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Вміст надано TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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HR is no longer just about managing people—it’s about shaping the future of work. Jens Baier, BCG’s HR transformation expert, discusses how AI and shifting employee expectations are forcing companies to rethink talent strategies. From re-recruiting to upskilling employees, HR must adapt to a rapidly changing landscape. Learn More: Jens Baier: https://on.bcg.com/41ca7Gv BCG on People Strategy: https://on.bcg.com/3QtAjro Decoding Global Talent: https://on.bcg.com/4gUC4IT…
5 Days in June Part 6: Aso desu ka
Manage episode 350851592 series 3430050
Вміст надано TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Part 6 of 5 Days in June brings us easily the most beautiful location of any jazz kissa ever, and the uncovering of a beautiful Fender Rhodes hidden in a B&B, before a slightly frustrating afternoon of shuttered shops and a desperate search for some food! Thanks as always to Brian of groovesahead.com for audio assistance and Louie Lastic for our theme music.
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82 епізодів
Manage episode 350851592 series 3430050
Вміст надано TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією TOKYO JAZZ JOINTS, Philip Arneill, and James Catchpole або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Part 6 of 5 Days in June brings us easily the most beautiful location of any jazz kissa ever, and the uncovering of a beautiful Fender Rhodes hidden in a B&B, before a slightly frustrating afternoon of shuttered shops and a desperate search for some food! Thanks as always to Brian of groovesahead.com for audio assistance and Louie Lastic for our theme music.
…
continue reading
82 епізодів
Усі епізоди
×As the end of our latest regional adventure beckons, we take a walk down the Avenue in Kurashiki and visit the charming Gojitoma, a jewel of a joint in the middle of nowhere. Thanks as ever to Brian for his patience and assistance with sound.
At the Vanguard, but not the Village by Philip Arneill & James Catchpole
It's May 2024, and after an Onomichi underwater detour, we find ourselves in nighttime Hiroshima, where Mother Teresa and Charles Mingus meet in perfect harmony.
Taking professionalism to new heights, this week we are live (and barely audible) from the incredible Pithecanthropus Erectus, birthplace of the Tokyo Jazz Joints project, the joint featured on the slipcase cover of the Tokyo Jazz Joints photobook, and our spiritual home. Even we don't know what we talked about...…
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TOKYO JAZZ JOINTS

We ring in the new year with some new kids on the Tokyo jazz kissa block, and a fair bit of coughing. Thanks as ever to Brian for audio assistance.
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All the Ks (and a 'P') as Philip wraps up the last day in Tohoku alone and finally (!) heads home to Tokyo as a special guest makes hi presence felt.
Planes, trains and taxis assist Philip's epic 1,500km odyssey to check out the incredible Elvin to see if James was overstating how incredible it really is. Thanks as ever to Brian for assistance with sound.
A mixed bag in Miyazaki with windswept Sonny Rollins photos to die for and a rather melancholic end to the visit, before Philip sets off on an epic one day journey north. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.
The band breaks up to pursue solo careers, as James heads home with a man and and a squid, and Philip takes off across Kyushu in a search of four more highly-rated joints. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.
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TOKYO JAZZ JOINTS

1 Going Bananas in a Mellow Tone 1:06:12
1:06:12
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We go bananas before a bowl of lemon (yes, lemon) ramen and making it at last to two deeply different old school joints in Nagasaki. Some top Japan travel hacks, and James finally reveals at last that he's a 'two t-shirt a day' man. Thanks as ever to Brian of Grooves Ahead for assistance with sound.
We take a fast boat ride across the bay as we head for Nagasaki and Philip mistakenly masquerades as Japan's greatest living photographer. Thanks as ever to Brian of Grooves Ahead for his assistance with sound
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1 Shitamachi Britney Spears & Japanese Keith Richards 1:04:41
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James continues to alienate local tourist boards as we suffer further frustration in Saga, and finish the night with an utterly surreal stop in US Navy-town Sasebo. Not every day can be better than yesterday! Thanks as ever to Brian of Grooves Ahead for assistance with sound.
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1 Kimonos in the Post 1:00:38
1:00:38
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We finish our first full – and utterly epic – Kyushu day with 3 more joints, burnt records, posted kimonos, tiny whisky shots, some unexpected royal family action and our regular late night konbini run. Oh, and James offends an owner’s son. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.…
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Still making our way around Kyushu, it's an emotional return for us both as the project comes full circle. Thanks as ever to Brian of Grooves Ahead for his assistance with sound.
Jam, a quick Jab and an inauguration into the Adams family in Fukuoka as a new Kyushu adventure ensues! Thanks as ever to Brian from Grooves Ahead for his assistance with sound, and to Louie Lastic for the theme tune.
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