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Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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The Bikeriders with Jeff Nichols

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Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

The Bikeriders is another triumph for Little Rock-born filmmaker Jeff Nichols. Inspired by and named after a 1968 photographic study of Chicago bikers by Danny Lyon, the film charts the rise and fall of not just a motorcycle gang but also an era in American history. It stars Austin Butler as young rebel Benny, Jodie Comer as his long-suffering partner Kathy, Mike Faist as Lyon and Tom Hardy as gang founder Johnny – and that’s just scratching the surface of a brilliant ensemble cast.
At first glance, the drama seems like a departure for Jeff, known for movies like sci-fi adventure Midnight Special and apocalyptic drama Take Shelter. Peer a little closer at his screenplay, however and you soon start to see familiar Nichols-isms. For starters, there’s a “rurality” to Jeff’s work too, with so many of his stories unfolding down down dusty dirt trails, in parts of America that Hollywood doesn’t often turn its cameras towards. Then there’s the themes of masculinity, finality and devotion that simmer beneath the surface of all his movies, and rear their heads again here.
In the spoiler conversation you’re about to hear, we get into those recurring threads across his work, the post-Vietnam context for the film’s final act, the influence of Scorsese’s Goodfellas on the first act’s structure and the modern male malaise that this film comments on. Be sure to watch the film before tuning in.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

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118 епізодів

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The Bikeriders with Jeff Nichols

Script Apart

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Manage episode 424795183 series 2711077
Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

The Bikeriders is another triumph for Little Rock-born filmmaker Jeff Nichols. Inspired by and named after a 1968 photographic study of Chicago bikers by Danny Lyon, the film charts the rise and fall of not just a motorcycle gang but also an era in American history. It stars Austin Butler as young rebel Benny, Jodie Comer as his long-suffering partner Kathy, Mike Faist as Lyon and Tom Hardy as gang founder Johnny – and that’s just scratching the surface of a brilliant ensemble cast.
At first glance, the drama seems like a departure for Jeff, known for movies like sci-fi adventure Midnight Special and apocalyptic drama Take Shelter. Peer a little closer at his screenplay, however and you soon start to see familiar Nichols-isms. For starters, there’s a “rurality” to Jeff’s work too, with so many of his stories unfolding down down dusty dirt trails, in parts of America that Hollywood doesn’t often turn its cameras towards. Then there’s the themes of masculinity, finality and devotion that simmer beneath the surface of all his movies, and rear their heads again here.
In the spoiler conversation you’re about to hear, we get into those recurring threads across his work, the post-Vietnam context for the film’s final act, the influence of Scorsese’s Goodfellas on the first act’s structure and the modern male malaise that this film comments on. Be sure to watch the film before tuning in.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Final Draft and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

  continue reading

118 епізодів

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