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01.03: Lindsey Tramuta on Writing About a Changing Paris and Business When Living Abroad
Manage episode 312485389 series 3236510
Вміст надано Jay Swanson and Richard Bilkey. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Jay Swanson and Richard Bilkey або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Lindsey is a Paris-based journalist writing for the New York Times and Fortune amongst many others. But she’s best known in our circles as @LostnCheeseland, the name of her fantastic Instagram account chronicling life in Paris. She wrote a fantastic book on the cultural shifts in our hometown, The New Paris, and hosts The New Paris Podcast, which is into its third season. Her forthcoming book, The New Parisienne, focuses on the amazing women that are redefining the term, and is set for release in April, 2020. She joined us to talk about publishing, collaborating, freelancing in Paris, and the tension between Old and New Paris.
After recording this episode, Lindsey took Jay on a tour of her favourite spots in her neighborhood, and you can see the whole episode on YouTube: Paris According to Lindsey Tramuta
You can find Lindsey on her website lostincheeseland.com, on Instagram and Twitter as @LostNCheeseland, or at The New Paris Podcast.
The New Paris can be found everywhere good books are sold (and in practically every good coffee shop in Paris) and The New Parisienne is available for pre-order now.
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CREDIT WHERE CREDIT IS DUE
Building the Oracle posts on the 1st and 15th of every month. It is hosted by Jay Swanson and Richard Bilkey. You can tweet at us on @jayonaboat and @rich_bilkey, and follow Jay on YouTube.
This episode was produced by Zach Egan.
Our theme music is "Glory" and our ad music is "Light," both by David Cutter.
We record everything on a Rode Procaster and mix in Adobe Audition and/or Audacity depending on how out of our workflow we've fallen.
The show's art is from Jay's book Into the Nanten, illustrated by Nimit Malavia.
Gustave the dog sleepily protects us every week as we record.
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