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Artalogue
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Manage series 3533928
Вміст надано Madison Beale. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Madison Beale або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Join Madison Beale, host of the Artalogue, and listen to interviews with leading art world professionals.
32 епізодів
Відзначити всі (не)відтворені ...
Manage series 3533928
Вміст надано Madison Beale. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Madison Beale або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Join Madison Beale, host of the Artalogue, and listen to interviews with leading art world professionals.
32 епізодів
Усі епізоди
×Christopher Stowell was born in New York City and received his training at Pacific Northwest Ballet School and the School of American Ballet. In 1985, he joined San Francisco Ballet where he danced for 16 years, appearing in theaters throughout the world. An established interpreter of the George Balanchine repertoire, Stowell has appeared in almost every Balanchine ballet performed by San Francisco Ballet. In 2003 Stowell was named the Artistic Director of Oregon Ballet Theatre, a position he held until 2012. In 2017, Stowell was named the first Associate Artistic Director of The National Ballet of Canada, a position he held until 2022. Stowell has taught and coached in San Francisco, New York, Japan, China and across Europe. He has created works for San Francisco Ballet, Pennsylvania Ballet, The National Ballet of Canada, The Los Angeles Ballet and Pacific Northwest Ballet as well as the New York City Ballet Choreographic Institute. His ballets are in the repertoire of Carolina Ballet, Grand Rapids Ballet, Ballet Idaho, Diablo Ballet, Orlando Ballet and Oregon Ballet Theatre. Stowell is a representative of the Balanchine Trust and has also staged the works of Mark Morris and Christopher Wheeldon. Last month, Stowell began his tenure as the Artistic Director of the Royal Winnipeg Ballet. Stowell brings a leadership philosophy centred on relationship-building and community connection to the Royal Winnipeg Ballet . He articulates a refreshing vision for making ballet accessible: bringing performances to unexpected spaces, letting audiences witness the creative process up-close, and strengthening relationships with regional communities. His dancer's directive: "be a student in the classroom and a wild animal on stage". Listen as Stowell shares insights from both sides of the stage and his plans to shape ballet's future in Winnipeg and beyond. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Behind every great art collection lies a vision, whether it's personal passion or investment strategy. But for many would-be collectors, the first step is the hardest... How do you navigate galleries, auctions, and art fairs without feeling completely out of your depth? Meet Megan Paterson , founder of Aurelia Art Consulting, who's built her career on making the seemingly impenetrable art world accessible to all. After spending 14 years working at a gallery, Paterson noticed countless eager but intimidated people wanting to purchase art. This observation sparked her to found Aurelia, an art consulting practice that endeavours to break down barriers and empower buyers, regardless of where they are in their collecting journey. Paterson's approach is refreshingly straightforward. She advises new collectors to trust their instincts while offering insider knowledge on avoiding common pitfalls. "Not everything holds value," she cautions, having witnessed the disappointment of collectors who discover their purchases aren't worth what they paid. Beyond professional insights, Paterson shares her personal journey of overcoming shyness to become a successful networker and entrepreneur. Her candid admission of battling imposter syndrome offers encouragement to anyone hesitant to pursue their passion. Whether you're considering your first art purchase or contemplating an art-related business, her parting advice resonates: "Just close your eyes and take the leap." Follow Megan Paterson on Instagram and TikTok , or visit her website at to discover how art consultation might transform your relationship with collecting. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Casey Koyczan is a multi-media artist pushing boundaries by merging ancient Dene traditions with cutting-edge digital technologies. Through his diverse practice spanning installation, virtual reality, augmented reality, 3D animation, and music production, Koyczan creates immersive experiences that transport viewers into thought-provoking realms where culture, art and technology converge. At the heart of Koyczan's work lies the concept of Indigenous Futurity – envisioning Indigenous cultures, stories, and practices thriving in future contexts. Koyczan explores the powerful imagery he includes in his work that suggest cultural continuity while embracing technological possibilities. His internationally recognised Walk in a Circle series, which earned him a place on the prestigious Sobey Art Award longlist, further demonstrates his innovative approach. These meticulously crafted 3D animations give Indigenous art materials human characteristics, transforming them into spirits or creatures that forge deeper connections between viewers and traditional materials. From the playful fluffiness of tufting to the more mysterious interpretations of antler, Koyczan's work spans an impressive range. Having exhibited worldwide – from the Venice Biennale to galleries across Finland, Colombia, Chile, Mexico, the Netherlands, the UK, and beyond – Koyczan continues to push boundaries while maintaining his commitment to inspiring youth from Northwest Territories and across Canada. His advice to emerging artists reflects his own path: "Try things out, take risks, and just give it a shot". Discover how Casey Koyczan's multifaceted creative practice bridges worlds, honours heritage, and imagines new possibilities at the intersection of Indigenous knowledge and technological innovation. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
