In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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GREEDY PEOPLE
Manage episode 438327252 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People.
Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness.
Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A.
We’re going to be discussing how balancing tone in a black comedy is deadly business, why finding temp from similar movies doesn’t necessarily work, and how you make the move from un-scripted editor to scripted assistant
Also, you can read along and see pictures of Jamie and Amanda, Jamie's cutting room, and the timeline and Productions window from Adobe Premiere for the movie.
borisfx.com/blog/aotc
128 епізодів
Поширити
Manage episode 438327252 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut, we talk with editor Jamie Kirkpatrick, ACE and one of his assistant editors, Amanda K. Romero about editing the film, Greedy People.
Jamie’s been on Art of the Cut previously for his work on the film Critical Thinking. His other films include Old Henry, My Friend Dahmer, and We Summon the Darkness.
Amanda has previously edited the feature films False Pretenses and Bedside, and the TV series Londyn and Philly D.A.
We’re going to be discussing how balancing tone in a black comedy is deadly business, why finding temp from similar movies doesn’t necessarily work, and how you make the move from un-scripted editor to scripted assistant
Also, you can read along and see pictures of Jamie and Amanda, Jamie's cutting room, and the timeline and Productions window from Adobe Premiere for the movie.
borisfx.com/blog/aotc
128 епізодів
Усі епізоди
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Схожі до Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Are you afraid to be alone with your own thoughts? Would you rather hear stories and conversations from three idiots stumbling through womanhood? Well, you’re in the right place! From the minds and mouths of Keltie Knight, Jac Vanek, and Becca Tobin, the LADYGANG podcast intends to make women feel less alone. Each week the ladies welcome celebrity guests, experts, or chat amongst themselves about all things lady.
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