The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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Вміст надано Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Making Impactful Films with Oscar & Emmy-winning Director SHARMEEN OBAID-CHINOY - Highlights
Manage episode 427338314 series 3288436
Вміст надано Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.
You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
195 епізодів
Making Impactful Films with Oscar & Emmy-winning Director SHARMEEN OBAID-CHINOY - Highlights
Art · The Creative Process: Artists, Curators, Museum Directors Talk Art, Life & Creativity
Поширити
Manage episode 427338314 series 3288436
Вміст надано Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Mia Funk, Museum Directors Talk Art, and Creativity · Creative Process Original Series або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman.
In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time.
You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.”
Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism.
www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02
https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6
https://socfilms.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
195 епізодів
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1 ADAM MOSS - Fmr. Editor of New York Magazine, Author, Artist on Creativity as a Process - Highlights 14:23
“When I was working at the Times and the Times Magazine , on one Tuesday morning, the towers fell. September 11, 2001. The magazine had a 10-day lead time, so it was a weekly that was essentially 10 days old by the time it came out. We came to work and realized the world had changed, and the entire process, the magazine had been made for over a hundred years, had to be thrown out the window. We had to create a new magazine in 36 hours that would in some way speak to this very different, scary, and interesting world we were now in. In those 36 hours, we usually would take months to produce a magazine. If you take all of its aspects, it’s a long journey. However, we made a magazine in 36 hours that, in some ways, was the best magazine I ever made because of the urgency of the moment.” Adam Moss was the editor of New York magazine, The New York Times Magazine , and 7 Days . As editor of New York , he also oversaw the creation of five digital magazines: Vulture , The Cut , Daily Intelligencer , Grub Street , and The Strategist . During his tenure, New York won forty-one National Magazine Awards, including Magazine of the Year. He was an assistant managing editor of The New York Times with oversight of the Magazine , the Book Review , and the Culture, and Style sections, as well as managing editor of Esquire . He was elected to the Magazine Editors’ Hall of Fame in 2019. He is the Author of The Work of Art: How Something Comes from Nothing. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How has feminism changed in light of the way we live now? DEAN SPADE (Author of Love in a F*cked Up World: How to Build Relationships, Hook Up & Raise Hell Together ) on recognizing political conditions in personal relationships. MARILYN MINTER (Artist, Feminist) on sexual agency, beauty & her creative process. TEY MEADOW (Author of Trans Kids: Being Gendered in the Twenty-First Century ) on the necessity of creating an inclusive environment & argues that diverse storytelling is crucial for healthy development. ELLEN RAPOPORT (Creator, Exec. Producer of Minx ) on the evolution of feminism, the divides that emerged in the 70s over pornography & sex work. LAURA EASON (Emmy-nominated Producer, Screenwriter · Three Women, House of Cards ) on the significance of representing ordinary women’s experiences. SHARMEEN OBAID-CHINOY (Oscar & Emmy-winning Director of Diane von Furstenberg: Woman in Charge · Forthcoming Star Wars film) on the legacy of von Furstenberg. SARA AHMED (Author, The Feminist Killjoy Handbook ) reclaims the stereotypes, calling for solidarity among feminists. INTAN PARAMADITHA (Author, The Wandering ) reflects on the importance of intergenerational knowledge among women. DIAN HANSON (Editor) on participating in the sex-positive movements of the 1960s to creating niche fetish magazines. KATE MUETH (Neo-Political Cowgirls Founder) on the importance of finding meaning in creative work, community & storytelling in human experience. Listen to full interviews Episode Website www.creativeprocess.info/pod IG: @creativeprocesspodcast…
1 Inside the Mind of PETER WELLER, Actor, Art Historian, Director, Musician, Author - Highlights 13:57
Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24 . Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book , Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting . “Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. It’s actually harmonious, transcending culture and time. That might be the greatest gift of our transcendence.” Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 From RoboCop to the Renaissance w/ Actor, Art Historian, Director, Musician, Author PETER WELLER 1:11:27
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Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається“I met Miles backstage at the Hollywood Bowl—the last gig he ever played. Miles asked, “Who’s that white boy?” I introduced him to Bob Thiele Jr., whose father produced Coltrane. When Miles discovered this, he said, “Well, you can hang,” following this friendly gesture with me walking Miles to his car. I did not know he was dying. I kissed him on both cheeks. And 18 days later, he was gone.” Peter Weller is a renowned theater and Hollywood actor. His performances in films such as RoboCop and Naked Lunch garnered him much critical and commercial success over the years. His television acting and directing credits include Sons of Anarchy, Dexter, and 24 . Unbeknownst to most, Weller has spent decades honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Master's in Roman architecture from Syracuse University before moving on to a PhD in Renaissance Art from UCLA. Dr. Weller has just written a book , Leon Battista Alberti in Exile: Tracing the Path to the First Modern Book on Painting . Weller has also contributed an essay remembering his friend Miles Davis for Jazz and Literature . The book, co-edited by Mia Funk, features many of her interviews and artworks, as well as poetry, art, and essays by our contributors. Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
How do our personal lives influence the art we make? JIM SHEPARD (Author of The Book of Aron, Project X, & The World to Come starring Casey Affleck, Vanessa Kirby, Katherine Waterston · Winner of the PEN New England Award, The Story Prize) explores historical human dilemmas, the emotional imagination and literature's role in extending empathetic understanding. He discusses the importance of self-education and curiosity. LAURA EASON (Emmy-nominated Producer, Screenwriter, Playwright · Three Women · House of Cards · The Loudest Voice ) on how we can live multiple lives through the arts. She highlights the significant role the arts have played in her upbringing and daily life, emphasizing the value of listening to others. As a showrunner, Laura discusses how her work in the theater, where she often adapted literary classics, prepared her for working in the writers’ room of House of Cards, adapting the creator’s vision. BENOIT DELHOMME (Award-winning Cinematographer · A rtist · Director · At Eternity’s Gate · The Theory of Everything ·The Scent of Green Papaya ) talks about the intrinsic pleasure found in art and cinematography. He likens operating a handheld camera to playing an instrument and emphasizes the importance of personalizing one's craft to imbue it with soul and freedom. JOHN PATRICK SHANLEY (Academy Award, Tony & Pulitzer Prize-winning Writer/Director · Doubt · Moonstruck · Danny and the Deep Blue Sea · Joe Versus the Volcano) recounts his personal journey from The Bronx to becoming a writer. He emphasizes the importance of embracing one's life experiences, even the seemingly ordinary ones, as gold for storytelling. Shanley reflects on his collaborations with actors Philip Seymour Hoffman and Meryl Streep and their dedication to their craft. MARK GOTTLIEB (Vice President & Literary Agent at Trident Media Group) explores storytelling as a timeless art form, comparing books to the oil paintings of new media. He comments on the transformative power of stories, which he believes can manifest in various forms—from books to movies and TV shows. ANTHONY WHITE (Artist) reflects on the role of visual arts in democracy and civil disobedience. Historical events like the Eureka Stockade, with its spirit of rebellion, have inspired his art. MICHAEL BEGLER (Showrunner · Writer & Executive Producer of Perry Mason and The Knick ) discusses the importance of storytelling in understanding our history and emotions. He stresses that the arts, drawing from personal experiences, help us connect on a deeper level beyond hard news. To hear more from each guest, listen to their full interviews . Episode Website www.creativepr ocess.info/pod Instagram: @creativeprocesspodcast…
1 Elon Musk, Putin's Russia, Murdoch's Fox News: How Billionaires Shape Our World with DARRYL CUNNINGHAM 42:02
What influence do billionaires have on politics, journalism, and the technology that shapes our lives? What drives people to seek absolute power, and how can we hold them accountable? Darryl Cunningham is a cartoonist and author of Science Tales, Psychiatric Tales, The Age of Selfishness, and Billionaires: The Lives of the Rich and Powerful. Cunningham is also well-known for his comic strips, which have been featured on the websites Forbidden Planet and Act-i-vate collective, among others. others. His more recent work includes a graphic novel on Elon Musk, titled Elon Musk: Investigation into a New Master of the World. “For me, it was art and the creative process of writing and drawing that brought me out of darkness and created a community I could plug into. It's an example of how creativity can make you feel better. I used my talent to help pull myself out of the pit of darkness I had fallen into. That's quite a good image.” Episode Website with Feature Article www.creativeprocess.info/pod Insta gram: @creativeprocesspodcast…
1 Art, Creativity & Intuition - Filmmakers, Musicians & Artists discuss their Creative Process 16:04
Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make? Erland Cooper (Scottish composer, producer, and multi-instrumentalist) explores the emotional and transformative effects of music and visual arts. He underscores how music can transport individuals to different places and evoke emotional responses and relates his personal experiences of homesickness for his native Orkney. Debora Cahn (television creator, writer, and Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat ) discusses the craft of long-form storytelling in television. She highlights the process of building immersive worlds and the challenge of integrating ideas into narratives that resonate with audiences on a universal level. Julian Lennon (singer-songwriter and documentary filmmaker, founder of The White Feather Foundation, and photographer/author of Life’s Fragile Moments ) reflects on the influence of his heroes and teachers and remembers the thing his mother taught him. He speaks about the importance of empathy, respect, and positivity, and how these values shape his creative and humanitarian efforts. Ed Zwick (Academy-Award-winning writer, director, and producer, and author of Hits, Flops, and Other Illusions ) analyzes the elusive nature of talent and the magical moments in casting where undeniable potential shines through. Zwick shares insights into the subtle and unspoken aspects of directing that elevate a performance and bring a story to life. Chris Blackwell (Founder of Island Records and inductee of the Rock & Roll Hall of Fame) highlights the importance of instinct in recognizing and nurturing talent. He recounts his initial hesitation before signing Cat Stevens to Island Records. He shares how artistic partnerships grow out of personal connections and friendship. Joy Gorman Wettels (Executive producer of UnPrisoned and the founder of Joy Coalition) highlights stigmatized social issues through her storytelling. She emphasizes that humanizing these issues by creating relatable, empathetic characters can lead to real-world change and understanding. Rick Carnes (Songwriter and President of the Songwriters Guild of America) discusses the fundamental elements of songwriting and how music marks significant moments in people’s lives. He elaborates on his creative process and the importance of mindfulness and emotional awareness in writing meaningful songs. To hear more from each guest, listen to their full interviews . Episode Website www.creativeprocess.info/pod Instagram: @creativeprocesspodcast…
