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Episode 10 - Weird Does Not Translate to Screen with Rachel Rolland
Manage episode 428988127 series 3573970
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On this episode, Rachel Rolland, a hobby-enthusiast, discusses her love for weird books, including two authors with a decently large backlist that I’ve never heard of. We discuss how a book about accounting can help investigate the way we see the world, how some books just shouldn’t be adapted to screen, and her love for the bookstores where she worked.
Books mentioned in this episode:
What Betsy’s reading:
The Nix by Nathan Hill
The Priory of the Orange Tree by Samantha Shannon
No One Can Know by Kate Alice Marshall
None of This is True by Lisa Jewell
Books Highlighted by Rachel:
Milkman by Anna Burns
Cat’s Cradle by Kurt Vonnegut
A Song of Ice & Fire by George R.R. Martin
Animal Farm by George Orwell
Watership Down by Richard Adams
The Book Thief by Markus Zusak
Keeping the House by Ellen Baker
13 ½ Lives of Captain Blue Bear by Walter Moers
The City of Dreaming Books by Walter Moers
Then We Came to the End by Joshua Ferris
Less by Andrew Sean Greer
Les Miserables by Victor Hugo
Double Entry: How the Merchants of Venice Created Modern Finance by Jane Gleeson-White
Other Books Mentioned in the Episode:
All books available on my Bookshop.org episode page.
The Corrections by Jonathan Franzen
Caps for Sale by Esphyr Slobodkina
The Eyre Affair by Jasper Fforde
Jane Eyre by Charlotte Bronte
Hamlet by William Shakespeare
Sense and Sensibility by Jane Austen
Pride and Prejudice by Jane Austen
The Big Over Easy: A Nursery Crime by Jasper Fforde
Shades of Grey: The Road to High Saffron by Jasper Fforde
Jonathan Strange & MR Norrell by Susanna Clarke
Piranesi by Susanna Clarke
The Priory of the Orange Tree by Samantha Shannon
Dune by Frank Herbert
Grant by Ron Chernow
Slaughterhouse-Five by Kurt Vonnegut
Breakfast of Champions by Kurt Vonnegut
Mother Night by Kurt Vonnegut
Catch-22 by Joseph Heller
The Cartographers by Peng Shepherd
Me Talk Pretty One Day by David Sedaris
I Like You: Hospitality Under the Influence by Amy Sedaris
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