In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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3 BODY PROBLEM
Manage episode 415999884 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut we’re talking with some of the editors of Netflix’s sci-fi series, 3 Body Problem. With us for today’s interview are Anna Hauger, ACE, Michael Ruscio, ACE and Simon Smith, ACE. Katie Weiland was also an editor on the show but was unable to join us.
Anna’s credits include Westworld, Station Eleven, and Watchmen.
Michael’s credits include the TV series True Blood, Altered Carbon, Six Feet Under, and House of Cards.
Simon has been on Art of the Cut previously for his ACE Eddie winning work on Chernobyl and his ACE Eddie winning work on Andor. His other credits include the feature film Spaceman.
Don't forget that you can read along and get timeline screenshots, screenshots of bins, ScriptSync pages and trailers at:
borisfx.com/blog/aotc.
128 епізодів
Поширити
Manage episode 415999884 series 3485936
Вміст надано Steve Hullfish, ACE, Steve Hullfish, and ACE. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Steve Hullfish, ACE, Steve Hullfish, and ACE або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Today on Art of the Cut we’re talking with some of the editors of Netflix’s sci-fi series, 3 Body Problem. With us for today’s interview are Anna Hauger, ACE, Michael Ruscio, ACE and Simon Smith, ACE. Katie Weiland was also an editor on the show but was unable to join us.
Anna’s credits include Westworld, Station Eleven, and Watchmen.
Michael’s credits include the TV series True Blood, Altered Carbon, Six Feet Under, and House of Cards.
Simon has been on Art of the Cut previously for his ACE Eddie winning work on Chernobyl and his ACE Eddie winning work on Andor. His other credits include the feature film Spaceman.
Don't forget that you can read along and get timeline screenshots, screenshots of bins, ScriptSync pages and trailers at:
borisfx.com/blog/aotc.
128 епізодів
Усі епізоди
×
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Схожі до Art of the Cut
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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