232 - Volker Bertelmann and the Music of Conclave

Dolby Creator Talks

Be sure to check out “Conclave,” now in theaters and available to stream in Dolby Vision® and Dolby Atmos®.

27:58

Chris Nowinski is a former football player at Harvard University and professional wrestler with WWE, World Wrestling Entertainment. After enduring a career-ending head injury, Chris has dedicated his professional life to serving patients and families affected by brain trauma, particularly Chronic traumatic encephalopathy, or CTE, a progressive neurodegenerative disease that develops after repeated head injuries. Jay and Chris discuss the state of head injuries in American athletics, the difference between advocating for head safety at youth and professional levels, Chris’ newest research, and much more. Episode Chapters (00:00) Intro (00:50) changes in the culture around concussions in the past two decades (02:39) padded helmet technology (03:55) concussion reporting in the NFL (10:35) Chris’ career path and concussion history (14:52) connecting with activists who haven’t themselves suffered a traumatic brain injury (17:42) SHAAKE - a new sign to identify concussions (20:53) Unions can help players advocate for safety policies (23:10) final thoughts and goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/…

рік тому 36:35

MP3•Головна епізоду

“[Edward Berger’s] feeling is that music is a third dimension, in a way. That it's something that adds a layer to the film… You can create links to scenes, but you can also use music detached from what you see… You can use it in areas where it's already starting to give someone a feeling, that you don't see in the scene, but somehow… undercurrent-ly… starts to rise… What I think Edward works a lot with is building tension up, but then cutting the music pretty hard, into silence. And then you're left in the silence. But the moment where it's cut is very important… It is intentionally being cut at a certain moment, and then there is maybe a natural sound where you suddenly feel much closer to the person than you felt before, because you are alone with a person in silence.”

—Volker Bertelmann, Composer, “Conclave”

Volker Bertelmann’s soundtrack to “Conclave” is also available to stream on Apple Music in Dolby Atmos.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

240 епізодів

#Video Games #Music #Lifestyle #Cinema #Dolby #Academy Award

Dolby Creator Talks

232 - Volker Bertelmann and the Music of Conclave

Dolby Creator Talks

published рік тому

Поширити

MP3•Головна епізоду

—Volker Bertelmann, Composer, “Conclave”

Be sure to check out “Conclave,” now in theaters and available to stream in Dolby Vision® and Dolby Atmos®.

Volker Bertelmann’s soundtrack to “Conclave” is also available to stream on Apple Music in Dolby Atmos.

Please subscribe to Dolby Creator Talks wherever you get your podcasts.

You can also check out the video for this episode.

Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

240 епізодів

#Video Games #Music #Lifestyle #Cinema #Dolby #Academy Award

Усі епізоди

Dolby Creator Talks

1
238 - Meet the Nominees - Best Cinematography, Original Score, and Sound - Oscars 2025 29:09