“I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it. From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.” Julian Lennon is a Grammy-nominated singer-songwriter, photographer , documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments , his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: © 2024, Julian Lennon. All rights reserved. Life’s Fragile Moments, published by teNeues, www.teneues.com , August 2024. 27,5 x 34 cm |10 5/6 x 13 3/8 in., 240 pages, Hardcover, approx. 200 color photographs, texts English & German ISBN: 978-3-96171-614-2…
What is the power of photography? How do images and songs bookmark our lives, reminding us of what we care about, who we love, and what it means to be alive? Julian Lennon is a Grammy-nominated singer-songwriter, photographer , documentary filmmaker, and NYTimes bestselling author of the Touch the Earth children’s book trilogy. This autumn, Whispers – A Julian Lennon Retrospective is being presented at Le Stanze della Fotografia, culminating in the publication of Life’s Fragile Moments , his first photography book. It features a compilation of images that span over two decades of Lennon's unique life, career, adventures, and philanthropy. He founded The White Feather Foundation in 2007, whose key initiatives are education, health, conservation, and the protection of indigenous cultures. He was the executive producer of Kiss the Ground and other environmental documentaries and was named a Peace Laureate by UNESCO in 2020. “I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it. From traveling, especially in Ethiopia, Kenya, and even South America, we just see these scenarios and situations where they don't have enough support or finances. Anything I’m involved in, a good percentage goes to The White Feather Foundation. From what I witnessed, I just wanted to be able to help. My best teacher ever was Mum because I watched her live through life with dignity, grace, respect, and empathy. To me, those are some of the key things that are most important in living life. I think you have to love everybody and yourself. Respect is a real key issue, not only for people but for this world that we live in, Mother Earth. It's of key importance that we honor and respect this beautiful little blue ball that we live on.” www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: © 2021 Marilyn Clark…
1 Assembling Tomorrow: A Guide to Designing a Thriving Future - SCOTT DOORLEY & CARISSA CARTER - Highlights 21:08
“Today, someone is putting the finishing touches on a machine- learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleaning up the mess someone else left behind seventy years ago yesterday. Today, someone just had an idea that will end up saving one thing while it harms another… To be a maker in this moment— to be a human today— is to collaborate with the world. It is to create and be created, to work and be worked on, to make and be made. To be human is to tinker, create, fix, care, and bring new things into the world. It is to design. You— yes, you!— might design products or policy, services or sermons, production lines or preschool programs. You might run a business, make art, or participate in passing out meals to the poor. You may write code or pour concrete, lobby for endangered species legislation or craft cocktails. Wherever you fit in, you are part of shaping the world. This is design work.” – Assembling Tomorrow A Guide to Designing a Thriving Future Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future . www.scottdoorley.com www.snowflyzone.com https://dschool.stanford.edu/ www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Can Design Save the World? - SCOTT DOORLEY & CARISSA CARTER - Co-authors of Assembling Tomorrow - Directors of Stanford’s d.School 57:06
How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us? Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future . “Today, someone is putting the finishing touches on a machine- learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleaning up the mess someone else left behind seventy years ago yesterday. Today, someone just had an idea that will end up saving one thing while it harms another… To be a maker in this moment— to be a human today— is to collaborate with the world. It is to create and be created, to work and be worked on, to make and be made. To be human is to tinker, create, fix, care, and bring new things into the world. It is to design. You— yes, you!— might design products or policy, services or sermons, production lines or preschool programs. You might run a business, make art, or participate in passing out meals to the poor. You may write code or pour concrete, lobby for endangered species legislation or craft cocktails. Wherever you fit in, you are part of shaping the world. This is design work.” – Assembling Tomorrow A Guide to Designing a Thriving Future www.scottdoorley.com www.snowflyzone.com https://dschool.stanford.edu/ www.penguinrandomhouse.com/books/623529/assembling-tomorrow-by-scott-doorley-carissa-carter-and-stanford-dschool-illustrations-by-armando-veve/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image credit: Patrick Beaudouin…
“The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source . Come and see the real work . Let us figure out how to make that connection.” Stephen Reily is the Founding Director of Remuseum , an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance , an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives. https://remuseum.org https://crystalbridges.org www.stephenreily.com www.kentuckypress.com/9781734248517/promise-witness-remembrance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Future of Museums - STEPHEN REILY, Founding Director of Remuseum on Transforming Cultural Spaces 46:37
How can museums remain relevant in the digital age, where visual imagery is more accessible than ever? What role do museums play in fostering creativity and innovation in their communities? Stephen Reily is the Founding Director of Remuseum , an independent research project housed at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Funded by arts patron David Booth with additional support by the Ford Foundation, Remuseum focuses on advancing relevance and governance in museums across the U.S. He works with museums to create a financially sustainable strategy that is human-focused, centering on inclusion, diversity, and important causes like climate change. During his time as director of the Speed Art Museum in Louisville, KY, Reily presented Promise, Witness, Remembrance , an exhibition in response to the killing of Breonna Taylor and a year of protests in Louisville. In 2022, he co-wrote a book documenting the exhibition. As an active civic leader, Reily has been a part of numerous community organizations and boards, like the Reily Reentry Project, supporting expungement programs for Kentucky citizens, Creative Capital, offering grants for the arts, and founded Seed Capital Kentucky, a non-profit that aims to improve the food economy in the area.A Yale and Stanford Law graduate, Reily clerked for U.S. Supreme Court Justice John Paul Stevens before launching a successful entrepreneurial career, experiences he draws upon for public engagement initiatives. “The opportunity is that we have never had a public that is more passionate and obsessed with visual imagery. If the owners of the best original imagery in the world can't figure out how to take advantage of the fact that the world has now become obsessed with these treasures that we have to offer as museums, then shame on us. This is the opportunity to say, if you're spending all day scrolling on Instagram looking for amazing imagery, come and see the original source . Come and see the real work . Let us figure out how to make that connection.” https://remuseum.org https://crystalbridges.org www.stephenreily.com www.kentuckypress.com/9781734248517/promise-witness-remembrance www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement. S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image credit: Guy Girard, La canicule des sirènes, 1997, oil on canvas, 92 x 73 cm…
As Surrealism turns 100, what can it teach us about the importance of dreaming and creating a better society? Will we wake up from the consumerist dream sold to us by capitalism and how would that change our ideas of utopia? S. D. Chrostowska is professor of humanities at York University, Canada. She is the author of several books, among them Permission , The Eyelid , A Cage for Every Child , and, most recently, Utopia in the Age of Survival: Between Myth and Politics . Her essays have appeared in such venues as Public Culture , Telos , Boundary 2 , and The Hedgehog Review . She also coedits the French surrealist review Alcheringa and is curator of the 19th International Exhibition of Surrealism, Marvellous Utopia , which runs from July to September 2024 in Saint-Cirq-Lapopie, France. “What is imaginary tends to become real -- that’s a quote from the founder of Surrealism, André Breton. We daydream of a better world, and this could be a very vague daydream. The idea of utopianism that I'm putting forward in the book is not a detailed, orderly, rational model of the city utopia. It’s this free floating, desirous model of the body utopia, which is unfinished and imperfect. It's always in transformation. These dreams and daydreams that we have are guiding our actions, influencing our day-to-day behavior if we let them. Our imagination is always involved in creating reality. The opposition between the two, reality and the imaginary, is not a stark one; they're porous. I’ve just co-curated a major exhibition of Surrealism, reflecting on the 100 years since the Manifesto of Surrealism, so I'm very much in this moment where I'm trying to explain to the public the value of this movement.” https://profiles.laps.yorku.ca/profiles/sylwiac/ www.sup.org/books/title/?id=33445 https://chbooks.com/Books/T/The-Eyelid https://ciscm.fr/en/merveilleuse-utopie www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
Can silence be painted? How can artists capture interior states, solitude, and the passing of time? How are the homes we live in a reflection of the people who inhabit them? How can we read a painting to piece together the life of the artist? From 1 June to 13 July 2024, Hauser & Wirth presents Vilhelm Hammershøi: Silence in its new gallery location in Basel. This exhibition celebrates the renowned Danish artist, Vilhelm Hammershøi, for its first solo exhibition, and presents 16 works from private collections curated by art historian Felix Krämer. Art historian and writer Florian Illies commented on Hammershøi's work: “One often forgets that Hammershøi, despite this self-restraint, was an artist who had traveled a lot…who knew the artists of his time. But its effect was completely different…He does the exact opposite to everyone else. And it is precisely this difference that makes him so special. This mystery is what makes him so compelling to us today.” Hammershøi’s works defy genre or movements, utilizing elements inspired by the Old Master in combination with his present, private sphere, and speak to contemporary viewers with timeless motifs, yet communicate profound meanings between themselves. https://www.hauserwirth.com/hauser-wirth-exhibitions/vilhelm-hammershoi-silence www.hauserwirth.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Interior with the Artist’s Wife, Seen from Behind 1901 Oil on canvas 45 x 39 cm / 17 3/4 x 15 3/8 in Photo: Annik Wetter Photographie Image courtesy of Hauser & Wirth…
