Raúl Guerrero

Interviews by Brainard Carey

#Fine Arts #Arts #Brainard Carey

34:35

Marcia Clark, best known as the lead prosecutor in the O.J. Simpson trial, has become a trailblazer for women in law and beyond. Her journey from courtroom to bestselling author reflects her resilience and determination to redefine herself amidst intense public scrutiny. On this episode of Worth Knowing, Clark dives into her latest book, *Trial by Ambush*, which examines the 1953 Barbara Graham case—a story that highlights gender bias, media sensationalism, and the notion that all cases are subject to societal, cultural, and political winds. Clark shares how her experiences during the Simpson trial shaped her perspective on societal pressures and the role of women in high-stakes professions. Her reflections on how media, forensic science, and legal practices have evolved over decades offer valuable insights into the intersection of law and culture. This conversation is a compelling exploration of true crime, personal growth, and how Clark’s groundbreaking career continues to inspire a new generation of women to challenge norms and forge their own paths. Marcia Clark is a bestselling author and a criminal lawyer who began her career in law as a criminal defense attorney and went on to become a prosecutor in the L.A. District Attorney's Office in 1981. She spent ten years in the Special Trials Unit, where she handled a number of high-profile cases, including the prosecution of stalker/murderer Robert Bardo, whose conviction for the murder of actress Rebecca Schaeffer resulted in legislation that offered victims better protection from stalkers as well as increased punishment for the offenders. She was lead prosecutor for the O.J. Simpson murder trial. In May of 1997 her book on the Simpson case, "Without a Doubt," was published and reached #1 on the New York Times, Wall St. Journal, Washington Post, Los Angeles Times, and Publishers Weekly bestsellers lists. In February 2016, Clark re-released the book with a new foreword. Resources Sign up for the Worth Knowing LinkedIn Newsletter to stay up to date: https://www.linkedin.com/newsletters/worth-knowing-7236433935503618048/ Follow Bonnie on LinkedIn: https://www.linkedin.com/in/bonnie-habyan/ Go to the Worth Knowing website: https://www.worthknowing.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company…

рік тому 40:34

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Photo: Elon Schoenholz, courtesy of David Kordansky Gallery For over four decades, Raúl Guerrero (b. 1945, Brawley, California) has made work informed by his experiences navigating cultures as an American of Mexican ancestry in Southern California. In his paintings, photographs, video, and performance works, Guerrero utilizes language and cultural signifiers to examine notions of place as a way to understand personal concepts of self. An aspect of his work depicts—and critiques—colonial narratives in the Americas such as the settlement of the Great Plains, the history of Latin America, and imposed notions of the American “West.” With compositions fusing Mexican, American, and European visual traditions, he incorporates influences ranging from the readymades of Marcel Duchamp to conceptually-oriented practices associated with a preceding generation of California artists (including John Baldessari and Ed Ruscha) who emerged from Guerrero’s alma mater, the Chouinard Art Institute. A long-time exhibiting artist on the West Coast, Guerrero reflects an intellectually rigorous approach suffused with humor and a deep engagement with legacies of visual art from Southern California and the Southwest. Raúl Guerrero has been the subject of solo exhibitions at David Kordansky Gallery, Los Angeles (2021); Ortuzar Projects, New York (2018); Air de Paris (project space), Romainville, France (2014); Athenaeum Music and Arts Library, San Diego, California (2001, 2007, and 2013); CUE Art Foundation, New York (2010); Long Beach Museum of Art, California (1977); Museum of Contemporary Art San Diego (1989); and San Francisco Art Institute, California (1977). Guerrero was included in the California Biennial 2022: Pacific Gold at the Orange County Museum of Art, Costa Mesa, California (2022–2023), and was the recipient of an NEA Photography Fellowship (1979) and the San Diego Art Prize (2006). Guerrero lives and works in San Diego. Raul Guerrero, Fernando y Isabela: 1494, 2023 oil on linen 56 1/8 x 76 1/8 x 1 5/8 inches (142.6 x 193.4 x 4.1 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, Del Taco, 2023 oil on linen 56 x 76 1/4 x 1 1/2 inches (142.2 x 193.7 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery Raul Guerrero, The Alhambra: 1492, 2024 oil on linen 96 x 76 x 1 1/2 inches (243.8 x 193 x 3.8 cm) Photo: Jeff McLane, courtesy of David Kordansky Gallery