20 днів тому29:09

29:09

Table of Contents: CINEMATOGRAPHY 01:38 - “The Brutalist” - Lol Crawley 02:52 - “Dune: Part Two” - Greig Fraser 04:36 - “Emilia Pérez” - Paul Guilhaume 06:48 - “Maria” - Ed Lachman 09:08 - “Nosferatu” - Jarin Blaschke ORIGINAL SCORE 10:29 - “The Brutalist” - Daniel Blumberg 11:18 - “Conclave” - Volker Bertelmann 13:04 - “Emilia Pérez” - Clément Ducol and Camille 14:20 - “Wicked” - John Powell and Stephen Schwartz 15:39 - “The Wild Robot” - Kris Bowers SOUND 18:06 - “A Complete Unknown” - Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco 19:41 - “Dune: Part Two” - Gareth John, Richard King, Ron Bartlett and Doug Hemphill 20:57 - “Emilia Pérez” - Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta 22:59 - “Wicked” - Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis 24:26 - “The Wild Robot” - Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts This past year featured some of the most stunning, innovative, and groundbreaking work in the categories of Cinematography, Original Score, and Sound. And since we’ve been diligently interviewing the artists and teams who have received Academy Award® nominations in those categories, we offer you this special round-up episode — to help give some greater insight into how to cast your final votes. The soundbites in this episode are mere snippets from the discussions we’ve been conducting through the past several months. If you’d like to take a deeper dive: FULL EPISODES, BY CATEGORY: = CINEMATOGRAPHY = “The Brutalist” 237 - Lol Crawley and the Cinematography of The Brutalist - Feb 10th, 2025 YouTube: https://youtu.be/d342-st5dvg Spotify: https://open.spotify.com/episode/0Txxk3xNAcmItPwsm9GquP Apple Podcasts: https://podcasts.apple.com/us/podcast/237-lol-crawley-and-the-cinematography-of-the-brutalist/id1549901182?i=1000690773442 “Dune: Part Two” 189 - Greig Fraser and the Cinematography of Dune: Part Two - March 5th, 2024 YouTube: https://youtu.be/39p8wPkhmtM Spotify: https://open.spotify.com/episode/5WMtD1WbGGVBgrlQtSFzON Apple Podcasts: https://podcasts.apple.com/us/podcast/189-greig-fraser-and-the-cinematography-of-dune-part-two/id1549901182?i=1000648108720 “Emilia Pérez” 220 - The Making of Emilia Pérez - Dec 4th, 2024 YouTube: https://youtu.be/VZruPNqHv3w Spotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2 Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480 “Maria” 236 - Ed Lachman and the Cinematography of Maria - Feb 7th, 2025 YouTube: https://youtu.be/y1uEx9BXDZ4 Spotify: https://open.spotify.com/episode/30e3JLc9xRTLZfgg7c0cPd?si=05899a44c1794989 Apple Podcasts: https://podcasts.apple.com/us/podcast/236-ed-lachman-and-the-cinematography-of-maria/id1549901182?i=1000689894968 “Nosferatu” 231 - Jarin Blaschke, Robert Eggers, and the Cinematography of Nosferatu - Jan 28th, 2025 YouTube: https://youtu.be/uhYLPTwSfVY Spotify: https://open.spotify.com/episode/0zzEkGX2fQL9FxwtfhCBT7 Apple Podcasts: https://podcasts.apple.com/us/podcast/231-jarin-blaschke-robert-eggers-and-the/id1549901182?i=1000686124650 = ORIGINAL SCORE = “The Brutalist” 233 - Daniel Blumberg and the Music of The Brutalist - Feb 3rd, 2025 YouTube: https://youtu.be/ohPBfMo2v98 Spotify: https://open.spotify.com/episode/1xhqAR0GUvybmOGvcaqhZo?si=c679bc6941224e1a Apple Podcasts: https://podcasts.apple.com/us/podcast/233-daniel-blumberg-and-the-music-of-the-brutalist/id1549901182?i=1000688454940 “Conclave” 232 - Volker Bertelmann and the Music of Conclave - Jan 31st, 2025 YouTube: https://youtu.be/Z7xlFXTr3VQ Spotify: https://open.spotify.com/episode/0W4oIIRCzpoiMF4w5thSpR?si=51e129b468dd4c29 Apple Podcasts: https://podcasts.apple.com/us/podcast/232-volker-bertelmann-and-the-music-of-conclave/id1549901182?i=1000687473584 “Emilia Pérez” 220 - The Making of Emilia Pérez - Dec 4th, 2024 YouTube: https://youtu.be/VZruPNqHv3w Spotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2 Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480 “Wicked” 219 - The Music of Wicked - Nov 27th, 2024 YouTube: https://youtu.be/_qF9_qT_ztk Spotify: https://open.spotify.com/episode/79mdpMosImmdtKDUoDIF6g Apple Podcasts: https://podcasts.apple.com/us/podcast/219-the-music-of-wicked/id1549901182?i=1000678378961 “The Wild Robot” 235 - Kris Bowers and the Music of The Wild Robot - Feb 5th, 2025 YouTube: https://youtu.be/fM1nvk52v_4 Spotify: https://open.spotify.com/episode/3TseTaQbcFpWncZplcFLzU?si=9a1ef6b7ff4d49f0 Apple Podcasts: https://podcasts.apple.com/us/podcast/235-kris-bowers-and-the-music-of-the-wild-robot/id1549901182?i=1000689221474 = SOUND = “A Complete Unknown” 223 - Director James Mangold and the Sound and Music of A Complete Unknown - Dec 9th, 2024 YouTube: https://youtu.be/_R3WD_QxzP4 Spotify: https://open.spotify.com/episode/64jXgTdR4Y18dqqZKmIZft Apple Podcasts: https://podcasts.apple.com/us/podcast/223-director-james-mangold-and-the-sound-and/id1549901182?i=1000679725091 “Dune: Part Two” 217 - Director Denis Villeneuve and the Sound of Dune: Part Two - Nov 21st, 2024 YouTube: https://youtu.be/wIDs4H82EQ0 Spotify: https://open.spotify.com/episode/2JRC52F4oMdBguMrtSorBp Apple Podcasts: https://podcasts.apple.com/us/podcast/217-director-denis-villeneuve-and-the-sound-of-dune-part-two/id1549901182?i=1000677747309 “Emilia Pérez” 220 - The Making of Emilia Pérez - Dec 4th, 2024 YouTube: https://youtu.be/VZruPNqHv3w Spotify: https://open.spotify.com/episode/1YHHeGMGzBwdTIXlHKAgz2 Apple Podcasts: https://podcasts.apple.com/us/podcast/220-the-making-of-emilia-p%C3%A9rez/id1549901182?i=1000679018480 “Wicked” 222 - Director Jon M. Chu and the Sound and Editing Wizards of Wicked - Dec 6th, 2024 YouTube: https://youtu.be/nD0gzHEkGpk Spotify: https://open.spotify.com/episode/3DHMp9iqGCXH3IUcwoZTKb Apple Podcasts: https://podcasts.apple.com/us/podcast/222-director-jon-m-chu-and-the-sound-and/id1549901182?i=1000679449382 - AND - 234 - Capturing Wicked's Live Singing with Simon Hayes - Feb 4th, 2025 YouTube: https://youtu.be/h-riEjOFM60 Spotify: https://open.spotify.com/episode/7bNckC02essYgzzPggMleM?si=f357bb82399b4e84 Apple Podcasts: https://podcasts.apple.com/us/podcast/234-capturing-wickeds-live-singing-with-simon-hayes/id1549901182?i=1000688810671 “The Wild Robot” 210 - The Sound of The Wild Robot, with Writer/Director Chris Sanders - Oct 1st, 2024 YouTube: https://youtu.be/QaZIU8egZYg Spotify: https://open.spotify.com/episode/5i0jNA06OcpswgMmIElmai Apple Podcasts: https://podcasts.apple.com/ro/podcast/210-the-sound-of-the-wild-robot-with/id1549901182?i=1000671390545 If you enjoy episodes like this, where we share our in-depth conversations with artists and filmmakers, please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
237 - Lol Crawley and the Cinematography of The Brutalist 45:57