How can we free ourselves from fear and social barriers to live more fulfilling and meaningful lives? What does it take to overcome trauma and turn it into triumph, and failure into reinvention? How can we shine a light on the marginalized and misunderstood to create social change that transforms the lives of women? Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. “As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman. In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time. You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.” www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Making Impactful Films with Oscar & Emmy-winning Director SHARMEEN OBAID-CHINOY - Highlights 10:29
“As a filmmaker, I've always made films about extraordinary women whose lives are faced with extenuating circumstances who've had adversity thrown at them and who've risen to the occasion. And when I began to look at Diane's story, for me, Diane is a fashion designer, but she's so much more. Her central ethos is woman before fashion, and we felt it was very important to take that ethos and weave it into the spine of our film, and make it about the woman. In making this film, every single person who we called whose voice we wanted to include wanted to contribute. They wanted to say something about Diane, because she had left such a mark on their lives. Our producers’ jobs, Tracy and Fabiola, was to juggle those schedules. How do you juggle the schedule of secretary Hillary Clinton with Oprah Winfrey? How do you make sure that Anderson Cooper and Mark Jacobs, you know, in the filming time that we had, that we could put all of these people together? But Diane's friendships run deep with people, and people made sure to make time. You know, she was a single mother, and I think that young single mothers watching this film will feel for Diane, especially single mothers who are trying to be entrepreneurs, and creating businesses, and trying to find their way into the world to be able to raise a family. To do that as an immigrant in a new country is challenging, and Diane shows you just how challenging it is. In making choices about living her life, in being with her children or expanding her business, there were sacrifices that were made, and those sacrifices are boldly put on the screen for viewers to watch.” Sharmeen Obaid-Chinoy is an Oscar and Emmy award-winning Canadian-Pakistani filmmaker whose work highlights extraordinary women and their stories. She earned her first Academy Award in 2012 for her documentary Saving Face, about the Pakistani women targeted by brutal acid attacks. Today, Obaid-Chinoy is the first female film director to have won two Oscars by the age of 37. In 2023, it was announced that Obaid-Chinoy will direct the next Star Wars film starring Daisy Ridley. Her most recent project, co-directed alongside Trish Dalton, is the new documentary Diane von Fürstenberg: Woman in Charge, about the trailblazing Belgian fashion designer who invented the wrap dress 50 years ago. The film had its world premiere as the opening night selection at the 2024 Tribeca Festival on June 5th and premiered on June 25th on Hulu in the U.S. and Disney+ internationally. A product of Obaid-Chinoy's incredibly talented female filmmaking team, Woman in Charge provides an intimate look into Diane von Fürstenberg’s life and accomplishments and chronicles the trajectory of her signature dress from an innovative fashion statement to a powerful symbol of feminism. www.hulu.com/movie/diane-von-furstenberg-woman-in-charge-95fb421e-b7b1-4bfc-9bbf-ea666dba0b02 https://www.disneyplus.com/movies/diane-von-furstenberg-woman-in-charge/1jrpX9AhsaJ6 https://socfilms.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"Imagination has a central role in teaching philosophical thinking because it's only imagination that can get us out of our biases and out of the fixating on the patterns that we've been tuned to." Keith Frankish is an Honorary Professor of Philosophy at the University of Sheffield, a Visiting Research Fellow with The Open University, and an Adjunct Professor with the Brain and Mind Programme in Neurosciences at the University of Crete. Frankish mainly works in the philosophy of mind and has published widely about topics such as human consciousness and cognition. Profoundly inspired by Daniel Dennett, Frankish is best known for defending an “illusionist” view of consciousness. He is also editor of Illusionism as a Theory of Consciousness and co-edits, in addition to others, The Cambridge Handbook of Cognitive Science. www.keithfrankish.com www.cambridge.org/core/books/cambridge-handbook-of-cognitive-science/F9996E61AF5E8C0B096EBFED57596B42 www.imprint.co.uk/product/illusionism www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“Before I decided to become a philosopher, I wanted to become a filmmaker, and in my education in France, where I'm originally from, there was a lot of emphasis placed on the humanities and arts. I still have a deep passion for the arts, and when it comes to our future, I am of two minds about the role that AI will play in how we interact with creative fields. Going back to my first love of cinema, there are various young filmmakers who are experimenting with AI systems to generate shots and short videos. They’re using it creatively. I think there is a tremendous potential there to usher in a renaissance of surrealist cinema where we can generate images and shots that could never have been made with a traditional camera, certainly not without a huge budget. Lowering the barrier to entry to artistic creation is something I'm excited about. On the other hand, of course, there are the various issues we've raised about the potential for plagiarism, for exploiting human artists, and also concerns about people gradually losing artistic skills because we have these tools available, and about the homogenization of taste. How is AI going to influence the kind of art and content entertainment we like to consume? How does engagement with AI-generated artifacts change the way we relate to art? I don't have the answer to that question, and I think it could go either way. I think it could come with good and bad. It could homogenize preferences and the little quirks we have in the way we engage with music, video, and literature—but it could also, on the other hand, supercharge creativity. That's perhaps the one thing I'd like to say about the future: I hope these new technologies are used to empower human creativity and human flourishing instead of stifling it.” Dr. Raphael Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence. https://raphaelmilliere.com https://researchers.mq.edu.au/en/persons/raphael-milliere www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How can we ensure that AI is aligned with human values? - RAPHAËL MILLIÈRE 1:01:14
1:01:14 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:01:14
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяHow can we ensure that AI is aligned with human values? What can AI teach us about human cognition and creativity? Dr. Raphael Millière is Assistant Professor in Philosophy of AI at Macquarie University in Sydney, Australia. His research primarily explores the theoretical foundations and inner workings of AI systems based on deep learning, such as large language models. He investigates whether these systems can exhibit human-like cognitive capacities, drawing on theories and methods from cognitive science. He is also interested in how insights from studying AI might shed new light on human cognition. Ultimately, his work aims to advance our understanding of both artificial and natural intelligence. “Before I decided to become a philosopher, I wanted to become a filmmaker, and in my education in France, where I'm originally from, there was a lot of emphasis placed on the humanities and arts. I still have a deep passion for the arts, and when it comes to our future, I am of two minds about the role that AI will play in how we interact with creative fields. Going back to my first love of cinema, there are various young filmmakers who are experimenting with AI systems to generate shots and short videos. They’re using it creatively. I think there is a tremendous potential there to usher in a renaissance of surrealist cinema where we can generate images and shots that could never have been made with a traditional camera, certainly not without a huge budget. Lowering the barrier to entry to artistic creation is something I'm excited about. On the other hand, of course, there are the various issues we've raised about the potential for plagiarism, for exploiting human artists, and also concerns about people gradually losing artistic skills because we have these tools available, and about the homogenization of taste. How is AI going to influence the kind of art and content entertainment we like to consume? How does engagement with AI-generated artifacts change the way we relate to art? I don't have the answer to that question, and I think it could go either way. I think it could come with good and bad. It could homogenize preferences and the little quirks we have in the way we engage with music, video, and literature—but it could also, on the other hand, supercharge creativity. That's perhaps the one thing I'd like to say about the future: I hope these new technologies are used to empower human creativity and human flourishing instead of stifling it.” https://raphaelmilliere.com https://researchers.mq.edu.au/en/persons/raphael-milliere www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“Philosophy is both an academic discipline and also something that everybody does. Everybody has to have reflective views about what's significant. They also have to justify to themselves why it's significant or important. The nature of justice itself, and the various opinions that have been written about in philosophy about justice, can get to a very high level. So there's this unusual connection between philosophy and human life. We've inherited from the Middle Ages, this incredible tradition that's now developed into a chance for young people to spend four or five years, in a way, released from the pressures of life. The idea to pursue your ideas a little further in these four years you have, exempt from the pressures of social life, allows philosophy to have a kind of position unique in the academy. In confronting what the best minds in the history of the world have had to say about these issues, the hope is that they provide for the people who are privileged enough to confront philosophy a better and more thoughtful approach to these fundamental questions that everybody has to confront.” What is the importance of philosophy in the 21st century as we enter a post-truth world? How can we reintroduce meaning and uphold moral principles in our world shaken by crises? And what does philosophy teach us about living in harmony with the natural world? Robert Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago where he teaches in the College, Committee on Social Thought, and Department of Philosophy. Pippin is widely acclaimed for his scholarship in German idealism as well as later German philosophy, including publications such as Modernism as a Philosophical Problem, and Hegel’s Idealism. In keeping with his interdisciplinary interests, Pippin’s book Henry James and Modern Moral Life explores the intersections between philosophy and literature. Pippin’s most recent published book is The Culmination: Heidegger, German Idealism, and the Fate of Philosophy. https://socialsciences.uchicago.edu/directory/Robert-Pippin https://press.uchicago.edu/ucp/books/book/chicago/C/bo208042246.html www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.” How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness. Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26. In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st. https://maxcooper.net https://osterfestspiele.at/en/programme/2024/electro-2024 https://meshmeshmesh.net www.kingscross.co.uk/event/the-observatory The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 What can music teach us that science can’t? - MAX COOPER - A/V Artist, Musician, Fmr. Computational Biologist 50:10