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Raúl Guerrero

Interviews by Brainard Carey

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253 епізодів

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1
Nicolás Leiva 20:04

4 дні тому20:04

20:04

courtesy of Ruiz-Healy Art, New York / San Antonio Nicolás Leiva is renowned for his exuberant sculptures and paintings that capture various expressive personal visions. Vessels, boats, abstract forms, flying carriages are transformed into ceramics in an explosion of lush primary colors embossed with metals like silver and gold. Animals and vegetables commingle in a garden of flowers amidst otherworldly places of shelter, are replicated as box-like reliquaries, and plate-like medallions in miniature close-up show territories transitioned from his works on paper. His imaginative world unfolds in infinite realms like a Möbius strip. Highly gestural, organic, or geometric, Leiva presents a host of archetypes in his emblems of flight, safety, and delight. Born in 1958 in Tucumán, Argentina, Leiva graduated from the Fine Arts School of the Universidad Nacional de Tucumán. He continued his studies in Buenos Aires and moved to Miami in 1990. In 1996, he extended his practice to sculpture and ceramics. He lives part-time in Faenza, Italy, where he works with a variety of materials at the workshops of Ceramica Gatti. His work is the subject of the 2005 monograph Nicolas Leiva: The Fire of Self and Multiplication with scholarly text by Ricardo Pau-Llosa and Mariza Vescovo published by Bandecchi & Vivaldi in Italy. He has had many important solo and group exhibitions in the US and internationally, notably his 2023 solo exhibition, Historia de un día , Museo de Bellas Artes Laureano Brizuela, Catamarca, Argentina. Leiva was recently selected for the 2023 Miami Individual Artist (MIA) Grant, Miami-Dade County Department of Cultural Affairs in Miami, FL. His works are in the permanent collections of the Museo de Arte Latinoamericano de Buenos Aires (MALBA); The Snite Museum of Art at the University of Notre Dame, Indiana; the Berardo Collection in Lisbon, Portugal; the Gollinelli Collection in Bologna, Italy; and the Museum of Art of Fort Lauderdale in Florida. The Civic Museum of Marble, Carrara, Italy; Museo Maria Zambrano, Malaga, Spain; José Luis Cuevas Museum, Mexico City, México; Museum of Latin American Art, Long Beach, CA; and Fundación Federico García Lorca, Madrid, Spain. Nicolás Leiva, Sopera, 2015 Signed and dated on the underside Majolica ceramic with gold and platinum lustrous Ceramica Gatti, Italy 17 x 18 x 17 in. courtesy of Ruiz-Healy Art, New York / San Antonio. Nicolás Leiva, Sopera, 2015 Signed and dated on the underside Majolica ceramic with gold and platinum lustrous Ceramica Gatti, Italy 17 x 18 x 17 in. courtesy of Ruiz-Healy Art, New York / San Antonio. Nicolás Leiva, Sea Flora, 2024 Signed and dated on the underside Majolica ceramic with gold 35 x 15 x 15 in. courtesy of Ruiz-Healy Art, New York / San Antonio. Nicolás Leiva, Arbol de los Sueños (Tree of Dreams), 2017 Signed and dated on the underside Majolica ceramic with gold and lustrous Ceramica Gatti, Italy 30 in diameter. courtesy of Ruiz-Healy Art, New York / San Antonio.…