21 день тому45:57

45:57

Academy Award®-nominated cinematographer Lol Crawley joins us to discuss his approach to "The Brutalist," the epic indie film from writer / director Brady Corbet. Crawley delves into his decision to shoot the film in VistaVision, how it shaped the film’s aesthetic, and his use of practical lighting to create its atmospheric look. He also shares insights into how they executed the film’s many “oners” (one-shot scenes), the challenges of capturing the marble quarry sequence, and how his cinematography reinforces the film’s themes of ambition, displacement, and artistic legacy. “The VistaVision shot… it's a little bit like anamorphic, in the sense of [it capturing] two things in one. You get this intimacy, but you also have this wide field of view. So you see the world, and you see the performance. And I think that's what gives the film a certain grandeur. And its debt to early 50s, 60s American cinema.” —Lol Crawley, Director of Photography, "The Brutalist" Be sure to check out “The Brutalist,” now in theaters. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
236 - Ed Lachman and the Cinematography of Maria 36:22

24 дні тому36:22

36:22

Academy Award®-nominated cinematographer Ed Lachman joins us to discuss his gorgeous cinematography on “Maria,” directed by Pablo Larraín. The seasoned director of photography shares his approach to blending formats — including 35mm, Super 8, and 16mm — to capture the operatic essence of Maria Callas’s life, as well as his use of color psychology, lighting techniques, and period-specific film stocks to evoke emotion and authenticity. "Opera and cinema are very similar… Opera's images are not representational either. Like cinema. And they create the subtext for the emotions of the story. And what helps to create the nonverbal form of communication is the same thing that happens in music of the opera. It's a heightened reality… I felt the film could be a representation if her life, mirrored in the operas that she sang in. And even though people say she was the sum of the tragedies of the opera she sang, I believe she had the resistance and strength to overcome." —Ed Lachman, Director of Photography, “Maria” Be sure to check out “Maria,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
235 - Kris Bowers and the Music of The Wild Robot 40:14

26 днів тому40:14

40:14

Academy Award®-nominated composer Kris Bowers joins guest host Jon Burlingame to discuss his stunning orchestral score for "The Wild Robot," directed by Chris Sanders. The composer dives deep into how he crafted the film’s sonic landscape, incorporating orchestral textures, electronic elements, and unique percussive sounds. He also shares insights into his collaboration with director Chris Sanders and how becoming a parent influenced his emotional approach to crafting the film’s original score. “Chris [Sanders] talked about the role that music was going to need to play in this film... He already knew there were going to be these long stretches where we would have little to no dialogue. And he was trusting that music could help tell the story in those moments… Because for him, the idea of kindness as a survival technique, that was very, very key to the story... Really this idea of music needing to have this vulnerability, this warmth, clear melodic statements, and then also having the ability to go from small intimate moments to really big, huge action sequences.” —Kris Bowers, Composer, "The Wild Robot" Be sure to check out “The Wild Robot,” now available to stream and on Blu-ray, in Dolby Vision® and Dolby Atmos®. The soundtrack to “The Wild Robot” by Kris Bowers is also available to stream on Apple Music in Dolby Atmos! And don’t miss our previous episode on the sound of “The Wild Robot,” with writer and director Chris Sanders. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
234 - Capturing Wicked's Live Singing with Simon Hayes 31:45

27 днів тому31:45

31:45

Academy Award®-winning production sound mixer Simon Hayes joins us to discuss his groundbreaking work on “Wicked.” Nominated for his third Oscar®, Hayes shares how he captured live vocals on set, blending the technical innovation with the emotional. He reflects on lessons learned from “Les Misérables,” how he worked seamlessly with the music department, and the intricate process of ensuring performers like Cynthia Erivo and Ariana Grande had the freedom to deliver their most powerful performances while always staying in sync with the film’s score. "We had no idea that when Cynthia and Ari sung together, their voices would mesh the way that they did. And something very, very special happens when those two sing together… That first time when I had my cans on, and they were dueting, and the hairs on the back of my neck started standing up, and you get that tingle… You just know, as a sound mixer, 'My God, we've struck gold.' This is something very unique and special." —Simon Hayes, Production Sound Mixer, “Wicked” Be sure to check out “Wicked,” now available to stream at home in Dolby Vision® and Dolby Atmos® . And don’t miss our previous episode featuring Stephen Schwartz and the music team behind “Wicked , as well as our episode with Director Jon M. Chu and the film’s post-production team . You can also check out the video for this episode. Please subscribe to Dolby Creator Talks wherever you get your podcasts . Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
233 - Daniel Blumberg and the Music of The Brutalist 33:58

28 днів тому33:58

33:58

Academy Award®-nominated composer Daniel Blumberg joins guest host Jon Burlingame to discuss his evocative and unconventional music for "The Brutalist," directed by Brady Corbet, which earned the film an Oscar® nomination for Best Original Score. Blumberg shares how his long-time friendship with Corbet influenced the creative process, how he crafted the film’s musical language using improvisational techniques, and how he recorded some of the score’s most striking pieces — including a live jazz sequence and a prepared piano overture, which was played on set to help choreograph the movement of one of the film’s opening sequences. "[Brady Corbet] wanted to shoot the overture [of] Laszlo leaving the Holocaust behind, arriving in New York, and the optimism of seeing the Statue of Liberty to music. So that was one of my first priorities: To create a demo that would work on set… I had this sample of a piano that I’d prepared in London. This sort of percussive piano where you interfere with the strings… John Cage put screws in between strings, and that was a sound that felt right… A few weeks later, we were playing it really loud on the set. And it was great because the cinematographer could move to the music and Adrian could move to the music and the music could cue the extras… I think it was successful in terms of having an impact for the opening of the film.” —Daniel Blumberg, Composer, "The Brutalist" Be sure to check out “The Brutalist,” now playing in theaters. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
232 - Volker Bertelmann and the Music of Conclave 36:35

