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Welcome to the Criterion Creeps podcast. A podcast hosted by Jarrett and RJ where they talk about the Criterion Collection spine by spine in order of release every Wednesday.
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A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more. newcriterion.com
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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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Two friends talk about cinema and the Criterion Collection. Yeah, it's another podcast. You're welcome.
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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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Main episodes of the Criterion Cast podcast
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A podcast for fans of the Criterion Collection.
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A journey in time through the films of the Criterion Collection.
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Learn about our students and faculty of La Sierra University.
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This feed contains episodes 51 through 100 of the CriterionCast. It is for archival purposes.
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Jake and Alec, student writers for Colorado Mesa University's the Criterion, discuss politics, both global and local.
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A closer look at titles and directors from the Criterion Collection
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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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With the start of the Criterion Channel, Rachel Wagner and Conrado Falco thought it would be fun, once a month, to talk about a film offered there.
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Two friends band together on an epic quest to make their way through the entire Criterion Collection
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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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The show where we horse around and talk about some of the finest films in cinema history.
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We're a husband and wife duo that met in a film noir class and have decided to watch all of the Criterion Collection releases from the beginning and podcast about our journey through cinema.
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Casual Cinecast is a weekly film and TV podcast where we discuss current movies, watch through the Criterion Collection and much more! Every review has a spoiler free section!
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Two Austin knuckleheads discuss movies from the Criterion Collection, as well as anything else that distracts them.
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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A look into the Criterion Collection, one spine number at a time. Each episode Darin looks at a movie from the Criterion Collection and shares what he thought.
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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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Criterion Creeps Episode 418: The Hit
1:46:57
1:46:57
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1:46:57
Starring Tim Broth.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podca…
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In recent days, the music world—classical and popular—has lost Alfred Brendel and Brian Wilson. Jay pays due tribute. He has other selections as well—beginning with a summer song, refreshing on a hot day, or any.Berlioz, “Villanelle,” from “Les nuits d’été”Mozart, Piano Sonata in E flat, K. 282, third movementSchubert, “Moments musicaux” No. 3Liszt…
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But I'm A Cheerleader (1999) with Adelina Marinello
1:40:47
1:40:47
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Just to clarify: YES we all agree with Natasha Lyonne’s perfect takes on AI usage in the entertainment industry*. The Spineless Boys are once again joined by Adelina Marinello to discuss Jamie Babbitt’s Criterion Collection candidate BUT I’M A CHEERLEADER (1999), a masterpiece of queer satire that is either sadder or funnier than it appears on the …
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Spine 654: Repo Man
1:54:06
1:54:06
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In 1984 Alex Cox burst onto the scene with Repo Man, a hilarious critique of America's (then unique?) system of credit-capitalism, embodied in the industry of repossessing past-due cars. In a world where it is now possible to not only buy a hamburger today and pay for it next month, but to do so through multiple layers of corporate exploitation tha…
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In this episode, Joy discusses the HBO show 'The Rehearsal' and its parallels to power dynamics in finance and aviation. The conversation explores themes of communication, vulnerability, authority, and the importance of diversity in decision-making environments. Through the lens of the show, Joy highlights how rehearsing new scripts and norms can l…
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In this episode, Nate and Matt venture into the dark tunnels of Andrzej Wajda's "Kanal", released in 1957.