1
Duane Michals 22:07

8 днів тому22:07

22:07

Duane Michals (b. 1932, McKeesport, PA) is one of the great photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives. The sequences, for which he is widely known, appropriate cinema’s frame-by-frame format. Michals has also incorporated text as a key component in his works. Rather than serving a didactic or explanatory function, his handwritten text adds another dimension to the images’ meaning and gives voice to Michals’ singular musings, which are poetic, tragic, and humorous, often all at once. View this post on Instagram A post shared by Brainard Carey, Director of Praxis Center (@praxiscenterforlearning)…

1
Stephen Bron 20:01

8 днів тому20:01

20:01

Stephen Bron [b. 1993] is a painter living and working in Brooklyn. He received his BFA in painting at The Cooper Union in 2015, and received his MFA in Painting at NYU in 2017, and attended the Yale Norfolk Summer School in 2014. Bron has presented solo exhibitions with Albert Merola Gallery, Provincetown, MA, Auxier Kline Gallery, New York and Galerie Thomas Fuchs, Stuttgart, Germany. Stephen Bron, A Visible Breeze, 2025 oil on linen 30 x 40 inches Stephen Bron, Underfoot (The Divine Soil) #6, 2024-2025 oil on linen 12 x 9 inches Stephen Bron Strangers In The Garden, 2025 oil on linen 12 x 9 inches…

1
Larissa Bates 25:45

9 днів тому25:45

25:45

Larissa Bates (b. 1981, Burlington, VT) was raised between Vermont and Vara Blanca, Costa Rica. She received a BA from Hampshire College, MA. Recent exhibitions include Taymour Grahne, London, Myriam Chair Galerie, Paris; and Monya Rowe Gallery, NY. In 2024, her work was included in the group exhibition “Gilded: Contemporary Artists Explore Value and Worth” at the Weatherspoon Art Museum, Greensboro, NC, which traveled to the Hunter Museum of American Art, Chattanooga, TN and the Hood Museum of Art, Dartmouth, Hanover, NH. Bates’ work is in the permanent collection of the Hood Museum of Art. Exhibitions have been reviewed in The New York Times, The New Yorker, Artforum, among many others. Bates lives and works in Dobbs Ferry, New York and is represented by Monya Rowe Gallery, NY. LARISSA BATES, MotherMen Luncheon/La Merienda de los MadreHombres, 2024-2025 egg tempera on panel 16 by 20 inches LARISSA BATES, Spring Cleaning/Limpieza de Primavera, 2024-2025 gouache and egg tempera on panel 20 by 16 inches LARISSA BATES, Patricia del Carmen, I didn’t know your Name, 2023 gouache, gold leaf, acryla ink and acryla gouache on panel 36 by 30 inches…

1
Mara De Luca 20:03

11 днів тому20:03

20:03

Mara De Luca’s portrait by Lile Kvantaliani (b. 1973, Washington D.C.) paintings evoke a sense of atmospheric abstractions that bring to mind dusk, sunsets, and planetary orbs. Throughout her work there is a sense of reflected ambient light. De Luca’s work today extends the celebration of illusionism, romanticism, and the sublime with a deeply informed response to modernist painting. De Luca received an MFA from CalArts, Los Angeles, CA and a BA from Columbia University, NY. Her work has been displayed at the Museum of Contemporary Art, San Diego and is in prominent collections, including the Buck Collection at UC Irvine, JP Morgan Chase, New York; Fidelity, Boston; Alexander Plaza Berlin, Germany; New York Medical College, New York; and the University of Oslo, Norway. She has been reviewed in Artforum, Cultured Magazine, The Los Angeles Times, Artweek LA, and others. De Luca is a recipient of the 2019 California Community Foundation Fellowship for Visual Artists. She has taught Painting at UC San Diego, UC Irvine, UC Davis and UC Riverside. Based in Los Angeles for over two decades, De Luca now lives and works in New York. Mara De Luca, Western Gate 1, 2024 mixed media on canvas with copper plated element 54 × 96 inches (137 × 244 cm) Mara De Luca, Western Gate 2, 2024 acrylic on primed and unprimed canvas with brass plated element 59 x 132 inches (150 x 335.5 cm) Mara De Luca, Cut Western Clouds, 2024, mixed media on cut canvas with copper plated elements, 48 x 42 x 3 inches (122 x 106.5 x 7.5 cm).…

