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Arcola Conversations - Is COVID Taking Women Back to the 1950s?
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Seven in ten workers on the frontline of the pandemic are female. In the last year, more women have lost jobs, been furloughed and taken on unpaid care than men. Have women faced a disproportionate emotional and mental burden during the pandemic? Have we lost some of the gains made towards women’s liberation?Hear from Titilola Dawudu (Company Direc…
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This discussion took place on 25th May 2021, the anniversary of the murder of George Floyd. A year after individuals and organisations stood in solidarity against state violence, how much progress has really been made? What actions must now be taken to oppose racism and white supremacy in our communities, society and around the world?Hear from Dian…
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The pandemic has exacerbated inequalities that were already severe. From the free school meals scandal to a proposed return to austerity policies, how can we understand the implications, and rebuild a fairer society?Hear from Mark Thomas (writer and performer, Mark Thomas: Check-Up at Arcola Theatre in 2018) and Wanda Wyporska (Executive Director o…
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Richard Speir interviews Robin Hooper about Broken Lad, coming soon to Arcola Outside.Above a pub in North London, Phil waits to go on stage. As he laments his dwindling career, his son Josh arrives believing that his dad harbours a damaging secret. With the gig hour nearing, past misdemeanours catch up with the family. Tonight, Phil’s career might…
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In the final episode of Always A Critic we talk about the production of Thebes Land at the Arcola Theatre in London. Directed by Daniel Goldman.Theatre criticism by theatre students and makers
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In the eleventh episode of Always A Critic we talk about the production of Raising Our Voices at the Camden People's Theatre in London, from The LGBTQ Arts Review.Theatre criticism by theatre students and makers
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In the tenth episode of Always A Critic we talk about the production of Yerma at The Young Vic in London, starring Billie Piper and directed by Simon Stone.Theatre criticism by theatre students and makers
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