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Criterion Creeps Episode 417: Science is Fiction: 23 Films by Jean Painleve
1:52:16
1:52:16
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1:52:16
Cutting sea horses in half one podcast at a time.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are…
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Spine 653: Gate of Hell
1:47:22
1:47:22
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Daiei Film's first color film, Teinosuke Kinugasa's Gate of Hell (1953) is an absolutely beautiful film and one of those rare instances where we really wish the Criterion Collection had included any bonus features at all, maybe something on the film's restoration or on Eastmancolor film in Japan. Anything. But we still manage to find something to t…
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Ricky Ian Gordon has written a cycle of songs about flowers. In this episode, we hear one of them. Rachmaninoff wrote a song called “Lilacs.” We hear that, too. Bach opens his Goldberg Variations with an aria (and closes the work with that same aria). Tchaikovsky’s wrote a couple of blockbuster arias in The Queen of Spades. And on we go.Gordon, “We…
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Asteroid City (2023)
1:35:21
1:35:21
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Doesn’t matter. Just keep telling the story. In the most symmetrical episode of Spineless yet, Nick and Brennan discuss Wes Anderson’s 2023 film Asteroid City, one of his few films not already in the Criterion Collection. They talk about the star-studded cast, the compelling but not-dramaturgically-sound use of metanarrative, and how Anderson’s Isl…
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Spine 652: Monsieur Verdoux
1:45:33
1:45:33
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1:45:33
As the US government was hounding him for various "anti-American"isms, Charlie Chaplin made his first movie since before the war: a black comedy where in lieu of the lovable Tramp (or the Tramp-esque Barber) Chaplin plays a polygamist serial killer. Monsieur Verdoux (1947) isn't so much a change of form for Chaplin, though, as the movie goes throug…
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#54: Parallel Lives Born Q4 1967: A Conversation with Joyce-Ann Wainaina on Purpose, Family, and Finance
44:47
In this episode, Joy engages in a rich conversation with Joyce-Ann Wainaina, founder of Chui Ventures. They explore their personal journeys, the impact of their backgrounds, and the role of finance in transformative systems change. The discussion delves into the importance of confidence, the challenges of navigating career transitions, and the need…
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Criterion Creeps Episode 416: Empire of Passion
1:44:01
1:44:01
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1:44:01
The movies still haven't started watching themselves...Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if y…
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Spine 651: Badlands
1:57:21
1:57:21
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Terrence Malick's debut film is a story of America, of wanton violence driving across the great plains. Badlands (1973) isn't just Manifest Destiny marching over the continent; the film's from 1973, it's Vietnam, it's a murderous young man saying "Not that I deserve a medal." Malick hits the ground running with the spiritual lyricism he's known for…
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Whiplash (2014) with Daniel Kinney
1:33:11
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1:33:11
Not my tempo. Film is all about asking questions, and the central question of this week’s film is: Imagine If You Liked Drum? To help answer that question, the Spineless Boys recruit percussionist (and Nick's brother) Daniel Kinney to discuss Damien Chazelle’s breakthrough Whiplash (2014), with surprisingly minimal discussion of Maestro and Red One…
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Spine 650: A Man Escaped
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Robert Bresson makes a prison escape film is the sort of premise that we cannot help but fall for, particularly as A Man Escaped (1956) is also our favorite sub-genre of crime film: the criminal procedural. While we really fell in love (sort of) with the "full Bresson" of Au hasard Balthazar or Mouchette, both a decade later, A Man Escaped takes Br…
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Criterion Creeps Episode 415: In the Realm of the Senses
1:47:35
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One week to MAYseball!Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this po…
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In this episode, Joy explores the perceived costs associated with integrating gender into investments and the expenses related to control in community building. She argues that gender integration can be cost-neutral in the long run, emphasizing that the real costs arise from resistance and bias. Additionally, Joy discusses how control can be expens…
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This episode of Criterion Cast features a conversation with director/screenwriter Matthew Gentile, as he and host David Blakeslee discuss the ARGENTINE NOIR bundle currently streaming on the Criterion Channel. As the name implies, this is a collection of six films noir originally released in Argentina during the 1950s. Here’s how the Channel descri…
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Episode 217 – Argentine Noir with guest Matthew Gentile