1
Eun-Ha Paek 20:25

13 днів тому20:25

20:25

Eun-Ha Paek in her studio in Brooklyn, 2024. Photo by Helmi Korhonen. Courtesy of Hostler Burrows Brooklyn-based multimedia artist Eun-Ha Paek’s sculptures give physical form to the artist’s inner narratives and personal history, while exploring broader themes of identity and human experience. Paek’s hybrid approach to ceramics is informed by her background in animation and film. Her attempts to roll increasingly smaller, tighter coils eventually led her to introduce 3D printing to her practice, enabling detail that would not be possible by hand. The resulting pieces, while finally static, are created through a process that in many ways mimics stop motion animation. Paek’s work, across media, investigates questions of identity through storytelling. Hints of recognizable references and motifs are present in her figures, but this host of characters is the unique product of a visual language developed to give shape to the artist’s internal dialogue. Born in Seoul, South Korea, in 1974, Paek currently lives and works in Brooklyn, NY. She received a BFA in Film/Animation/Video from the Rhode Island School of Design, where she has also been a guest lecturer. Paek’s work has been exhibited throughout the United States and internationally, and she is the recipient of several awards and grants including the Windgate Scholarship and Rudy Autio Grant from the Archie Bray Foundation. Paek’s animated films have screened in the Guggenheim Museum, Sundance Film Festival, and venues around the world. She has been a guest lecturer at the Fashion Institute of Technology, a visiting critic at the Maryland Institute College of Art, and she currently serves on the faculty at Parsons School of Design/The New School. Eun-Ha Paek, Pied Piper, 2025. Glazed stoneware. 17″ H x 15.5″ W x 9.5” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Duck Lips Redux, 2024. 3D printed glazed stoneware. 17.5″ H x 14″ W x 8” D. Photo by Joe Kramm. Courtesy of Hostler Burrows Eun-Ha Paek, Mongmong Mountain, 2025. Glazed stoneware, gold leaf. 17″ H x 22″ W x 16”D. Photo by Joe Kramm. Courtesy of Hostler Burrows…