4 weeks тому36:35

36:35

Academy Award®-winning composer Volker Bertelmann joins guest host Jon Burlingame to discuss his tense and atmospheric score for “Conclave,” directed by Edward Berger. Nominated for his third Oscar, Bertelmann — who won in 2023 for Berger’s “All Quiet on the Western Front” — shares how he crafted the film’s unique musical palette, eschewing the sounds of traditional church music in favor of experimental instruments like the Cristal Baschet. He also discusses his approach to scoring thrillers as well as his deep collaboration with Berger. “[Edward Berger’s] feeling is that music is a third dimension, in a way. That it's something that adds a layer to the film… You can create links to scenes, but you can also use music detached from what you see… You can use it in areas where it's already starting to give someone a feeling, that you don't see in the scene, but somehow… undercurrent-ly… starts to rise… What I think Edward works a lot with is building tension up, but then cutting the music pretty hard, into silence. And then you're left in the silence. But the moment where it's cut is very important… It is intentionally being cut at a certain moment, and then there is maybe a natural sound where you suddenly feel much closer to the person than you felt before, because you are alone with a person in silence.” —Volker Bertelmann, Composer, “Conclave” Be sure to check out “Conclave,” now in theaters and available to stream in Dolby Vision® and Dolby Atmos®. Volker Bertelmann’s soundtrack to “Conclave” is also available to stream on Apple Music in Dolby Atmos. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
231 - Jarin Blaschke, Robert Eggers, and the Cinematography of Nosferatu 1:08:57

5 weeks тому1:08:57

1:08:57

We are joined by Director of Photography and first-time Academy Award® nominee Jarin Blaschke, as well as Director Robert Eggers, to discuss the stunning cinematography of “Nosferatu.” Together, the frequent collaborators delivered a gothic masterpiece, blending German romanticism and chilling horror into stunning, painterly visuals. In this conversation, Eggers and Blaschke discuss the meticulous development of the film’s look, the challenges of shooting with practical lighting, and their shared love for highly composed one-take shots. From the fog-drenched crossroads to the eerie interiors of Orlok's castle, the pair reveal the painstaking care and simple, practical ingenuity that brought this cinematic fever dream to life. “I’m just trying to curate life… What kind of optics just feel right? The little flare around the windows. What is the lens that just feels nice? Let’s just look at a bunch of those. Let’s have lenses made. We’re very privileged in that we can do that now and see what that looks like.” —Jarin Blaschke, Director of Photography, “Nosferatu” This conversation was a live webinar as part of Dolby Creator Lab’s partnership with Sundance Collab, the digital platform from the Sundance Institute designed for filmmakers, with exclusive webinars, curated resources, and free educational videos. Be sure to check out “Nosferatu” in Dolby Vision® and Dolby Atmos®, in select theaters. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Our previous episode with Robert Eggers and Sound Designer Damian Volpe, discussing the sound of "Nosferatu,” is now on YouTube . Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

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230 - St. Vincent’s All Born Screaming in Dolby Atmos 31:02

7 weeks тому31:02

31:02

Mix engineer and producer Cian Riordan as wells as mix engineer Matt Cerritos join guest host Ben Givarz to discuss their work on St. Vincent’s seventh studio album, “All Born Screaming,” which garnered critical acclaim and four GRAMMY® nominations, and is now available in stunning Dolby Atmos®. Cian and Matt discuss the recording and mixing process, how they collaborated to re-mix the album in Dolby Atmos, and the unique opportunities this immersive audio format provided to elevate the experience of the album and give it new dimensionality, while maintaining its emotional and sonic integrity. “Going in, being extremely happy with the stereo mixes, I didn’t want Atmos to be something that was drastically different. I still wanted to have it play the same ‘tricks’ on the listener [and] hit people the same way. With Atmos, it’s a little bit more difficult because you can’t really rely on having a heavy-handed mix bus. Loudness all has to be perceived because of the headroom requirements for the Atmos format. So it’s a different way of wrapping your head around it. And Matt, from doing this day-in and day-out, knew how to approach a lot of these concepts that we were bringing, creatively. And he really helped technically execute. It was a really fun process.” —Cian Riordan, Mix Engineer and Producer, “All Born Screaming” by St. Vincent You can listen to St. Vincent’s “All Born Screaming,” as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services . Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ To find out more about St. Vincent, check out: https://ilovestvincent.com To learn more about Just For The Record Studios, go to: https://justfortherecord.com Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
229 - De La Soul’s 3 Feet High and Rising in Dolby Atmos - Reimagining the Classics 48:05