What does it mean to commit to performance so fully that it transforms how you move through the world? Winnipeg artist Shawna Dempsey reveals in this week's episode how performance art can be a radical tool for change. Dempsey recalls the inspiration behind some of her and collaborator Lori Millan's iconic works like Lesbian National Parks and Services , where she and Millan became uniformed officials "protecting the lesbian wilds" while educating the public about the inherent queerness of nature. Their performances blended humour, authority, and subversion to create transformative encounters decades before mainstream acceptance of LGBTQ+ identities. Learn about a time in the not-so distant-past where donning a ranger uniform emblazoned with the word "lesbian" forced constant coming out in 1990s Canada – a time when queer people had few legal protections and homophobia was abound. Dempsey and Millan are still creating work, like Thunderhead , Canada's new LGBTQ2+ monument commemorating victims of The Purge. The financial realities of life as a non-commercial artist pose a counterpoint to creative freedom, and Dempsey explores how she walks this tightrope. Despite international recognition and exhibiting at prestigious institutions like MoMA and the Winnipeg Art Gallery , Dempsey remembers that sometimes the most they earned in a year was under $19,000 each while touring five months of the year. "Supporting oneself as an artist in Canada is very challenging, especially if you don't make anything saleable," she explains, detailing how they survived through teaching, writing, and "pretty much anything for $50." As co-executive director of Mentoring Artists for Women's Art (MAWA) , Dempsey confronts the persistent inequality in visual arts, where women artists in Canada still earn only 70 cents for every dollar male artists make. Aspiring artists will find wisdom in Dempsey's journey – from playing pretend as the famous artist "Miss Shawna from New York" as a child to creating groundbreaking feminist work that's changed lives. Her advice to artists? "Do it. What a wonderful way to live, because you get to go into the studio and think: what do I want to say today?" Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Julius Manapul transforms the pain of displacement into powerful art that challenges colonial structures and celebrates queer identity. As a Filipinx immigrant who arrived in Canada in the 90s, Manapul found themselves caught between languages and cultures—a displacement that led them to embrace visual communication as a universal language transcending verbal barriers. Manapul's multimedia practice spans sculpture, installation, performance, and experimental film, but perhaps most striking is their transformation of pornographic imagery into intricate butterfly patterns. These works initially attract viewers with their beauty before challenging them with the revelation of their source material. "It's fascinating how the work never changed," Manapul observes. "It's people's perspective that changed." This moment of realisation become a thread Manapul continually explores in their art and teaching practice as an Assistant Professor at OCAD University. Their most recent exhibition "Sila/Siya/Ako" (they, them, me in Tagalog) examines the connections between religion, colonisation in the Philippines and the racism experienced within queer spaces. Manapul juxtaposes Catholic symbolism with gay club music, highlighting how both institutions—ostensibly places of belonging—often alienate those who don't conform to dominant ideals. The exhibition's mannequins, adorned with replicas of King Philip's armour crafted from gay porn images and whitewashing products, confront viewers with the ongoing effects of colonisation in contemporary Filipino culture. Manapul shares career triumphs and how they overcame barriers coming up in Toronto's art scene. When traditional gallery spaces initially rejected Manapul’s work, they strategically self-funded exhibitions and submitted to international calls—finding recognition in Europe before gaining traction in Canada. This resourcefulness reflects their powerful advice to emerging artists: "If there's no space for you at the table, make that space." Now an Assistant Professor at OCAD University, Manapul creates the representation they lacked growing up, proving that persistence and connection are essential tools for artistic success. Want to explore more transformative art that challenges cultural boundaries? Subscribe to our podcast and join the conversation about how art creates belonging for those who exist between worlds. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Currently based in Guelph, Ontario, Emily Laurent Henderson is a Kalaaleq (Greenlandic Inuk) and Settler curator and writer. A 2020 University of British Columbia graduate in Anthropology, Emily’s work and writing centres Inuit and Indigenous self-determination in the arts. Her writing has appeared in titles such as the Inuit Art Quarterly, Azure, Studio Magazine, and more. Her debut collection of poetry, "Hold Steady my Vision", was published in 2024 by Publication Studio Guelph. When Emily Henderson got her first museum job—working in a gift shop—she thought it was the first step towards her dream of being a museum curator. And she was right - only her dream was so much closer to being realised than she expected. She thought it might take decades, but six years later, she's an Associate Curator of Indigenous Art at the McMichael Canadian Art Collection with a once in a lifetime exhibition opening tomorrow. "I applied for jobs I was in no way qualified for," Emily laughs, revealing her unconventional early career strategy. Her fearless approach opened doors at the Inuit Art Quarterly, Indigenous Curatorial Collective, and Art Gallery of Ontario before landing at the McMichael, where she's currently preparing to open "Worlds on Paper," an exhibition featuring 215 drawings by 40 Kinngait (formerly Cape Dorset) artists. The groundbreaking show explores how Inuit artists documented their rapidly changing world between 1959-1990—a period of profound transition as communities were moved from semi-nomadic existence to permanent settlements. What makes this exhibition possible is the recent digitisation of all 90,000 drawings, creating unprecedented access to works that were often filtered out by Southern tastes and editorial committees. Henderson shares how Indigenous sovereignty in the arts (giving Indigenous people control over their own representation) is the "crux" of everything she does. She elaborates on what Indigenous sovereignty can look like in institutions that were built to further colonize. For aspiring curators, Emily offers practical wisdom: apply widely regardless of qualifications, seek publishing opportunities, and embrace mentorship. Her journey proves there's no single path to curatorial work—just the courage to start somewhere and grow through continuous learning. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Mariana Muñoz-Gomez wears many hats. Gomez is a Winnipeg-based artist, writer, zine maker and curator who intricately weaves personal narratives with collective histories in their lens-based practice. In today’s episode, Gomez shares what it is like to work for yourself as an artist interested in exploring many directions. Gomez’ exploration of identity, colonialism, and capitalist structures is not just academic; it's a deeply personal reflection on individual and collective histories that have impacted many people around the world. Gomez’ work urges us to reflect on their own connections to place and history. By employing a variety of media—ranging from photography to zines—Gomez examines how art can aid memory and resistance, offering new perspectives on our shared experiences. During our discussion, Gomez shares the motivations behind their work and how they harness the power of art to question societal norms through a relational lens. The episode shines a spotlight on the role of the curator, where Gomez emphasizes the importance of representation and care for the artists involved, particularly BIPOC voices. Alongside this, Gomez reveals the discipline and organisation required to be a freelancer, sharing how the least glamorous parts of being an artist are almost as important as the art itself. They also offer fascinating insights into their recent curatorial projects and the journey of creating Carnation Zine , a zine uplifting marginalised artists. Listeners will gain a deeper understanding of how art can provoke thought and inspire action within communities while navigating the complexities of a creative career. Don't miss this opportunity to engage with Gomez’ journey as they pave the way for meaningful dialogues in contemporary art. Subscribe now and be part of the conversation! Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
In today’s episode of the Artalogue, Madison chats with Yayoi Shionoiri , VP of External Affairs and General Counsel at Powerhouse Arts. Coming to her legal practice with a unique blend of art history knowledge and legal expertise, Shionoiri has spent over two decades championing artists and navigating intricate legal challenges in contemporary art and estate management. From her beginnings in corporate law to her influential roles at institutions like the Guggenheim Museum and Artsy, Shionoiri‘s career journey has much to learn from for aspiring lawyers and artists alike! We discuss how her undergraduate research into the conceptual art and subsequent trial of Genpei Akasegawa prompted her to learn more about and eventually help artists navigate the limits of artistic and free expression. Shionoiri also shares her personal journey from corporate law to the niche field of art law, highlighting the challenges and opportunities that come with pursuing a unique career path. Her experiences in the vibrant art scenes of Tokyo and New York provide a comparative outlook on how cultural nuances shape artistic innovation and the laws around it. Aspiring art lawyers will find her advice invaluable—emphasizing the importance of mastering legal fundamentals while balancing a deep understanding of the art world. Shionoiri‘s interest in the intersection of copyright, AI, and creativity in today's digital age raises crucial questions about the future of art and law. Join us for a thought-provoking conversation that promises to inspire artists, lawyers, and art enthusiasts alike. Follow Yayoi on Instagram! Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