1
Fanny Allié 19:45

18 днів тому19:45

19:45

Fanny Allié was born in Montpellier, South of France. She received her Master’s Degree from the Ecole Nationale Supérieure de la Photographie (The National School of Photography) in Arles, France in 2005 and moved to New York City. Princeton University, Equity Gallery, Hyatt Centric (Philadelphia), DOT Art, A.I.R Gallery, New York City Department of Parks & Recreation, Fresh Window, Chashama and St Eustache Church (Paris, France), Hudson Yards Alliance have organized solo exhibitions and public installations of her work. Tappan Gallery, Owen James Gallery, NYU/Gallatin Gallery, Dorsky Gallery, Freight + Volume, BRIC Rotunda Gallery, Dekalb Gallery/Pratt Institute, UConn University, Mana Contemporary, Hamburg Museum of Arts and Crafts, The Bronx Museum, Teachers College Columbia University among others have featured her work in group exhibitions. Fanny is the recipient of various fellowships and residencies including AIM (Bronx Museum), BRIC Lab Fellowship, Emergency Grant (Foundation for Contemporary Arts), A.I.R. Fellowship Program, Robert Blackburn Printmaking SIP Fellowship, Elizabeth Foundation for the Arts Studio Program, Yaddo Residency, Dieu Donné Workspace Residency, NYSCA/NYFA Artist Fellowship (Craft/Sculpture), MacDowell Fellowship, Puffin Foundation Grant, Wildacres Residency and National Arts Club Artist Fellowship. Her work has appeared in the New York Times, The Guardian, Time Out, ARTnews, NY Magazine, Brooklyn Magazine, Hyperallergic, Le Monde Diplomatique, Blouin Art Info, DNA Info, Marie Claire Italy, AM New York among others. Her neon light sculpture “The Glowing Homeless” and sound installation will be exhibited at the Church of St. Eustache in Paris from December 18th 2024 until May 31st 2025. In 2025, Kaliner Gallery in New York City and Giovanni Bonelli Gallery (Milan, Italy) will present her work in solo exhibitions. Fanny lives in Brooklyn and works from her studio at the Elizabeth Foundation for the Arts in Manhattan, NY. Exhibits discussed are KALINER and Giovanni Bonelli . A Longing, March 6 – April 12, 2025, Installation view at Kaliner Gallery, 42 Allen St, NYC Ladder Leg, 2024, found fabric, collagraph print and acrylic paint, 32.5in x 50in The Night the Wind Learned to Dance, April 24 – May 25, 2025, Installation view at Giovanni Bonelli Gallery, Milan, Italy Shelved, 2025, found fabric and collagraph prints, 59in x 38.5in Circles, 2024, found fabric and collagraph prints, 55.5in x 55.5in…

1
Emma McMillan 19:48

19 днів тому19:48

19:48

Photo by Dan McMahon Born 1989 Atlanta, Georgia. She lives in Brooklyn, New York, and works in the Bronx, New York. Emma McMillan searches for the pulsing vitality of life through non-human figurative paintings. Drawing, collage, macroscopic photography, and archival research are avenues for abstraction of the animal form. For several years a local Spotted Lanternfly infestation has been a commentary on the current state of human and animal affairs. The series, now expanded across species, takes on lusty and religious overtones of reincarnation. Sampling psychology, the natural world, and pop culture, her gem-hued oil paintings are complex reflections on living and its mutations across time. Emma McMillan has had institutional exhibitions at Atlanta Contemporary ArtsCenter, Atlanta Georgia, “Project X” (2019) She has had solo exhibitions at Sebastian Gladstone, New York, 2025, Sebastian Gladstone, Los Angeles, 2024, PhilippZollinger, Zurich, 2024, and a solo booth with PhilippZollinger at Liste Art Fair Basel, in June 2024. Other solo exhibitions include “Bleu de Prusse” at Edouard Montassut, Paris, France (2019), “Ornament and Crime” at Lomex, New York City, New York (2018), and “Live Burial” at Bad Reputation Fine Arts, Los Angeles, California (2017). As well as select group and two-person exhibitions “Discard Phase” at Triest, Brooklyn, New York (2021), “Downtown Painting” at Peter Freeman, New York City, New York (2019), “Responsibility Fest” at Kunstverien Braunschweig Wolfe Island, Canada (2019). Emma McMillan, Imago, 2025 Oil, oil pastel on linen 55″ H x 42″ W. Image courtesy, Sebastian Gladstone, and the artist. Emma McMillan Crush, 2024 Oil on linen 36″ H x 24″ W. Image courtesy, Sebastian Gladstone, and the artist. Emma McMillan, Cocoon, 2025 Oil, oil pastel on linen 55″ H x 42″ W. Image courtesy, Sebastian Gladstone, and the artist.…

1
Greg Chann 26:33

25 днів тому26:33

26:33

Greg Chann has shown his work with Denise Bibro Fine Art, NYC; Dorsky Gallery, NYC; Margaret Thatcher Projects, NYC; The Drawing Center, NYC; among other spaces around the country. His work has appeared in The New Yorker, NY Arts, and Time Out New York. He has received a NY Foundation of the Arts Fellowship, and the NY Foundations of the Arts/Felissimo Award and lives and works in New York. Greg Chann, Stack XVI, 2024 Acrylic and ink 7 x 6 x 4 in. Greg Chann, Vertegres, 2024 Acrylic and ink 20 x 30.5 x 1.25 in. Greg Chann, Wall Stack IX, 2024 Acrylic and ink 15 x 13 x 3 in.…

