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Вміст надано Thomas Mirus. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Thomas Mirus або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Two very different Oz movies

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Manage episode 342571004 series 2794588
Вміст надано Thomas Mirus. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Thomas Mirus або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

Continuing through the Vatican's 1995 list of important films, in the section of Art we find the universally beloved 1939 musical The Wizard of Oz.

The film is undeniably delightful and magical, but suffers from the attempt to provide a moral of dubious coherence. The film is about a band of characters seeking various virtues, but at the end we aren't quite sure where virtue comes from, and are left with a sense of disillusionment both within Oz (the Wizard being a phony) and with regard to the whole story (having been a dream).

Nearly half a century later, Wizard got a sequel in Walter Murch's Return to Oz (1985) - but a sequel in plot terms only, with a very different spirit and style.

For one thing, Return is more faithful to its source material in the stories of L. Frank Baum, who was inspired by Lewis Carroll's insistence that children stories don't need a lesson at the end. This approach too has its liabilities, because while a shoehorned theme is bad, so is realizing halfway through a movie that the series of events one has been watching, while charming and inventive, doesn't have much of a point.

Return is also significantly scarier than Wizard, as one of a number of whimsical but dark fantasy films made in the mid-80s (alongside Labyrinth and The Dark Crystal).

The films can also be contrasted in their visual concepts, each compelling in its own way. Where Wizard opts for overtly artificial yet delightful sets, Return offers a more fully realized world, appropriately since the film rejects the idea that Oz is a dream.

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

  continue reading

115 епізодів

Artwork
iconПоширити
 
Manage episode 342571004 series 2794588
Вміст надано Thomas Mirus. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Thomas Mirus або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

Continuing through the Vatican's 1995 list of important films, in the section of Art we find the universally beloved 1939 musical The Wizard of Oz.

The film is undeniably delightful and magical, but suffers from the attempt to provide a moral of dubious coherence. The film is about a band of characters seeking various virtues, but at the end we aren't quite sure where virtue comes from, and are left with a sense of disillusionment both within Oz (the Wizard being a phony) and with regard to the whole story (having been a dream).

Nearly half a century later, Wizard got a sequel in Walter Murch's Return to Oz (1985) - but a sequel in plot terms only, with a very different spirit and style.

For one thing, Return is more faithful to its source material in the stories of L. Frank Baum, who was inspired by Lewis Carroll's insistence that children stories don't need a lesson at the end. This approach too has its liabilities, because while a shoehorned theme is bad, so is realizing halfway through a movie that the series of events one has been watching, while charming and inventive, doesn't have much of a point.

Return is also significantly scarier than Wizard, as one of a number of whimsical but dark fantasy films made in the mid-80s (alongside Labyrinth and The Dark Crystal).

The films can also be contrasted in their visual concepts, each compelling in its own way. Where Wizard opts for overtly artificial yet delightful sets, Return offers a more fully realized world, appropriately since the film rejects the idea that Oz is a dream.

Music is The Duskwhales, “Take It Back”, used with permission. https://theduskwhales.bandcamp.com

This podcast is a production of CatholicCulture.org. If you like the show, please consider supporting us! http://catholicculture.org/donate/audio

  continue reading

115 епізодів

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