Join musician Chris Fafalios (Punchline, Another Cheetah, Pack) as he listens to different one hit wonders with a revolving door of guests (including his bandmates and/or people from bands that he has toured with). After listening to the back catalog of the week's artist, they decide if the artist is a one hit blunder (shouldn't have had any success) or brought the one hit thunder (deserved to be much bigger than they were).
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Вміст надано Bobby Owsinski. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Bobby Owsinski або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Episode 507 – Scoring Mixer Jason LaRocca, Vinyl Record Backlog, And Hit Songs That Almost Didn’t Make The Album
MP3•Головна епізоду
Manage episode 400734497 series 2438962
Вміст надано Bobby Owsinski. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Bobby Owsinski або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
My guest this week is Grammy-nominated producer-engineer-scoring mixer Jason LaRocca, who has recorded and mixed music for major motion pictures, games and television. Known for mixing the score of "The Lord of The Rings: Rings of Power" series, Marvel's "Morbius" and more, Jason recently mixed the Grammy-nominated albums "Sweeney Todd: The Demon Barber of Fleet Street" and the "God of War: Ragnarok" soundtrack. He has also recorded and mixed for such top recording artists as Jay-Z, CeeLo Green, Fiona Apple, Schoolboy Q and Serj Tankian, of System of a Down. Jason was guest back on podcast #441 a couple of years ago, but I thought I’d have him back to give us an update about what’s going on in television, gaming and film mixing. During the interview we spoke about the enormous number of tracks required to record Sweeny Todd, the differences between mixing a Broadway record and a game soundtrack, whether automation or clip gain is faster, his approach to immersive mixing, mixing trends in film and TV, and much more. I spoke with Jason from his studio in Los Angeles. On the intro I looked at why the vinyl record backlog has decreased, and hit songs that almost didn’t make the album. var podscribeEmbedVars = { epId: 96487487, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
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continue reading
301 епізодів
MP3•Головна епізоду
Manage episode 400734497 series 2438962
Вміст надано Bobby Owsinski. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Bobby Owsinski або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
My guest this week is Grammy-nominated producer-engineer-scoring mixer Jason LaRocca, who has recorded and mixed music for major motion pictures, games and television. Known for mixing the score of "The Lord of The Rings: Rings of Power" series, Marvel's "Morbius" and more, Jason recently mixed the Grammy-nominated albums "Sweeney Todd: The Demon Barber of Fleet Street" and the "God of War: Ragnarok" soundtrack. He has also recorded and mixed for such top recording artists as Jay-Z, CeeLo Green, Fiona Apple, Schoolboy Q and Serj Tankian, of System of a Down. Jason was guest back on podcast #441 a couple of years ago, but I thought I’d have him back to give us an update about what’s going on in television, gaming and film mixing. During the interview we spoke about the enormous number of tracks required to record Sweeny Todd, the differences between mixing a Broadway record and a game soundtrack, whether automation or clip gain is faster, his approach to immersive mixing, mixing trends in film and TV, and much more. I spoke with Jason from his studio in Los Angeles. On the intro I looked at why the vinyl record backlog has decreased, and hit songs that almost didn’t make the album. var podscribeEmbedVars = { epId: 96487487, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };
…
continue reading
301 епізодів
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