1
Jessica Helfand 26:26

26 днів тому26:26

26:26

Photo: by Philip Bennett Jessica Helfand (b. 1960) is an artist and writer. She grew up in Paris and New York City, and received her BA and MFA from Yale University where she taught for more than two decades. She is the author of numerous books on visual and cultural criticism, and was the first-ever recipient, in 2010, of the Henry Wolf Residency at the American Academy in Rome. A 2018 Director’s Guest at Civitella Ranieri and a 2019 fellow at the Bogliasco Foundation, Jessica Helfand was also the 2020 Artist in Residence at Caltech. She lives and works in New England. A view of some of the paintings which will be on view from May 1 to June 1 at Jim Kempner Fine Art in New York. (Photo courtesy of the artist.) Agnes Grey, Anne Brönte, 1847, Mixed media and oil on canvas, 20 x 16 inches, 2024 The cold wind had swelled and reddened my hands, uncurled and entangled my hair, and dyed my face of a pale purple; add to this my collar was horridly crumpled, my frock splashed with mud, my feet clad in stout new boots, and as the trunks were not brought up, there was no remedy … so having smoothed my hair as well as I could, and repeatedly twitched my obdurate collar, I proceeded to clomp down two flights of stairs, philosophizing as I went. Claudine, Claudine in Paris, Colette, 1901, Mixed media and oil on canvas, 52 x 42 inches, 2025. Pointed chin, you’re attractive but don’t, I implore you, overdo that point. Hazel eyes, you persist in being hazel and I can’t blame you for it; but don’t retreat under my eyebrows with that excessive modesty. Mouth, you’re still my mouth, but so pale that I can’t resist rubbing those short, colorless lips with petals pulled from the red geranium in the window. (Incidentally it only gives them a horrid, purplish tinge that I promptly lick off.) As to you, my poor little white, anaemic ears, I hide you under my curly hair and secretly look at you from time to time and pinch you to make you redden. But it’s my hair that’s the worst of all. I can’t touch it without wanting to cry … they’ve cut them all off, just below the ear—my auburn ringlets, my lovely, smoothly-rolled ringlets!…

1
Alan Bray 21:09

5 weeks тому21:09

21:09

Alan Bray was born in Waterville, Maine, and grew up in Monson, a small slate-quarrying town set in the northern reaches of the Appalachians. Bray attended the Art Institute of Boston before graduating from the University of Southern Maine; he received his MFA in painting from the Villa Schifanoia in Florence, Italy. It was during this formative time in Florence that he was exposed to casein tempera on panel. Bray’s work has been the subject of no less than 25 solo exhibitions and is included in the public collections of the Portland Museum of Art, ME; DeCordova Museum and Sculpture Park, MA; the Farnsworth Museum of Art, ME; Arnot Art Museum, Elmira, NY; Zillman Art Museum, ME; Leigh Yawkey Woodson Art Museum, WI; Lyman Allyn Museum of Arts, New London, CT; Maine Savings Bank Collection, Memphis Cancer Center, Kohlberg, Kravis, Roberts, Menlo Park, CA; among others. The artist lives and works in Sangerville, Maine. As both a naturalist and a painter, Bray is drawn to what often goes unnoticed. “I paint what is right around me,” he says. “Occasionally it’s a big subject, but more often it’s a bird’s nest or a farm pond.” Like the subtle geometry of his compositions, Bray’s preference for modest, unassuming subjects—backwater meanders over mountaintop vistas—is deliberate and quietly profound. He has become an expert observer of bogs and shorelines, rock slides and fallow fields, daybreaks and dusks, the shifting edges of seasons. In the overlooked landscapes of his native Maine, Bray uncovers a deep sense of spirituality that gives his work its quiet power—transformative in its presence, not merely descriptive. Bray paints in casein, a milk-based tempera that has virtually no drying time. Necessarily, his paintings are technically complex because they consist of thousands of tiny brush strokes, built up in layers, out of which the images – the vision – advance from the foundation of a mirror-smooth, absolute void of white ground. It is a method of painting that follows directly from his method of exploring his subjects. Alan Bray, Neighbors, 2025 Casein on panel, 11 x 14 in. Alan Bray A Whisper Breaks the Silence, 2024 Casein on panel, 15 x 20 in. Alan Bray Refuge, 2024 Casein on panel, 16 x 20 in…

