All NYFF61 Talks are sponsored by HBO.
  continue reading

543 епізодів

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