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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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SAW Commentary Track
Manage episode 377202658 series 89251
Вміст надано The BOP Crew. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The BOP Crew або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Hello, listeners. We'd like to play a commentary. If it's [MONTH TAPE IS BEING PLAYED], it must be BOP! And tonight, the crew is untangling the first knot in the increasingly convoluted horror juggernaut that is SAW, in the first of a new BOP n' A Movie commentary series! The Elwes are screaming and the Malort is flowing as they discuss the very first James Wan and Leigh Whannell joint, the ingenious filmmaking cheats that allowed an inexperienced production to both surpass expectations and accidentally create an era-defining style, the immediate pop culture royal treatment the nearly DTV film received, how the influx of Saw-alikes changed perception of the original, and how Tobin Bell getting off that floor is still shocking every goddamn time-- Spoilers. Now be a mensch and rewind that tape for the next guy, cool?
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