1:33:58
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1:33:58
This episode of Criterion Cast features a conversation with director/screenwriter Matthew Gentile, as he and host David Blakeslee discuss the ARGENTINE NOIR bundle currently streaming on the Criterion Channel. As the name implies, this is a collection of six films noir originally released in Argentina during the 1950s. Here’s how the Channel descri…
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This episode of Criterion Cast features a conversation with director/screenwriter Matthew Gentile, as he and host David Blakeslee discuss the ARGENTINE NOIR bundle currently streaming on the Criterion Channel. As the name implies, this is a collection of six films noir originally released in Argentina during the 1950s. Here’s how the Channel descri…
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Spine 649: Ministry of Fear
1:42:04
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Our hopes were so high for Ministry of Fear (1944). Sure, Carol Reed is the best at adapting Graham Greene novels, but Fritz Lang? He's just one of the best European directors there is. Lang adapting Greene? Making a movie called Ministry of Fear in 1944? We didn't think anything could go wrong. Enter Seton I. Miller, executive producer and screenw…
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Have you ever heard Contemplazione, a piece for orchestra by Catalani, the composer of La Wally? Have you ever heard “Who’s Afraid of the Big Bad Wolf?”—but arranged for piano? These are two of the offerings in this eclectic, stimulating program.Catalani, “Contemplazione”Catalani, “Ebben? Ne andró lontana,” from “La Wally”Stravinsky, “Le Baiser de …
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Criterion Creeps Episode 414: Dodes'ka-den
1:38:40
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1:38:40
We're back, Again.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see this podcas…
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The King of Comedy (1982)
1:11:10
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An obsessed fan will do anything to get what he wants--including....crime??? In a Martin Scorsese picture?!? On this episode of Spineless, Nick and Brennan break down Marty's undersung masterpiece The King of Comedy and the king himself Rupert Pupkin (Robert De Niro), asking questions such as: Why wasn't Jerry Lewis nominated for an Oscar for this …
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Spine 648: Chronicle of a Summer
2:02:33
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2:02:33
Sociologist Edgar Morin and anthropological filmmaker Jean Rouch join forces for the Québécois filmmaker Michel Brault to turn their ethnographic lens on the empirical core and create the foundational text of cinéma vérité. It may be that this is the most truthful a French (or any) documentary had been up to this point, but the film's subjects ofte…
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In this episode, Joy engages in a deep conversation with Katharine Im-Jenkins, managing director of the Equality Fund. They explore the innovative financing strategies behind the Equality Fund, the power dynamics within endowments, and the importance of sustainable funding for grassroots organizations working on gender equality. The discussion high…
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Spine 647: On the Waterfront
1:56:44
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1:56:44
Probably the best acted, best scored, best directed, most beautiful, self-serving justification of being a traitorous jerk ever put to film, Elia Kazan's On the Waterfront (1954) could have been better if it was more true to the real life events that inspired it and less a justification for naming names to the House Unamerican Activities Committtee…
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Criterion Creeps Episode 413: Danton
2:19:38
2:19:38
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2:19:38
We're back, and with a prelude to MAYseball!Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so i…
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This year marks the one hundred and fiftieth anniversary of Maurice Ravel’s birth. So we have been hearing a lot of him. Jay plays two pieces by him—two of his best, and most typical. There are also Spanish songs, by Obradors and Rodrigo. Some Schumann, some Vaughan Williams, and so on. Plus several stories—personal ones. An enriching, smile-making…
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Zodiac (2007)
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1:22:33
If Roger Rabbit asks you to come down into his basement, DO NOT LISTEN!! It just might be the Zodiac speaking. This week on Spineless, Brennan and Nick discuss David Fincher's 2007 crime masterpiece Zodiac, a film which fourteen-year-old Brennan called “extremely terrifying” and also wrote a song about. Brennan and Nick discuss how Fincher subverts…
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Soine 646: The Kid with a Bike
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1:40:32
Similar to the ways that Jean-Pierre and Luc Dardenne's Rosetta (1999) reminded us of a modern day version of Breson's Mouchette, their film The Kid with a Bike (2011) feels like an updated The 400 Blows. Of course, the Dardenne's bring their unique style to the story of Cyril and Samantha, once again ending not with an established community, but a…
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