In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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THE COLOR PURPLE
Manage episode 397551927 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut, we’re talking with editor Jon Poll, and additional editor, Kheireddine El-Helou. They’ve joined us to talk about The Color Purple.
Jon’s credits include Father of the Bride, Bombshell, The Greatest Showman, Meet the Fockers, and Austin Powers: The Spy Who Shagged Me, among many others.
Kheireddine has also been an additional editor on films like Father of the Bride and Blackhat, assistant editor on Power Rangers and Muppets Most Wanted, among others.
If you want to read along and have access to great visual and multi-media support for this episode, check out borisfx.com/blog/aotc
140 епізодів
Поширити
Manage episode 397551927 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut, we’re talking with editor Jon Poll, and additional editor, Kheireddine El-Helou. They’ve joined us to talk about The Color Purple.
Jon’s credits include Father of the Bride, Bombshell, The Greatest Showman, Meet the Fockers, and Austin Powers: The Spy Who Shagged Me, among many others.
Kheireddine has also been an additional editor on films like Father of the Bride and Blackhat, assistant editor on Power Rangers and Muppets Most Wanted, among others.
If you want to read along and have access to great visual and multi-media support for this episode, check out borisfx.com/blog/aotc
140 епізодів
Усі епізоди
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Схожі до Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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