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Sidhu Moose Wala explodes onto the Canadian music scene. His sound is a fusion of two worlds - hip-hop with the poetic language of rural Punjab, where he is from. After years of struggle he’s making it. But with the spotlight comes a dark side. As his fame grows, so do the threats. "We will kill you." Presented by broadcaster and DJ Bobby Friction and investigative journalist Ishleen Kaur. Season 8 of World of Secrets, The Killing Call, is a BBC Eye investigation for the BBC World Service. Archive audio credits: Lovepreet Waraich, Malwa TV, BritAsia TV, MPHONE Canteeni Mandeer, GK Digital, Thakur Media, Capital Extra, Famous Punjab TV, ModernSings, Dheeth.jeha, RealRohitBlogs, Mirror Now, India Today. Here’s a link to the BBC Eye two-part documentary films, which we recommend you watch after listening to this podcast: https://bit.ly/thekillingcall If you are in the UK, you can watch on iPlayer: https://www.bbc.co.uk/programmes/m002f18y…
Content provided by Bari Weiss. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bari Weiss or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
A new media company built on the ideals that were once the bedrock of American journalism.
Content provided by Bari Weiss. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bari Weiss or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
A new media company built on the ideals that were once the bedrock of American journalism.
“Only that the generations of the children of Israel might know, to teach them war” (Judges 3:2) Major Amir Sekori entered my class in October 2022. He was 30 years old, married with two daughters, and an officer in Israel Defense Forces’ (IDF) special forces. Like many officers, he took a leave to attend college, but unlike most who pursue professional studies, he chose to study for the soul and not just for the practical, attending Shalem College, Israel’s only liberal arts college. Like all students at Shalem, he began his studies reading Homer’s Iliad , the great epic about the Trojan War. By the time Amir took the seminar, I’d been teaching it for nine years. Amir approached me after the second class and said he was frustrated. He couldn’t get into the Illiad . We had a short conversation, and by the next meeting he came prepared like a skilled warrior, not a young man enjoying a cultural experience. He learned the text as an officer would learn a map before navigating his company to its destination. I expected to meet him again on October 9, 2023, at the opening of his sophomore year, but instead, I stood before his grave and eulogized him. Two days earlier, Amir had led a team of soldiers toward the Gaza border communities that were being attacked by terrorists. He was one of the Israelis killed on October 7. I used the eulogy to recall one of my Iliad classes in particular. In that class we discussed Hector, the Trojan army commander, and his farewell to his wife and young son as he prepares to return to battle. He is dressed in armor, with a helmet that conceals his face. His wife pleads with him: “Stay here, lest you make your son an orphan and your wife a widow.” He refuses. He knows that his army will be defeated, but he will not stay behind: “I was raised for courage, and to fight at all times in the front ranks of the Trojans,” he says. Hector turns to bid farewell to his son, who recoils at the sight of his warrior father. The Trojan commander removes his helmet, reveals his face, and cradles his son in his arms. Now he says different things: He is full of hope for victory and envisions a great future for his son. Hector is both a warrior and a family man. When he wears the helmet he speaks as a warrior, committed to collective values even at the cost of his life. When he removes it, the man and the father are revealed. Read more…
William F. Buckley, one of the founding fathers of the American right, would have turned 100 this year in November. Founder of National Review , gracious and cutting host of Firing Line , syndicated columnist, and author of more than 50 books, Buckley created the intellectual framework for the American conservative movement that fueled the Reagan revoluti… Read more…
Oh, that awkward moment where you break your engagement with the man you love, because he’s sadly possessed of neither good fortune nor the social position to make one—and gah , that even more awkward moment when he turns up eight years later, handsome as ever, and also extremely rich. You may recognize this as the plot of Jane Austen’s Persuasion : Specifically, it’s the moment when Anne Elliot is unexpectedly reunited with Frederick Wentworth, who she rejected nearly eight years prior because her friends and family said he was too poor. Anne, now catastrophically single at the ancient-for-the-time age of 27, is being pressured by her family to marry another moneyed suitor when Wentworth shows up. But luckily for her, this choice is an easy one: Her ex’s wealth has vastly increased thanks to a successful naval career, and his feelings for Anne are undiminished. Once the awkwardness of the reunion is through and their love reaffirmed, marrying him is a no-brainer. But wait: Now imagine that, instead of spending the intervening years making himself a better and more viable suitor for a woman of Anne’s position, Wentworth returned almost completely unchanged. As in: lovable, and loving, but also barely employed and practically destitute, making Anne’s choice between love and financial comfort as stark and agonizing as ever. It’s this second, far more fraught scenario that forms the plot of Materialists , which came out Friday to much buzzy anticipation. Here, it seemed, were all the ingredients to revive the rom-com genre for a new generation. A 21st-century New York City summer setting, and a girlboss with perfect bangs torn between two men: one rich, one poor, both devastatingly handsome. Could this be the return, at last, of the feel-good, funny summer love story? Alas, no. Read more…
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