How is being an artist different than a machine that is programmed to perform a set of actions? How can we stop thinking about artworks as objects, and start thinking about them as triggers for experiences? In this conversation with Max Cooper, we discuss the beauty and chaos of nature and the exploration of technology music and consciousness. Max Cooper is a musician with a PhD in computational biology. He integrates electronic music with immersive video projections inspired by scientific exploration. His latest project, Seme, commissioned by the Salzburg Easter Festival, merges Italian musical heritage with contemporary techniques, was also performed at the Barbican in London. He supplied music for a video narrated by Greta Thunberg and Pope Francis for COP26. In 2016, Cooper founded Mesh, a platform to explore the intersection of music, science and art. His Observatory art-house installation is on display at Kings Cross until May 1st. “I love working with historic sites. I've done a few events and installations working in old cathedrals; we did one with And& Festival in Leuven, and in Carlisle Church in Belfast with the AVA Festival guys, and the Acropolis of Athens, and lots of other venues. I love venues where I can turn up and map projections onto architecture. Particularly when you're using old historic buildings, they're full of feelings and ideas before you, you know, from the history and what you associate them with. That embeds itself into the music and the visuals that you're presenting, so you get this extra layer of engagement and emotion and ideas coming through, which I love. I generally use projectors rather than screens for that reason, so that I can use the architecture and try to make the show itself interact with it. Whenever I can, I try to project. It adds to the storytelling, I think, and it makes it feel more special.” https://maxcooper.net https://osterfestspiele.at/en/programme/2024/electro-2024 https://meshmeshmesh.net www.kingscross.co.uk/event/the-observatory The music featured on this episode was Palestrina Sicut, Cardano Circles, Fibonacci Sequence, Scarlatti K141. Music is from Seme and is courtesy of Max Cooper. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 How to Live a Good a Life - Stoic Wisdom & the Founding Fathers - Highlights - JEFFREY ROSEN 12:27
"I love Bernstein's excitement in talking about how he says, for Beethoven, was he the best harmonist? No. Was it his orchestral abilities? Absolutely not. It was just that each note that he chose was exactly the right note to follow the note that proceeded it as if he had 'a private telephone wire to Heaven' and that he was channeling the note that created and mirrored the divine harmonies of the universe. And it was so striking to see John Adams compare the harmonies of a great piece by Handel to the harmonies of the State. And harmony is truth, which is reason, which is the Divine, according to the classical authority. And we have not only a right, but a duty to live according to reason in order to align ourselves with the divine harmonies of the universe. Recently, I've started writing songs, and there's just something about the golden hour of the sunrise that waits for us each day. And whatever else is going on in the world or in our lives allows us to recommit to and experience once more the glorious beauty and harmony of the universe.” Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America. https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476 https://constitutioncenter.org/news-debate/podcasts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 The Pursuit of Happiness - JEFFREY ROSEN - President & CEO of the National Constitution Center 42:38
What is the true meaning of the pursuit of happiness? What can we learn from the Founding Fathers about achieving harmony, balance, tranquility, self-mastery, and pursuing the public good? Jeffrey Rosen is President and CEO of the National Constitution Center, where he hosts We the People, a weekly podcast of constitutional debate. He is also a professor of law at the George Washington University Law School and a contributing editor at The Atlantic. Rosen is a graduate of Harvard College, Oxford University, and Yale Law School. He is the author of seven previous books, including the New York Times bestseller Conversations with RBG: Justice Ruth Bader Ginsburg on Life, Love, Liberty, and Law. His essays and commentaries have appeared in The New York Times Magazine; on NPR; in The New Republic, where he was the legal affairs editor; and in The New Yorker, where he has been a staff writer. His latest book is The Pursuit of Happiness: How Classical Writers on Virtue Inspired the Lives of the Founders and Defined America. "I love Bernstein's excitement in talking about how he says, for Beethoven, was he the best harmonist? No. Was it his orchestral abilities? Absolutely not. It was just that each note that he chose was exactly the right note to follow the note that proceeded it as if he had 'a private telephone wire to Heaven' and that he was channeling the note that created and mirrored the divine harmonies of the universe. And it was so striking to see John Adams compare the harmonies of a great piece by Handel to the harmonies of the State. And harmony is truth, which is reason, which is the Divine, according to the classical authority. And we have not only a right, but a duty to live according to reason in order to align ourselves with the divine harmonies of the universe. Recently, I've started writing songs, and there's just something about the golden hour of the sunrise that waits for us each day. And whatever else is going on in the world or in our lives allows us to recommit to and experience once more the glorious beauty and harmony of the universe.” https://constitutioncenter.org/about/board-of-trustees/jeffrey-rosen www.simonandschuster.com/books/The-Pursuit-of-Happiness/Jeffrey-Rosen/9781668002476 https://constitutioncenter.org/news-debate/podcasts www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other." Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity. https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing https://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190 . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Literature, Humanities & Sustainability: PAOLA SPINOZZI - Coordinator, Phd Programme, Environmental Sustainability & Wellbeing, UNIFE 41:36
How can we create positive change? What does it mean to have an ecological mind? How can interdisciplinary collaborations help us move beyond educational silos and create sustainable futures? Paola Spinozzi is Professor of English Literature at the University of Ferrara and currently serves as Pro-Vice-Chancellor for Internationalisation. She is the coordinator of the PhD Programme in Environmental Sustainability and Wellbeing and the co-coordinator of Routes towards Sustainability. Her research encompasses the ecological humanities and ecocriticism, utopia and sustainability; literature and the visual arts; literature and science; cultural memory. She has co-edited Cultures of Sustainability and Wellbeing: Theories, Histories and Policies and published on post/apocalyptic and climate fiction, nature poetry, eco-theatre; art and aesthetics, imperialism and evolutionism in utopia as a genre; the writing of science; interart creativity. "The humanities are all about representing the world, while the sciences are all about knowing the world. But I believe the roles are deeply intertwined, and that literature, the humanities, philosophy, history, and the arts are all ways of knowing the world. They do exactly the same thing in our understanding of the world. And it is really important to try to put these things together to bring people closer in talking to each other." https://docente.unife.it/paola.spinozzi https://www.unife.it/studenti/dottorato/it/corsi/riforma/environmental-sustainability-and-wellbeing https://www.routesnetwork.net https://www.routledge.com/Cultures-of-Sustainability-and-Wellbeing-Theories-Histories-and-Policies/Spinozzi-Mazzanti/p/book/9780367271190 . www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"In the paintings, the imagery that I'm looking for are images that don't feel posed or, even if they were intended to be posed, there are things in there that weren't necessarily meant for public display. So I am really interested in telling secrets in that way. You know, I've always made things made objects, but always very privately. And being married to an artist, I started to realize, and he started to really encourage me that that expression not be just kept in a drawer. And during the lockdown, when there was nothing else to do, I had all this time to really explore and give myself permission to see that part of my life as something that should be valued and exercised." From her role as Dr. Lisa Cuddy on the hit Fox series House M.D, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage. Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion. https://lisaedelstein.komi.io/ www.lisaedelsteinpaintings.com/ www.imdb.com/name/nm0249046 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Artworks: “Beach Day”, “Marsha”, “Karen” Courtesy of the Artist Lisa Edelstein in the Studio Photo credit: Holland Clement, Courtesy of the artist…
How can the arts help us examine and engage with social issues? How do our families shape our views, memories, and experience of the world? From her role as Dr. Lisa Cuddy on the hit Fox series House, to her starring role as Abby McCarthy in Bravo's first scripted series Girlfriend's Guide to Divorce, Lisa Edelstein's range of roles are as diverse talent. Some of Edelstein's feature credits include Keeping the Faith, What Women Want, Daddy Daycare, As Good as It Gets, and Fathers and Sons. She played a Holocaust survivor and adopted mother in the drama television series Little Bird. The story centres on a First Nations woman who was adopted into a Jewish family during the Sixties Scoop, as she attempts to reconnect with her birth family and heritage. Lisa’s career began by writing, composing, and performing an original AIDS awareness musical Positive Me at the renowned La Mama Experimental Theater Club in New York City. In the wake of COVID, Lisa began to paint using old family photographs as starting points. Her incredibly detailed paintings capture intimate relationships and spontaneous moments with honesty and compassion. "In the paintings, the imagery that I'm looking for are images that don't feel posed or, even if they were intended to be posed, there are things in there that weren't necessarily meant for public display. So I am really interested in telling secrets in that way. You know, I've always made things made objects, but always very privately. And being married to an artist, I started to realize, and he started to really encourage me that that expression not be just kept in a drawer. And during the lockdown, when there was nothing else to do, I had all this time to really explore and give myself permission to see that part of my life as something that should be valued and exercised." https://lisaedelstein.komi.io/ www.lisaedelsteinpaintings.com/ www.imdb.com/name/nm0249046 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo credit: Mitch Stone Courtesy of the artist…
1 What does the future hold for our late-stage capitalist society with mega-corps controlling everything? - Highlights - KYLE HIGGINS, KARINA MANASHIL & KID CUDI 14:22
The Making of Moon Man “So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black . I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?” Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse. Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton. moonmancomics.com https://imagecomics.com https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)…
1 Comics, Music, Ethics & AI: KYLE HIGGINS, KARINA MANASHIL & KID CUDI on the Making of Moon Man 1:07:18
1:07:18 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:07:18