8 weeks тому48:05

48:05

Celebrating the 35th anniversary of “3 Feet High and Rising,” De La Soul's iconic 1989 debut album, mix engineer Rich Keller joins Dolby Creator Talks guest host Ben Givarz to discuss reimagining the group’s legendary catalog in Dolby Atmos®. Rich reflects on the process of remixing these classics while preserving their essence, and explores how Dolby Atmos enhances hip-hop’s depth, energy, and spatial dynamics. Drawing from his work with legends like DMX, Wu-Tang Clan, Nas, and many other hip-hop artists, Rich offers invaluable insights into honoring the past while embracing the exciting new creative possibilities with Dolby Atmos. “There's only one hard rule that I maintain when doing Atmos... and this is the one lesson that keeps on giving. When you're dealing with stereo stems, keep 'em wide. All the way hard left and right. Because as soon as you bring it in, you've changed the mix... You got to keep the artist happy... I've had them here in my room, in my little basement. They come down, they sit down, and I go back and forth to the stereo. Then they freak out. They're like, 'Oh my God, that sounds incredible. And it sounds big! But it still sounds like my song. Thank you.' And that's the critical thing.” —Rich Keller, Audio Engineer This interview is part of our ongoing music series, "Reimagining the Classics." You can listen to De La Soul, as well as many other classic and contemporary artists in Dolby Atmos, on enabled streaming services . Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ To find out more about Rich Keller and his work, check out his website: https://richkellermusic.com/ Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

1
228 - Director Steve McQueen and the Sound of Blitz 47:14

8 weeks тому47:14

47:14

Academy Award®-winning filmmaker Sir Steve McQueen joins us to discuss his latest feature, “Blitz,” alongside his acclaimed sound team. The film, which explores the harrowing experience of the London Blitz during World War II, is shortlisted for Best Sound at the upcoming Academy Awards. In this episode, McQueen and his team take a deep dive into the process of creating a visceral, immersive soundtrack that captures both the chaos and quiet moments of survival, all presented in stunning Dolby Atmos®. And the film starts off with a literal bang, all designed to plunge the audience directly into the horrors of this place and time. “The backbone of [films], for me as a filmmaker, is sound. It's always been sound. Sound is much more important to me than images in some ways. Because when you hear something, you feel the weight of it. When you hear something, you sort of even smell it… Images, yes, they illustrate. But they don't tell you about the size and the mass of things. And that's what we wanted to jump in with two feet with, immediately. With that terror.” —Sir Steve McQueen, Director, Producer, Screenwriter, “Blitz” Joining today’s conversation: - Sir Steve McQueen – Director, Producer, and Screenwriter - Paul Cotterell – Re-Recording Mixer and Supervising Sound Editor - James Harrison – Re-Recording Mixer and Supervising Sound Editor - John Casali – Academy Award®-winning Production Sound Mixer Be sure to check out “Blitz,” now streaming on AppleTV+ in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

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227 - Packaging Your First Film, hosted by Carlos López Estrada 1:22:23