1
Zuriel Waters 21:34

5 weeks тому21:34

21:34

Zuriel Waters was born in 1984 in Philadelphia, PA, and lives and works in Brooklyn, NY. Received an MFA in Painting from the Rhode Island School of Design in 2010 and a BA in Interdisciplinary Studies from San Diego State University in 2007. Has shown work in group exhibitions throughout New York City at galleries such as Underdonk, Marvin Gardens, Tappeto Volante, CANADA and others and has recently had solo shows at Left Field Gallery in Los Osos, CA, My Pet Ram in NYC and Kathryn Markel Fine Arts in NYC. Tongue Drum, 2025 acrylic pigment-dyed burlap, canvas and twill, upholstery thread, felt, eye-hooks 28 x 42 in. Elle, 2024 acrylic on denim, thread, industrial felt, cotton duck, hardware 35 1/2 x 21 in. am/pm, 2025 acrylic pigment-dyed burlap, canvas and twill, upholstery thread, felt, eye-hooks 43 x 28 in.…

1
Laurie Sheck 26:42

5 weeks тому26:42

26:42

Laurie Sheck’s novel A Monster’s Notes, a reimagining of Mary Shelley’s Frankenstein, was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize. Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim Fellow, a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. A member of the MFA Creative Writing faculty at the New School, she lives in New York City. This interview focuses on her new book, Cyborg Fever.…

1
Hope Gangloff 20:39

6 weeks тому20:39

20:39

Portrait of artist in studio, 2016 Photo: Don Stahl Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff (b. 1974)attended The Cooper Union for the Advancement of Science andArt. She is well known for her vibrant portrait and landscape paintings that combine a distinctive bright palette with intricate line work. Her early portraiture garnered attention for its intimate observation of relatable moments, from a road trip with friends to a late-night houseparty. Gangloff's work was recently exhibited in "Forces of Nature: Voices That Shaped Environmentalism" at the National Portrait Gallery, Washington D.C. and in "Women PaintingWomen" at the Fort Worth Modern, with an upcoming solo exhibition at Susan Inglett Gallery,NYC, from 1 May–7 June 2025. Solo exhibitions include the Cantor Arts Center, StanfordUniversity; the Broad Art Museum, East Lansing; and Aldrich Contemporary Art Museum, Ridgefield. Her work can be found in the permanent collections of the Grinnell CollegeMuseum of Art, Grinnell; National Portrait Gallery, Washington, D.C.; the Broad Art Museum,East Lansing; the Kemper Museum, Kansas City; and Pennsylvania Academy of the Fine Arts,Philadelphia, among others. Hope Gangloff, James (Case-Leal), 2025 (Detail) Acrylic on linen 36 x 26 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff, 'Bittersweet' barn, 2025 (Detail) Acrylic on canvas 48 x 72 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC. Hope Gangloff, Matthew (Holtzclaw) & Prakash (Puru), 2025 (Detail) Acrylic on wood panel 80 1/2 x 48 in. Copyright The Artist Courtesy of Susan Inglett Gallery, NYC.…

1
Marek Wolfryd 24:56

6 weeks тому24:56