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяWhat does the future hold for our late-stage capitalist society with mega-corporations owning and controlling everything? How can the world-building skills of the makers of films and comics help us imagine a better future? Kyle Higgins is an Eisner award-nominated #1 New York Times best-selling comic book author and award-winning filmmaker known for his work on DC Comics’ Batman titles as well as his critically-acclaimed reinventions of Mighty Morphin Power Rangers for Boom! Studios/Hasbro, Ultraman for Marvel Comics, and his creator-owned series Radiant Black, NO/ONE and Deep Cuts for Image Comics. Kyle is the founder and creative director of Black Market Narrative and The Massive-Verse. Karina Manashil is the President of MAD SOLAR. After graduating from Chapman University with a BFA in Film Production, she began her career in the mailroom at WME where she became a Talent Agent. In 2020, she partnered with Scott Mescudi and Dennis Cummings to found MAD SOLAR. Its first release was the documentary “A Man Named Scott” (Amazon), and she then went on to Executive Produce Ti West trilogy “X,” “Pearl” and “MaXXXine” (A24). Manashil received an Emmy nomination as an Executive Producer on the Netflix animated event “Entergalactic." She also produced the Mescudi/Kyle Higgins comic book “Moon Man” which launched through Image Comics. She is next producing the upcoming Mescudi/Sam Levinson/The Lucas Bros film “HELL NAW” (Sony) and the animated feature “Slime” from auteur animator Jeron Braxton. The Making of Moon Man “So, as we started talking and going through what this could look like. I run a creator-owned superhero universe at Image Comics called the Massive-Verse, which is spearheaded by the main book I write called Radiant Black . I like to describe it as it's like Power Rangers with adult problems. It's very contemporary kind of reimaginings of superhero storytelling for the 2020s. So in that context, talking about what any type of new superhero and, in this case, what a new black superhero in 2024 could look like, what the threats would be, what the world might look like if it's maybe not even five minutes in the future. I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?” -Kyle Higgins moonmancomics.com https://imagecomics.com https://www.imdb.com/name/nm3556462/?ref_=fn_al_nm_1 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Audio of Scott Mescudi courtesy of Mad Solar and Moon Man Comic Book Release and Revenge Of (Eagle Rock, CA, Jan 31, 2024)…
"What are you trying to do with the portrait? On a basic level, you're trying to communicate something about the essence of who someone is. You're trying to figure out who they are, not necessarily who they present themselves as. The two things can quite often be different. And then, you're trying to find ways of showing that through their face, their posture, or any other context. My instinct is always to try to reduce down to the essential elements. We read faces. It's obviously very, very deep in our DNA, really our survival instinct. We are programmed to read faces in a very fine-tuned way. Painting is a two-dimensional thing. You're basically taking real, three-dimensional things and making them into fake, two-dimensional ones. When you get into the 3D space, some of those distinctions aren't there anymore. I remember when I showed David Hockney the VR project I'd been working on a few years ago, and he put his finger on this quite well. Most art is about perspective. Certainly, for what he is interested in. As soon as you see something in 3D, whether it's a physical sculpture or a virtual object, that's not there anymore because you're in the space with whatever's being shown, so you're in a very different place." Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro. www.jonathanyeo.com www.bbcmaestro.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Jonathan Yeo…
1 JONATHAN YEO - Celebrated Portrait Artist on the Importance of Connection & Intuitive Intelligence 47:28
How can the arts help cultivate our intuitive intelligence? What does visual art teach us about consciousness and the human condition? Jonathan Yeo is one of the world’s leading figurative artists and portrait painters. From celebrated figures such as Sir David Attenborough, peace activist Malala Yousafzai, the Duke of Edinburgh, Nicole Kidman, and Tony Blair, sitting for a portrait with Yeo is a provisional necessity for any 21st century icon. His work, which has been exhibited in museums and galleries around the world, is the subject of several major mid-career retrospectives in the UK and internationally. Yeo’s course on portrait painting is available now on BBC Maestro. "What are you trying to do with the portrait? On a basic level, you're trying to communicate something about the essence of who someone is. You're trying to figure out who they are, not necessarily who they present themselves as. The two things can quite often be different. And then, you're trying to find ways of showing that through their face, their posture, or any other context. My instinct is always to try to reduce down to the essential elements. We read faces. It's obviously very, very deep in our DNA, really our survival instinct. We are programmed to read faces in a very fine-tuned way. Painting is a two-dimensional thing. You're basically taking real, three-dimensional things and making them into fake, two-dimensional ones. When you get into the 3D space, some of those distinctions aren't there anymore. I remember when I showed David Hockney the VR project I'd been working on a few years ago, and he put his finger on this quite well. Most art is about perspective. Certainly, for what he is interested in. As soon as you see something in 3D, whether it's a physical sculpture or a virtual object, that's not there anymore because you're in the space with whatever's being shown, so you're in a very different place." www.jonathanyeo.com www.bbcmaestro.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Jonathan Yeo…
Scientists, artists, psychologists, conservationists, and spiritual leaders share their stories and insights on the importance of connecting with nature, preserving the environment, embracing diversity, and finding harmony in the world. Music courtesy of composer Max Richter . All voices in this episode are from our interviews for The Creative Process & One Planet Podcast. 00:05 Adapting to Earth: Indigenous Perspectives TIOKASIN GHOSTHORSE - Founder/Host of First Voices Radio - Founder of Akantu Intelligence https://firstvoicesindigenousradio.org https://akantuintelligence.org 01:06 The Beauty and Fragility of the Natural World APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center www.aprilgornik.com www.thechurchsagharbor.org 02:01 The Importance of Whales in Ecosystems NAN HAUSER - Whale Researcher - President, Center for Cetacean Research & Conservation - Director, Cook Islands Whale Research https://whaleresearch.org 03:27 The Importance of Community and Collective Well-being ROBERT WALDINGER - Co-Author of The Good Life: Lessons from the World's Longest Scientific Study of Happiness https://www.robertwaldinger.com 04:19 The Power of Love, Respect, and Unity JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of the films Common Ground & Kiss the Ground https://julianlennon.com https://commongroundfilm.org 05:05 The Importance of Cultural and Scientific Knowledge RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past www.merlinsheldrake.com 0:6:18 Mastering Confidence & Human Potential IAN ROBERTSON - Author of How Confidence Works: The New Science of Self-belief - Co-Director of the Global Brain Health Institute https://ianrobertson.org 07:01 The Magic of Coral Reefs GATOR HALPERN - Co-Founder & President of Coral Vita - UN Young Champion of the Earth - Forbes 30 Under 30 Social Entrepreneur https://coralvita.co 08:06 Lessons from Ancient Trees and Tundra DOUG LARSON - Biologist - Expert on Deforestation - Author of Cliff Ecology - The The Dogma Ate My Homework https://experts.uoguelph.ca/doug-larson 09:36 Understanding the Flow of Life MASTER SHI HENG YI - 35th Generation of Shaolin Masters Headmaster of the Shaolin Temple Europe www.shihengyi.online www.shaolintemple.eu Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of Common Ground 17:11
"I don't honestly know entirely where I'm headed musically. I still have a lot of songs that I haven't finished that are relatively recent and some that go back to 40 years ago, if not more. You know, projects like this last album Jude, partially songs that never had a home, you know, that didn't quite fit on an album or another project. And so, I mean, strangely enough, what I've been doing personally for the end of this year has been going through trying to get all the admin out the way, so to speak. For instance, in the last six months to a year, but intensely so in the last few weeks, I've been archiving over 100,000 photographs of mine so that I can put more collections together, so I know where things are, et cetera, to get on with the creativity of photography next year and hopefully get around to a few more charity trips. Same thing with the music, getting that under wraps on the admin side. I don't want to do work with another label again, I think. I prefer to be in a position, where things organically happen, creatively speaking. So, the idea is to be in a position next year where if I write, record, and produce a song in a few days or a week, that within a week or two or a few weeks, I can press a button and release it out to the world. That's my plan for the future. Probably no albums, probably. EPs and singles, as they come. That's the idea for the future. And to just be as happy and present and as creative as possible next year. And help the projects and people that need help. That's my goal for the future. That's how I am. Because, again, if I'm not in a position of focus and in a position of love, then, you know, I can't help anybody else. So that's my goal is to be fully in that headspace next year." How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations? Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020. https://julianlennon.com https://commongroundfilm.org https://kissthegroundmovie.com https://whitefeatherfoundation.com https://julianlennon.lnk.to/JudeWE https://julianlennon-photography.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JULIAN LENNON - Singer-songwriter, Photographer, Doc Filmmaker, Exec. Producer of Common Ground 41:31
How can the arts inspire us to lead lives of greater meaning and connection? What kind of world are we leaving for future generations? Julian Lennon is a Grammy-nominated singer-songwriter, photographer, documentary filmmaker, and NYTimes bestselling author of children's books. Executive Producer of Common Ground and its predecessor Kiss the Ground, which reached over 1 billion people and inspired the US Department of Agriculture (USDA) to put $20 billion toward soil health. The natural world and indigenous people are also the focus of Lennon’s other documentaries Whaledreamers, and Women of the White Buffalo. In 2007, Julian founded the global environmental and humanitarian organization The White Feather Foundation, whose key initiatives are education, health, conservation, and the protection of indigenous culture, causes he also advances through his photography, exhibited across the US and Europe. His latest album Jude spans a body of work created over the last 30 years. Julian was named a Peace Laureate by UNESCO in 2020. "I don't honestly know entirely where I'm headed musically. I still have a lot of songs that I haven't finished that are relatively recent and some that go back to 40 years ago, if not more. You know, projects like this last album Jude, partially songs that never had a home, you know, that didn't quite fit on an album or another project. And so, I mean, strangely enough, what I've been doing personally for the end of this year has been going through trying to get all the admin out the way, so to speak. For instance, in the last six months to a year, but intensely so in the last few weeks, I've been archiving over 100,000 photographs of mine so that I can put more collections together, so I know where things are, et cetera, to get on with the creativity of photography next year and hopefully get around to a few more charity trips. Same thing with the music, getting that under wraps on the admin side. I don't want to do work with another label again, I think. I prefer to be in a position, where things organically happen, creatively speaking. So, the idea is to be in a position next year where if I write, record, and produce a song in a few days or a week, that within a week or two or a few weeks, I can press a button and release it out to the world. That's my plan for the future. Probably no albums, probably. EPs and singles, as they come. That's the idea for the future. And to just be as happy and present and as creative as possible next year. And help the projects and people that need help. That's my goal for the future. That's how I am. Because, again, if I'm not in a position of focus and in a position of love, then, you know, I can't help anybody else. So that's my goal is to be fully in that headspace next year." https://julianlennon.com https://commongroundfilm.org https://kissthegroundmovie.com https://whitefeatherfoundation.com https://julianlennon.lnk.to/JudeWE https://julianlennon-photography.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - DAVID BYRNE'S THEATER OF THE MIND - Stories of Impact - Nicholas Bruckman, John Tracey, Ian Moubayed 13:28