For artist Ophelia Arc , early memories are not just echoes of the past but a rich source of inspiration for her artistic practice. In today's episode, Arc takes us through her evolving artistic practice where memories blend seamlessly with Arc's interest in theory. Arc showcases how her experiences at the Rhode Island School of Design, particularly through niche courses and critique, have fuelled her understanding of art in a broader and interdisciplinary context. Transitioning from academia to the commercial art world is an adventure filled with unpredictable encounters and collaborations. She shares her insights on making these transitions smoother, emphasizing the powerful relationships with curators and collectors that have shaped her path. We explore the enduring value of keeping a sketchbook and active drawing practice, not just as a tool for artistic growth but as an archive of personal evolution. Arc's work can be found on Instagram a nd her website, offering a window into her vibrant world. Ophelia Arc’s latest group show, "Tomorrow is Already Behind Us", opens on Friday, January 17 2025 at the New York Lyles and King gallery . Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Today on the Artalogue, I chat with Chloe Chafe, a dynamic creative director from Winnipeg, who takes us through their unconventional journey through the art world. Raised around artists and spurred by inspiring teachers, Chloe found their true calling in high school. With an eye for innovation, Chloe co-founded Synonym Art Consultation, a venture that reshapes the way Winnipeg has thought about public art by bringing creativity to unexpected corners like local restaurants and businesses. This path wasn't easy—Chloe shares the balancing act of managing a service industry job, art school, and a budding business until Synonym Art Consultation blossomed into a full-time passion. Chloe's story isn't just about art; it's about fostering community and trust within it. From navigating the nitty-gritty of public art project management to reinventing art experiences with technology like augmented reality, Chloe's insights are as colourful and complex as the murals they have facilitated. We explore the Wall-to-Wall Graffiti Art Festival, Mentorship Programs, grant writing and accessible education. Moreover, Chloe discusses the importance of core values like respect and accountability in building spaces where artists can create bold and meaningful pieces. Tune in for an inspiring conversation that underscores the transformative power of art in public spaces and the relationships that sustain it. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Today on the Artalogue, we’re exploring the fascinating world of ancient Roman art with Jacqueline Giz, a passionate PhD student from the University of Michigan. Jacqueline shares her unique journey from aspiring lawyer to art historian, initially sparked by her parents' love for art and Roman history. Discover how her childhood curiosity evolved into a professional pursuit, focusing on the the lesser studied art and artefacts of the ancient Mediterranean. We chat candidly about picking a university that’s right for you, with Giz elaborating on her choice to study at the University of Michigan, partially influenced by the Kelsey Museum's exceptional collection. Giz also discusses transformative power of museums in making history accessible and engaging. Museums, she explains, are not just repositories of the past but vibrant spaces that can offer profound experiences to diverse audiences. We chat about the challenges of curating archaeological objects and the importance of providing meaningful context that resonates with contemporary viewers. From crafting impactful curatorial labels to engaging visitors outside traditional methods, Giz shares her insights and experiences in bridging the gap between ancient artifacts and modern audiences. With Gladiator 2 being on everyone’s mind, we elaborate on the often-misunderstood Roman Empire and its portrayal in popular media. While movies like the second Gladiator film can ignite interest, they also risk distorting historical narratives. Speaking about the academic side of the art world, Giz offers her perspective on overcoming imposter syndrome, encouraging listeners to embrace their achievements amidst the academic pressure. Her reflections provide both a window into the ancient world and an inspiring message of self-belief. Join us for a captivating episode that blends art, history, and personal growth, offering a fresh perspective on the ancient Mediterranean and its relevance today. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Step into the captivating world of tattooing with our esteemed guest, Paul Booth, a legendary tattoo artist celebrated for his dark and provocative style. Paul tells us about his career journey from admiring the tattoos of a classmate to opening a 3 story tattoo shop and gallery in Manhattan. Paul opens up about his unique style evolution, rooted in the bold use of black and gray shading. Explore the profound journey of tattoos as keepsakes that memorialize pivotal life moments and personal histories. Paul shares heartwarming anecdotes about tattoos that symbolize cherished relationships and personal milestones, such as his face tattoo designed by his mentor. Booth’s artistic expression transcends the skin by embracing music, clay, and even the digital domain of AI design. Amidst tales of artistic triumphs and challenges, Paul reflects on the division many see between tattooing and fine art. His invaluable advice for aspiring artists underscores the importance of genuine artistry over ego, inspiring them to dedicate themselves to their craft. Join us for an inspiring conversation that highlights the enduring power of creativity and the limitless potential of art as a transformative force. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