10 weeks тому1:22:23

1:22:23

Turning a script into a fully packaged film can be one of the most daunting challenges for any filmmaker. From assembling the right team to securing financing and attracting talent, the process—known in the industry as “packaging”—requires strategy, creativity, and connections. To help demystify this process, filmmaker Carlos López Estrada hosts another insightful Satellite Session, featuring an exceptional panel of producers, financiers, and agents who share their real-world experience and insider tips on packaging films. Joining the discussion: - Alex Coco – Producer (“ANORA”) - Dave Green – Director (“Teenage Mutant Ninja Turtles”) - Chris Quintos Cathcart – Independent Film Financier (“Dìdi”) - Phil Sun – President and Managing Partner, M88 - Katie Laner – Literary Agent, CAA This is another installment of our ongoing “Satellite Sessions” series, which we’re bringing to you in partnership with Antigravity Academy and the Coalition of Asian Pacifics in Entertainment. Follow @antigravityacademy and @capeusa for more information on even more upcoming panels. Antigravity Academy CAPE (Coalition of Asian Pacifics in Entertainment) For more inspiring Satellite Sessions just like this one, be sure you are subscribed to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

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226 - Daft Punk in Dolby Atmos - Reimagining the Classics 43:41

11 weeks тому43:41

43:41

Nine-time GRAMMY Award®-winning audio engineer Mick Guzauski and Robert Guzman, audio engineer at Studio DMI, join guest host Ben Givarz to discuss their work reimagining Daft Punk's iconic album “Random Access Memories,” in Dolby Atmos® for its 10th Anniversary Edition. Mick takes us back to the album’s original recording sessions, sharing how he and Daft Punk meticulously crafted the sound that went on to win Album of the Year in 2013. Robert adds his perspective on adapting the record to Dolby Atmos, a process that opened up new spatial dimensions while staying true to the album's artistic intent. This interview is part of our music series, "Reimagining the Classics." “You could do a lot more analysis of it from Atmos by separating channels and things, but I think Dolby Atmos added to the experience of the album. There's so much going on in parts of that album that I think Atmos was a big, big improvement, a big benefit for some of those really dense parts to separate and to be in their own space.” —Mick Guzauski, Audio Engineer You can listen to Daft Punk’s “Random Access Memories (10th Anniversary Edition)” as well as many other classic and contemporary albums in Dolby Atmos, on enabled streaming services . Interested in creating content in Dolby Atmos? Check out our free resources to give you a jump start! - Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/ - Dolby Atmos Essentials Course: https://learning.dolby.com/ - Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/ Learn more about Robert Guzman and Studio DMI here: https://www.studiodmi.com/ Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

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225 - Director Robert Eggers and the Bloodcurdling Sound of Nosferatu 40:04

12 weeks тому40:04

40:04

Visionary director Robert Eggers joins forces with acclaimed sound artist Damian Volpe to deliver a stunning reimagining of the classic vampire tale “Nosferatu.” In this episode, Eggers and Volpe take us behind the scenes to discuss how they used cutting-edge sound design and Dolby Atmos® to create a truly terrifying and immersive experience. From the spectral sounds of Count Orlok’s castle to the brilliant use of silence and dynamic range, this conversation unpacks the intricate audio techniques that make the film so unforgettable. “I mean, it begins even before [the first scene] with the quote-unquote logo animations. [We] recreated silent film-style logos… with audio analog hiss and some wind, which morph into each other. You know, I think these horror film cold openings that end with a jump scare, when they’re done successfully… keep you on edge of your seat for the rest of the film because… you know that anything’s possible.” —Robert Eggers - Director, Writer, and Producer, “Nosferatu” Joining today’s conversation: - Damian Volpe - Sound Designer, Supervising Sound Editor, and Re-recording Mixer - Robert Eggers - Director, Writer, and Producer Damian Volpe also wanted to thank his fellow team members: - Steve Little - Sound Supervisor - David Giammarco - Re-recording Mixer - Michael Fentum - Sound Designer - Heikki Kossi - Foley Artist - Shelley Rodin - Foley Artist - Joel Raabe - Foley Editor/Mixer - Grace Wong - Assistant Sound Editor - Tim Hands - ADR Editor - Samir Foco - Sound Effects Editor Be sure to check out “Nosferatu” in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®, when it premieres in the U.S. on December 25th . Please subscribe to Dolby Creator Talks wherever you get your podcasts . You can also check out the video for this episode. Learn more about the Dolby Creator Lab and check out Dolby.com . Connect with Dolby on Instagram , Twitter , Facebook , or LinkedIn .…

Dolby Creator Talks

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224 - The Operatic Sound of Pablo Larraín’s Maria 51:38

12 weeks тому51:38