Q: Who is David Byrne? David Byrne: ...I have no idea. Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are. To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are. What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull? Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is. He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass. John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement. Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow. www.youtube.com/@sciencesandbox www.davidbyrne.com https://nickny.com/bio https://www.simonsfoundation.org/people/john-tracey/ https://peoples.tv/director/ian-moubayed/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 DAVID BYRNE'S THEATER OF THE MIND - Stories of Impact produced by Simons Foundation & People’s TV 46:07
What is consciousness? The mind produces thoughts, sensations, perception, emotions. How can these inner felt experiences be produced within the darkness of the human skull? Nicholas Bruckman is founder and CEO of People's Television, a production studio and creative agency that produces independent films, and video storytelling for brands. Collaborating with the The Simons Foundation through their 'Science Sandbox' Initiative, he directed Theater of the Mind, which takes audiences into the creative inner workings of Musician and Artist David Byrne’s brain, showcasing Byrne’s immersive theater performance, which attempts to conceptualize the idea of our sense of self and how malleable the mind truly is. He directed the award-winning healthcare justice documentary Not Going Quietly, executive produced by Mark and Jay Duplass. John Tracey is Program Director of Science, Society and Culture projects at the Simons Foundation whose mission is to advance the frontiers of research in mathematics and the basic sciences to unravel the mysteries of the universe. The foundation champions basic science through grant funding, support for research and public engagement. Ian Moubayed started his career as a cinematographer, collaborating with Emmy, Peabody, and Oscar-winning filmmakers. His work includes Netflix’s The Great Hack, NBC Peacock’s The Sit-In: Harry Belafonte Hosts the Tonight Show, and HBO’s The Vow. Q: Who is David Byrne? David Byrne: ...I have no idea. Most people know me through music, but when I was in high school I saw science and the arts as being equally creative fields. More recently, I just started taking an interest in how the brain works, and there's been this explosion of literature. As much as I love reading about neuroscience, I realize that experiencing some of the phenomena is just on a different level. I wanted to create an experience that shows us we're not who we think we are. Theater of the Mind is an immersive Science Theater project. With this show, I've tried to marry a narrative to the experience of different scientific phenomena that reveal how malleable our perception memory, and identity really are. To make a production like this work, it's a big invisible team. There's actors, lighting designers sound designers, technical people so it's a really complicated system. This is the Theater of the Mind. How do we operate in a world where we're not sure what's real and what's not. If things are unreliable, then what do we trust? People think of science as being intimidating, but it also doesn't mean that you can't understand it or can't enjoy it. Our emotions, our sense of self, our relationship to other people is all connected to our perception, that you can't separate one of these things from another. They all work together to make us what we are. www.youtube.com/@sciencesandbox www.davidbyrne.com https://nickny.com/bio https://www.simonsfoundation.org/people/john-tracey/ https://peoples.tv/director/ian-moubayed/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center 14:18
"I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!" You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive. In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea." In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world? April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages. www.aprilgornik.com www.thechurchsagharbor.org www.milesmcenery.com/exhibitions/april-gornik2 https://sagharborcinema.org/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846 Creative Commons CC0 1.0 Universal Public Domain…
In this fractured world, how do the arts build community, understanding, and inspire change? How does art help us define who we are and our place in the world? April Gornik is known for her large scale landscape paintings which embrace the vastness of sea and sky. Her imagined landscapes, built up through a series of underpaintings are meditations on light and time. Her work is included in the collections of the Metropolitan Museum of Art, The Museum of Modern Art (MoMA), the Museum of Fine Arts Houston, and the Smithsonian American Art Museum in Washington, DC. She is a director of the board of the Sag Harbor Cinema Arts Center and co-founded The Church arts, exhibition space, and creativity center, which is a sanctuary for visual, performing, literary artists, and other creatives. Together with her husband the artist Eric Fischl, they are at the center of Sag Harbour’s arts district, and in this episode, we’ll also hear from some of the talented artists they’ve brought to their stages. "I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se, but I think it might be a better message if it's not saying, "People, you've been bad. You have to change your evil ways!" You know, I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive. In terms of The Church arts center. It's not a religious institution, but it had been an old Methodist church that was built originally in 1835, and we renovated it to be an arts and creativity center. The arts are deeply important and creativity in all its forms is equally important to encourage and extol. So it was a natural place to develop that way, where we have art and poetry readings, and we have dance performances and rehearsals. And all of our residents are from different kinds of creative endeavors, and we haven't quite enacted this as much as I would like, but we want to have people who are computer scientists, composers, environmentalists, and anyone who is using creativity to make a positive change in the world and to express themselves. So that's the basic idea." www.aprilgornik.com www.thechurchsagharbor.org www.milesmcenery.com/exhibitions/april-gornik2 https://sagharborcinema.org/ www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 01 Prelude No. 1 in C major, BWV 846 Creative Commons CC0 1.0 Universal Public Domain Additional audio courtesy of Sag Harbor Cinema Arts Center.…
"I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography." How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are? Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea. www.ralphgibson.com www.deichtorhallen.de/en/ausstellung/ralph-gibson www.gibsongoeunmuseum.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How does the mind influence the mind? The mind cannot function without memory. And memory is just the mind aware of itself. So how do images tell us how we see and who we are? Ralph Gibson is one of the most interesting American photographers of our time. His international renown is based on his work, which is shown and collected by some of the world’s leading museums, including the Museum of Modern Art in New York, the J.P. Getty Museum in Los Angeles, the John Simon Guggenheim Memorial Foundation, the Creative Center for Photography in Tucson, the Museum of Fine Arts in Houston, the Maison Européenne de la Photographie in Paris, the Bibliothèque Nationale de France in Paris, and the Fotomuseum Winterthur in Switzerland. Gibson’s works reveal a meticulous aesthetic and visual territory edging on the surreal. His recent books include his memoir Self Exposure, Sacred Land: Israel before and after Time, and Secret of Light, which accompanied his exhibition at the Deichtorhallen House of Photography in Hamburg. He is a Leica Hall of Fame Inductee and has been awarded the French Legion of Honor. In 2022, The Gibson | Goeun Museum of Photography devoted to his work opened in Busan, South Korea. "I've never wanted to be invisible. I'm voyeuristic, but in a purely intellectual way. I would suspect the reason for functioning in a vertical format is because the horizontal rectangle is the proportion of all narration, all visual narrative in all society now. In my case, the content is when I get my vision sufficiently stimulated to where I can perceive the corner of this desk with sufficient clarity to render it in some sort of monumental way. I want to make pictures of absolutely nothing purely based on the force of my perception and the power of photography." www.ralphgibson.com www.deichtorhallen.de/en/ausstellung/ralph-gibson www.gibsongoeunmuseum.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 BENOIT DELHOMME - Cinematographer of At Eternity’s Gate (on Van Gogh's life), Artist, Director 30:33
What makes films memorable and meaningful? Great cinematographers are not only translators of a director’s vision but are involved in a dance between director and actor. When combined with personal techniques like handheld, the camera itself can become a character, bringing us back in time and behind the eyes of well-known figures like Van Gogh and Stephen Hawking, which is what Benoît Delhomme did in the films At Eternity’s Gate and The Theory of Everything. Benoît Delhomme studied cinematography at the École nationale supérieure Louis-Lumière and went on to make his breakthrough as a director of photography for the movie The Scent of Green Papaya directed by Tran Anh Hung. The film went on to win the Caméra d'Or Award at the Cannes Film Festival and was nominated for an Academy Award. Benoît has established himself as an international cinematographer and has worked with creatives such as Al Pacino, Julian Schnabel, and James Marsh. Over the years, Benoît Delhomme has worked on a wide array of films where his focus has been to tell a strong story through the visual. This focus has shined not only through his work as a cinematographer, but also his work as a painter. "If you want to do your art well, you need to have some pleasure. If talking is not a pleasure, it's horrible. And when filming on a set is a bad experience, it's one of the worst things in life. As a cinematographer, if you can't make what you do personal to you, there is no soul. You need to make it personal. I don't know if Julian Schnabel trusted me, and I had to prove myself. For example, he had another guy in mind. And for many weeks, he said to me, 'Maybe we should keep two cinematographers?' And one evening he said, 'I'm going to paint in my outdoor studio tonight if you want to come.' And, I went to see him painting and brought a small digital camera. And he had music on and was doing this incredible painting. I was kind of fascinated to be there. We didn't talk. He knew I was filming him. He didn't say anything. So I spent part of the night cutting my small documentary. And in the morning at breakfast, I put my computer on the breakfast table and showed it to him, and he was so focused and very moved by what he saw. And he said, 'Okay, you captured what I was doing. You've got the film.'" www.benoitdelhomme.com www.benoitdelhommestudio.com www.instagram.com/benoitdelhomme www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON 10:23
"If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people.” “Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams? On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta. www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition www.schwarzenegger.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Image courtesy of Taschen. Photo credit: ARNOLD SCHWARZENEGGER IN VENICE, CALIFORNIA. PHOTO BY ALBERT BUSEK, 1980…
