In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано IGN Podcast Network, CINEFIX, and Clint Gage. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією IGN Podcast Network, CINEFIX, and Clint Gage або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Monty Python And The Holy Grail Gleefully Skewers The Filmmaking Process | CineFix Top 100
Manage episode 404360715 series 3489183
Вміст надано IGN Podcast Network, CINEFIX, and Clint Gage. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією IGN Podcast Network, CINEFIX, and Clint Gage або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Our community season continues with one of the funniest movies of all time and our first newly minted Top 100, Monty Python and The Holy Grail. A gleeful skewering of the filmmaking process by first time filmmakers, The Holy Grail crams in a musical number, an animated god, and a record scratch of an ending that breaks the fourth wall in the same way Blazing Saddles did. Clint, Cal and Alex discuss the movie being impossible to turn off, its place as a foundational post-modernist comedy, and how budget constraints changed the ending and invented the term “cop-out”. Who made the mistake of not including this brilliant comedy on their list?
Meanwhile, Dan’s algorithm is still trying to determine how to count to three before throwing the holy hand-grenade into the list.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Be sure to subscribe to CineFix for more movie lists, brilliant moments and top 100!
Learn more about your ad choices. Visit megaphone.fm/adchoices
46 епізодів
Поширити
Manage episode 404360715 series 3489183
Вміст надано IGN Podcast Network, CINEFIX, and Clint Gage. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією IGN Podcast Network, CINEFIX, and Clint Gage або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Our community season continues with one of the funniest movies of all time and our first newly minted Top 100, Monty Python and The Holy Grail. A gleeful skewering of the filmmaking process by first time filmmakers, The Holy Grail crams in a musical number, an animated god, and a record scratch of an ending that breaks the fourth wall in the same way Blazing Saddles did. Clint, Cal and Alex discuss the movie being impossible to turn off, its place as a foundational post-modernist comedy, and how budget constraints changed the ending and invented the term “cop-out”. Who made the mistake of not including this brilliant comedy on their list?
Meanwhile, Dan’s algorithm is still trying to determine how to count to three before throwing the holy hand-grenade into the list.
CineFix Top 100 is available on all your podcast networks including:
Spotify https://open.spotify.com/show/02lznfKZ2gCnBwFoTgKlYr
Apple Podcasts https://podcasts.apple.com/us/podcast/cinefix-top-100/id1693413490
Amazon Music https://music.amazon.com/podcasts/80256cff-2174-4d69-a9c7-8b565e96e39b
CineFix Top 100 is produced by Tayo Oyekan, with Director of Photography, Jamie Parslow and Technical Producer, Marhyan Franzen. Our Executive Producers are Clint Gage, Dan Parkhurst and Corrado Caretto. Logo and graphic design by Eric Sapp and title animations by Casey Redmon.
Be sure to subscribe to CineFix for more movie lists, brilliant moments and top 100!
Learn more about your ad choices. Visit megaphone.fm/adchoices
46 епізодів
Усі епізоди
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Ласкаво просимо до Player FM!
Player FM сканує Інтернет для отримання високоякісних подкастів, щоб ви могли насолоджуватися ними зараз. Це найкращий додаток для подкастів, який працює на Android, iPhone і веб-сторінці. Реєстрація для синхронізації підписок між пристроями.
Схожі до CineFix Top 100
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Переходьте в офлайн за допомогою програми Player FM !
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