When I asked Bill Powers , owner of Half Gallery (who also happens to be an avid tennis player) what similarities could be drawn between the art world and the game, he replied "I guess sometimes people may pay more attention to their outfits than their backhand." Throughout our conversation, Bill Powers, the owner of Half Gallery, serves some keen insight from his many years in the Art World. Starting as a culture journalist writing for magazines and esteemed publications like the New York Times, Powers pivoted to becoming a gallerist when the moment arose. "Why not me?", he thought. He now contributes to Muse, Purple and Autre magazines. He now has two books available through Junior Publishing, Glissando and Early 21st Century Art. Alongside discussions about his career and gallery, we discuss the changing Art World and what the future holds. We chat about the shifting nature and relevancy of art criticism and the growing influence of market dynamics on artistic expression. From the recent spectacle of Maurizio Cattelan's "Comedian" at the recent Sotheby's auction to the disruptive force of NFTs, we try to untangle and understand how commercial success is reshaping taste and connoisseurship. Bill reflects on the delicate balance of business with creativity. His story is a compelling glimpse into the ways in which different aspects of the Art World converge. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Join us as we welcome Joel Nichols, a brilliant Rhodes Scholar whose journey as an artist has taken an exciting turn. I chatted with Joel right before he was leaving Winnipeg for Oxford to further his studies. Through our conversation, Joel reveals how his initial pursuit of science and medicine was put aside after a chance drawing class at university. His interest in science has serendipitously intertwined with his artistic endeavours, particularly in the chemistry-rich world of ceramics. His practice spans multiple mediums, including drawing, painting, and printmaking, creating an interdisciplinary dialogue that speaks to themes of identity, queer theory, and bodily autonomy. Joel channels his heritage and diverse background into his work, making it relatable and accessible to a variety of audiences. In the second half of our discussion, Joel reflects on his transformative experiences at the University of Manitoba's School of Art and his incredible residency at the Banff Center. With breathtaking studio views and the camaraderie of a diverse group of artists, Joel's time in Banff proved to be a period of profound growth and connection. He shares the challenges and triumphs of creating large ceramic vessels using the Korean Onggi technique and how these experiences shaped him both personally and artistically. We also talk candidly about stepping into the commercial side of art production and the challenges that can present an artist. Tune in to hear about Joel’s journey and what fuels the artist’s innovative practice right before he heads off to Oxford to pursue an MFA as a prestigious Rhodes Scholar. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
Hangama Amiri , an acclaimed Afghan-Canadian textile artist, joins us to share her remarkable journey from painting to textiles, drawing deeply from her Afghan heritage and personal history. In our conversation, Amiri explains how she transforms fabrics to tell a story with her art and how powerful the medium is to express authenticity and connection. We also shine a light on the resilience of Afghan women through salon culture, a fascinating aspect of Amiri's experiences during her visits to Afghanistan that have become prominent in her work. These salons are more than spaces for beauty—they are bastions of resistance and entrepreneurship in male-dominated settings. Amiri reflects on the art world's often narrow views on textiles and shares insights inspired by her academic journey, challenging the notion that textile art is merely craft. Her experiences at NSCAD and Yale underscore the importance of diversity and representation in fostering artistic growth and confidence. In our final segment, Amiri reflects on her transition to an independent artistic practice and the freedom it offered to develop her unique voice. Aspiring artists will find her advice invaluable: understanding your relationship with your materials and staying true to your intuition as key to authentic expression. --- Hangama Amiri holds an MFA from Yale University, where she graduated in 2020 from the Painting and Printmaking Department. She received her BFA from NSCAD University in Halifax, Nova Scotia, and is a Canadian Fulbright and Post-Graduate Fellow at Yale University School of Art and Sciences (2015-2016). She is also a Kaiserring Stapendiatin of 2023 by Monchehaus Museum in Goslar, Germany. Her recent exhibitions include A Quiet Resistance (2023) at Monchehaus Museum, Goslar, Germany; A Homage to Home (2023) at The Aldrich Contemporary Art Museum, Ridgefield, CT; Sharjah Biennial 15: Thinking Historically in the Present (2023), Sharjah, UAE; Reminiscences (2022) at Union Pacific in London; Henna Night/ Shabe Kheena (2022) at David B. Smith Gallery, Denver, CO; Mirrors and Faces (2021) at Cooper Cole Gallery, Toronto; Wandering Amidst the Colors (2021) at Albertz Benda, New York, NY; Spectators of a New Dawn (2021), Towards Gallery, Toronto; and Bazaar: A Recollection of Home (2020) at T293 Gallery, Rome, Italy. Follow Hangama on Instagram Cover photo taken by Denis Gutiérrez-Ogrinc. Connect with us: Madison Beale , Host Croocial, Production Be a guest on The Artalogue Podcast…
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