1 ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON 58:04
“Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.” – ARNOLD SCHWARZENEGGER Is there any better example of the American Dream than Arnold Schwarzenegger? What does it take to make your vision a reality? How do you cultivate iron focus to overcome any obstacle and realize your dreams? On the publication of Arnold Schwarzenegger’s limited edition two-volume book published by TASCHEN, we sat down with Senior Editor and Writer Dian Hansen to discuss Schwarzenegger’s life, accomplishments, and history of unforgettable performances. The book has been a decade-long collaborative process and along with portraits by leading photographers Richard Avedon, Annie Leibovitz, Robert Mapplethorpe, Herb Ritts, Francesco Scavullo, and Andy Warhol, it is also filled with photos from Arnold’s private archive and exclusive interviews. Dian’s other works include The Art of Pin-up, Masterpieces of Fantasy Art, and The Fantastic Worlds of Frank Frazetta. "If you think Arnold is just some muscle guy, well go look in the book. Go see how Annie Leibovitz envisioned him. Go see how Robert Mapplethorpe saw him. Go see how Andy Warhol saw him. Go see how Herb Ritts saw him. He was inspiration for all of these people.” www.taschen.com/en/limited-editions/film/03105/arnold-collector-s-edition www.schwarzenegger.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Images courtesy of Taschen. Photo credits: Cover Arnold Schwarzenegger for the film End of Days. Sante D'Orazio, 1999 Governor Schwarzenegger with the Lincoln Memorial · Photo by Peter Grigsby, 2009 Arnold Schwarzenegger and Lulu at his Los Angeles home · Photo by Tracy Nguyen, 2021…
1 Highlights - JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of How We Do It: Black Writers on Craft, Practice, and Skill 15:16
"And so one of the wonderful things that happen in the book is these writers aren't just writers, they're readers. So when they're talking about the work they love in their essays, they didn't know they were going to be in a book with some of these other people, but they end up discussing the work of other people who are in the book. And because they're doing that, the book ends up creating this web, which I think lets readers know just how intricate the world of influence really is for a writer, and how you get different things from different people along the way." How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters? In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. www.jerichobrown.com www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of “How We Do It: Black Writers on Craft, Practice, and Skill” 49:13
How do you find your voice? As a writer, how do you take what you know and what you believe to share your stories with the world? How do we let young writers know just how powerful they are and that what they do matters? In How We Do It: Black Writers on Craft, Practice, and Skill Pulitzer Prize winning, and National Book Award finalist author Jericho Brown brings together more than 30 acclaimed writers, including the likes of Tayari Jones, Jacqueline Woodson, Natasha Trethewey, among many others, to discuss, dissect, and offer advice and encouragement on the written word. Brown is author of The Tradition, for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please, won the American Book Award. His second book, The New Testament, won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University. "And so one of the wonderful things that happen in the book is these writers aren't just writers, they're readers. So when they're talking about the work they love in their essays, they didn't know they were going to be in a book with some of these other people, but they end up discussing the work of other people who are in the book. And because they're doing that, the book ends up creating this web, which I think lets readers know just how intricate the world of influence really is for a writer, and how you get different things from different people along the way." www.jerichobrown.com www.harpercollins.com/products/how-we-do-it-jericho-browndarlene-taylor?variant=40901184684066 www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
"Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that." How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found. www.erlandcooper.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic? Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found. "Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that." www.erlandcooper.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Photo by Alex Kozobolis…
1 Highlights - JASON deCAIRES TAYLOR - Sculptor, Environmentalist, Creator of Underwater Museums 10:18
Happy World Oceans Month "The sculptures get claimed and almost owned by the sea. And the textures that form the patterns, all things that could never be reproduced by human hands. And it's entirely unpredictable in many cases. I go to some of the 'museums' expect to see this type of colonization or this type of growth, and it's nothing like how I've seen it envisaged it. It's completely different. Other times something has been made at its home, and there's an octopus that's built a house around it, or there's a school of fish that have nestled within the formations. There have been many, many different surprises along the way. I first started in the West Indies on an island called Grenada, which has a tropical reef system. And I expected the works to be sort of colonized. And I knew hard corals took a very long time to get established, to build their calcium skeletons, but actually, they were colonized within days. We saw white little calcareous worms, pink coraline algae, and green algae literally appeared sort of overnight. And then they had these incredible sponges. You know, you see a lot of sponges on the reefs and you don't really take a lot of notice, but actually, some of the formations and the patterns, they sort of blanketed the sculptures with a network of capillaries and veins, and these incredible sorts of scarlet reds and pinks. And it was something that I had no idea would colonize in such a way. And sponges are really interesting because they actually filter water, so they almost breathe the water in and then exhale it out once they've taken the nutrients. And, for me, that was when the work really became living and part of the ecosystem. And I thought it was a really nice metaphor that we are nature. We are part of the system and we're all connected. And I think we lose sight of that a lot." What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. www.underwatersculpture.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What if museums weren’t confined to buildings but could be part of the natural world? What if sculptures could not only celebrate our oceans, but also provide habitats for marine life? Jason deCaires Taylor is a sculptor, environmentalist, and underwater photographer. His works are constructed using materials to instigate natural growth and the subsequent changes intended to explore the aesthetics of decay, rebirth, and metamorphosis. DeCaires Taylor's pioneering public art projects are not only examples of successful marine conservation but also works of art that seek to encourage environmental awareness and lead us to appreciate the breathtaking natural beauty of the underwater world. "The sculptures get claimed and almost owned by the sea. And the textures that form the patterns, all things that could never be reproduced by human hands. And it's entirely unpredictable in many cases. I go to some of the 'museums' expect to see this type of colonization or this type of growth, and it's nothing like how I've seen it envisaged it. It's completely different. Other times something has been made at its home, and there's an octopus that's built a house around it, or there's a school of fish that have nestled within the formations. There have been many, many different surprises along the way. I first started in the West Indies on an island called Grenada, which has a tropical reef system. And I expected the works to be sort of colonized. And I knew hard corals took a very long time to get established, to build their calcium skeletons, but actually, they were colonized within days. We saw white little calcareous worms, pink coraline algae, and green algae literally appeared sort of overnight. And then they had these incredible sponges. You know, you see a lot of sponges on the reefs and you don't really take a lot of notice, but actually, some of the formations and the patterns, they sort of blanketed the sculptures with a network of capillaries and veins, and these incredible sorts of scarlet reds and pinks. And it was something that I had no idea would colonize in such a way. And sponges are really interesting because they actually filter water, so they almost breathe the water in and then exhale it out once they've taken the nutrients. And, for me, that was when the work really became living and part of the ecosystem. And I thought it was a really nice metaphor that we are nature. We are part of the system and we're all connected. And I think we lose sight of that a lot." www.underwatersculpture.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What is the role of music in cinema and why it is such an important part of the storytelling process? How does music increase our capacity for empathy and wonder? Fabrizio Mancinelli is an Italian-American composer, songwriter, and conductor, best known for his musical contributions to the world of cinema. As a songwriter, he has created original scores for The Land of Dreams,The Snow Queen 3, The Boat, and the upcoming animated drama Mushka, among others. In 2017, he led the orchestral recording for the Academy Award-winning Green Book, and he recently scored the documentary Food 2050, which premiered at the UN Climate Change Conference in 2022. "I really love to read books of art because I grew up in a Renaissance Medieval city. It's totally different to go for a walk and look at old buildings. You look inside the windows, and you see frescos and art. Then I have a lot of friends who are artists, and I enjoy seeing their art. That's my fuel. That is my inspiration. And, of course, every music that gets thrown at me is an inspiration in any other way because also there is one thing I admire most and that is what I cannot do. Something that's totally different from me, I get amazed and am in awe because there is always this will to learn. And I hope I will have that until my last day, that I will be able to be amazed until my last day." https://fabriziomancinelli.us www.instagram.com/fabmancinelli www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
What role do the visual arts play in drawing upon history, activating democracy, and asking questions about what culture can do? Australian artist Anthony White lives and works in Paris. White’s artistic work revolves around the notion of reclaiming the act of dissent through the production of cultural objects. His research is situated at the intersection of several fields in the social space including, politics, human rights, and postcolonialism. His practice is centered around concepts of design and its history as a form of social and political expression. He works with painting, drawing, collage, and printmaking. Through this practice, he tackles relevant questions to our time, to encourage emancipation and new ways of thinking. Anthony White’s artwork has been exhibited in Australia, Europe, and Asia. He has received support through cultural agencies such as The Trust Company Australia, The National Association for the Visual Arts,(NAVA) and The Copyright Agency Limited (CAL). He has also received critical acclaim by recognition in the form of art prizes and reviews most notably The Marten Bequest Travelling Scholarship (2007) The Creative Art Fellowship at The National Library of Australia (2020) and acknowledgements in The Australia Financial Review, Art Collector Magazine Australia and also Elle Décor US edition. His exhibition Manifestation is on show from the 12–30 of July at Lennox Street Gallery, in Melbourne. "Not in terms of subject matter. Not in the fact that I've taken images from the Eureka Stockade. It was a point in history where there were some gold miners, and they revolted against the government because the government was enforcing licensing fees that were outrageously expensive at the time. So, I don't reproduce figurative paintings, but I wanted to take that energy of what dissent is about, and I wanted to reclaim the energy of the gestural mark as a signifier of dissent. So when I was doing the research in the library, I came across a Roman guy called Raffaello Carboni who wrote a book on the Eureka Stockade. It's actually the book that Sidney Nolan had been reading and his point of motivation for making this large mural. And I found it quite interesting that Carboni was a politically active guy. He was a supporter of Mazzini and Garibaldi who founded modern Italy. And then three years after Carboni fought in the movement that unified Italy, he went to Australia to Victoria. And he was also involved in that Eureka Stockade moment. So I thought, Oh, that's an interesting connection between my roots in Australia and my roots in Europe. So Carboni goes back, and he dies in Rome. And I see that this moment of civil disobedience is interesting and what's happening now with the rise of Fascism. It's an interesting thing that maybe there need to be other moments of civil disobedience where democracy is activated in a way. So I think that the visual arts, they have a role to play in terms of activating democracy. In terms of drawing upon history and asking questions about what culture can do." www.anthonywhite.art www.instagram.com/anthony_white_paris/ www.metrogallery.com.au/exhibitions/manifestation www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
“Home of the Brave” performed by Laurie Anderson & Dickie Landry on The Late Show. Laurie Anderson is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. For nearly half a century, Richard “Dickie” Landry was at the center of the New York avant-garde. Born in the small Louisiana town of Cecilia in 1938, he began making pilgrimages to the city while still in his teens in search of the city’s most cutting edge gestures in jazz, and relaxed there not long after, falling in with a close knit community of artists and composers like Keith Sonnier, Philip Glass, Joan Jonas, Gordon Matt Clarke, Richard Serra, Robert Rauschenberg, Nancy Graves, Lawrence Weiner, Steve Reich, Jon Gibson, and Robert Wilson. Landry remains one of the few artists of his generation who made important waves within numerous creative idioms. Having been trained from a young age on saxophone, not only is he a remarkably respected solo performer and bandleader, but he was an early and long-standing member of Philip Glass’ ensemble, playing on seminal records like Music With Changing Parts, Music in Similar Motion / Music in Fifths, Music in Twelve Parts, North Star, and Einstein on the Beach, and played with Talking Heads, Laurie Anderson, and jazz giants like Johnny Hammond, Gene Ammons, and Les McCann. He was also one of the most important photographic documenters of the New York Scene, until he left the city for his native Louisiana, following 9/11. Listen to his music on Unseen Worlds. http://www.dickielandry.com https://unseenworlds.com/collections/dickie-landry www.creativeprocess.info www.oneplanetpodcast.org Instagram @creativeprocesspodcast…
1 Highlights - ANIL SETH - Co-director of Sussex Centre for Consciousness Science & Canadian Institute for Advanced Research Program on Brain, Mind & Consciousness 13:54
"This is a point in philosophy that the world as it is can never be directly apprehended by our minds. We are shielded from it by what's called a sensory veil. There are, for instance, no such thing as colors that are out there. As the artist Cezanne said, 'The colors are where the brain and the universe meet.' And color is, I think, a really good example because it is, in a sense, less than what's there because our eyes are only sensitive to three wavelengths of this huge electromagnetic spectrum, which goes all the way from x-rays and gamma rays to radio waves. And we live in a tiny, thin slice of that reality. But then out of those three wavelengths we experience our brains generate many more than three colors and almost an infinite palette of colors. So there's no sense in which our perception could ever reveal the world as it really is, that it reveals the world in a way that's very useful for us as organisms hell-bent on continuing to live and to survive." Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. www.anilseth.com www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth https://perceptioncensus.dreamachine.world/ https://dreamachine.world/ @anilkseth www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 ANIL SETH - Author of Being You: A New Science of Consciousness - Co-director of Sussex Centre for Consciousness Science 56:29
Anil Seth is a neuroscientist, author, and public speaker who has pioneered research into the brain basis of consciousness for more than twenty years. He is the author of Being You: A New Science of Consciousness, as well as the best-selling 30 Second Brain, and other books. He is a Professor of Cognitive and Computational Neuroscience at the University of Sussex, where he is Co-Director of the Sussex Centre for Consciousness Science, and is Co-Director of the Canadian Institute for Advanced Research (CIFAR) Program on Brain, Mind, and Consciousness, and of the Leverhulme Doctoral Scholarship Programme: From Sensation and Perception to Awareness. He has a TED talk on consciousness and appeared in several films, including The Most Unknown and The Search. He has written for Aeon, The Guardian, Granta, New Scientist, and Scientific American. He was the 2017 President of the British Science Association (Psychology Section) and winner of the 2019 KidSpirit Perspectives award. He has published more than 180 academic papers and is listed in 2019 and 2020 Web of Science ‘highly cited researcher’ index, which recognizes the world’s most influential researchers over the past decade. "This is a point in philosophy that the world as it is can never be directly apprehended by our minds. We are shielded from it by what's called a sensory veil. There are, for instance, no such thing as colors that are out there. As the artist Cezanne said, 'The colors are where the brain and the universe meet.' And color is, I think, a really good example because it is, in a sense, less than what's there because our eyes are only sensitive to three wavelengths of this huge electromagnetic spectrum, which goes all the way from x-rays and gamma rays to radio waves. And we live in a tiny, thin slice of that reality. But then out of those three wavelengths we experience our brains generate many more than three colors and almost an infinite palette of colors. So there's no sense in which our perception could ever reveal the world as it really is, that it reveals the world in a way that's very useful for us as organisms hell-bent on continuing to live and to survive." www.anilseth.com www.penguinrandomhouse.com/books/566315/being-you-by-anil-seth https://perceptioncensus.dreamachine.world/ https://dreamachine.world/ @anilkseth www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet 14:31
Listen to Part 2 of this Special Series with music courtesy of composer Max Richter. Voices on this episode: MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept. BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University WALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute MATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award Winner JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast RICHARD VEVERS - Founder & CEO of The Ocean Agency ARMOND COHEN - Executive Director of Clean Air Task Force PAULA PINHO - Director of Just Transition at the European Commission Directorate-General for Energy MARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global Journal HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China University BILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate Scientist SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public Health LISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services Max Richter’s music featured in this episode: “Spring 1” from The New Four Seasons – Vivaldi Recomposed Vladimir’s Blues” from The Blue Notebooks "Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour, Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song. www.maxrichtermusic.com https://studiorichtermahr.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast…
1 Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1 15:09
Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter. Voices on this episode are MAX RICHTER INGRID NEWKIRK, Founder of PETA BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation CARL SAFINA, Ecologist, Founding President of Safina Center CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy” ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment” KATHLEEN ROGERS, President of EARTHDAY.ORG ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible” ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes DAVID FARRIER, Author of “Footprints: In Search of Future Fossils” DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree” PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast www.maxrichtermusic.com https://studiorichtermahr.com Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.…
1 Highlights - MAX RICHTER - Award-winning Composer collaborating on Film, Dance & Multidisciplinary Arts Projects 18:09
"So Studio Richter Mahr is a project which really is the outcome of an idealistic vision of how creativity can coexist with the broader community, but it's something that Yulia and I passionately believe in. We believe in the possibility of creative work having an elevating effect in society more broadly. And in a way, it's a laboratory. We're excited by other minds, other people with their own ideas, their own thoughts coming in. So it's a space where we can exchange ideas. Well, Yulia is really important in everything I do because we have collaborated explicitly on some projects, for example, on Voices, that's very much the outcome of a million conversations we had. And she's made some beautiful visual material for that project. Sleep was a great long conversation between us. You know, we've sat around over the kitchen table for 20 years having ideas and talking to one another about creative ideas and approaches to how creativity can sit in the world, and what should we do next. And how's her work going and how's my work going? I mean, this is what we do. So if we're talking about sources, then I guess that's really the primary source. And then of course we're also on our own creative journeys, exploring, researching, and thinking. A piece like Voices, this comes out of conversations Yulia and I were having in 2017, 2018 in a sort of Trump era, I guess, where you just think, hang on, this isn't right. What's going on here? Okay, so in the way that somebody who isn't an artist, they would just say that to their friends. They would have a conversation, "I don't like what's happening here. This is all wrong." Well, as artists, we also want to have those conversations. We also want to convey our thoughts and feelings about the world we're living in. And it was very simple, in a way, an intuitive response to the things we saw happening around us in our daily lives. Artists are of course just ordinary people, too. And it so happens that instead of having a conversation or having a coffee with a friend, making a piece of music about it - it's the same impulse." Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams. A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation. Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo. He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community. www.maxrichtermusic.com https://studiorichtermahr.com Photo by William Waterworth www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcast Max Richter’s music featured in this episode is "On the Nature of Daylight” from The Blue Notebooks. Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.…
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