When negative feedback shakes your confidence, it can be difficult to get back to feeling like yourself at work. In this episode, Anne and Frances help a struggling listener who has spent years toning herself down in the workplace after being told that she was too assertive — now, she feels that her modest approach is holding her back. Together, they use Anne and Frances’s “trust triangle” framework to explore how empathy, authenticity, and logic can help you rebuild confidence and trust with your colleagues, and share helpful confidence hacks for getting comfy with discomfort. What problems are you dealing with at work? Text or call 234-FIXABLE or email fixable@ted.com to be featured on the show. For the full text transcript, visit ted.com/podcasts/fixable-transcripts Want to help shape TED’s shows going forward? Fill out our survey ! Hosted on Acast. See acast.com/privacy for more information.…
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TLMT Podcast is a weekly music review show, featuring reviews and editorials on the Irish Music Scene from critic and photographer Stephen White.
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TLMT Podcast is a weekly music review show, featuring reviews and editorials on the Irish Music Scene from critic and photographer Stephen White.
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The Last Mixed Tape
Ireland’s housing crisis. The ghost of Dublin. The music of frustration. In this episode of The Last Mixed Tape, we dive into Fontaines D.C.’s “In The Modern World” and explore how it captures the voice of a generation let down by their country. With echoes of Gertrude Stein’s “Lost Generation”, this episode connects the cultural disillusionment of Hemingway and Joyce with Ireland’s own Generation Perdue, the artists and outsiders shaping our modern protest music. Featuring a key moment from Blindboy almost a decade ago, this is an exploration of art as identity in exile. 00:00 Intro 00:29 Blindboy 02:01 Gènération Perdue 04:17 Fontaines D.C In The Modern World 09:46 Surviving 2025 11:28 Reflections 20:30 Ghost Towns 21:50 Your Comments? 22:29 Outro…
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Gilla Band are not the most commercially successful band of their generation but they might be the most influential. In this deep dive from The Last Mixed Tape, through the lens of Franics Bacon I explore how this uncompromising Dublin four-piece rewrote the rules for noise, post-punk, and experimental rock and why their contorted, chaotic sound is being echoed in a new wave of artists like Fontaines D.C., Black Midi, IDLES, Sprints, and more. Featuring analysis of key releases (Holding Hands with Jamie, The Talkies, Most Normal), their creative ethos, influence on the Irish scene, and personal reflections from their landmark 2019 comeback show, this episode makes the case for why Gilla Band may just be the most important underground band of the 21st century. The Last Mixed Tape is hosted by Stephen White 00:00 Intro 00:25 Francis Bacon 01:26 Gilla Band 03:15 The Contorted Soundscape 08:20 Echoes in the Noise 10:09 The Most Influential Band of the 21st Century? 20:30 Future Shapes 21:28 Your Thoughts? 23:13 Outro…
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This week on The Last Mixed Tape, I explore my personal connection to Kanye West’s Through the Wire, a song that helped me survive a near-fatal accident 20 years ago and reckon with what it means to love a piece of art when the artist behind it becomes indefensible. Kanye West’s most recent release, featuring praise of Hitler, crosses every line and forces a deeper conversation about artistic intent, freedom of expression, and what we do with the work left behind when creators betray their own legacy. This episode is about survival, memory, and the uneasy space between loving a song and condemning the person who made it. It’s also about choice and why it should be ours, not the state’s, to make. 00:00 Intro 00:25 Through The Wire 02:21 Kanye 04:25 The Road to Ye 07:26 20 Years Later 09:35 The Art & The Artist 23:13 Moving On 24:52 Conclusions 25:37 Outro 🔔 Subscribe for weekly deep-dives into music, culture, and creative legacy. 🎙️ Hosted by Stephen White | The Last Mixed Tape #KanyeWest #ThroughTheWire #ProblematicArtists #MusicCriticism #TheLastMixedTape…
Irish rapper Mo Chara of Kneecap is facing terror charges in the UK for a performance in London. But what does this case really say about freedom of expression, cultural identity, and the criminalisation of art? In this episode of The Last Mixed Tape, I explore the history of artists on trial from John Lennon to Pussy Riot and ask what happens when the state decides where art ends and extremism begins. This is about more than a flag it’s about the boundaries of dissent, the weaponisation of performance, and the ongoing legacy of censorship through legal means. We’ll look at past precedents, why Mo Chara’s anglicised name was used in the charge, and how artists like the Pogues, Siouxsie Sioux, and Ice-T have walked similar lines before.This is where art, politics, and power collide. 00:00 Intro 00:25 Biko 01:17 Mo Chara 04:00 The Slippery Slope 06:51 Art vs the State 09:25 What this means… 16:04 The Future 17:06 Final Thoughts 17:45 Outro…
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One of modern music’s most haunting voices is Maria Somerville, whose new album Luster captures the tension between dreams and memory, tradition and distortion.In this episode of The Last Mixed Tape, Stephen White explores how Irish artists like Somerville, Katie Kim, and Virgins are carrying the echo of shoegaze, dream pop, and drone into something uniquely Irish. With nods to My Bloody Valentine, Joyce, Beckett, and even ancient mythology, this is a story of sound shaped by place where ghost notes linger in every reverb trail. 00:00 Intro00:26 Anthony Bourdain 01:16 Maria Somerville 03:08 The Mythology of Dreams 04:55 Ghosts in the Reverb07:26 Luster Review 14:30 Recurring Dreams?15:55 I Am Certain of Nothing16:58 Outro…
From rebel ballads to queer anthems, Irish folk and protest music are being reborn for a new generation. In this episode, we explore how artists like Lankum, Lisa O’Neill, Pillow Queens, the Mary Wallopers, Kneecap, Bambi Thug, and more are reclaiming Irish identity from right-wing ideology, rewriting what Irishness sounds and looks like. ANSEO, here, in the present tense. We trace the roots of modern protest music, look at the immigrant and LGBTQ+ voices redefining tradition, and ask: in an age of rising fascism, who gets to call themselves Irish? 00:00 Intro 00:25 Seamus Heaney 01:16 ANSEO 02:32 Fighting the Far-Right 03:10 New Voices 04:18 Skinty Fia 05:06 All Voices 06:30 Why? 13:01 Defining Modern Ireland 14:16 The Count of Monte Playlisto’s Irish Music Picks 21:37 Outro…
Kneecap are facing calls to be dropped from Glastonbury Festival after backlash over controversial past performances. In this episode of The Last Mixed Tape, I explore the deeper implications of this moment not just for Kneecap, but for the future of protest in music. Using comedian Josh Johnson’s quote “Everything you thought was revolutionary was approved by a corporate lawyer” we look at how true rebellion is often punished once it slips past the gatekeepers. 00:00 Intro 00:25 Josh Johnson 01:17 The Story so far… 04:18 Provoking Art 06:41 Glastonbury 07:58 Why this matters? 17:04 What happens next 17:59 Outro…
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Kneecap’s explosive Coachella performance wasn’t just a set — it was a protest.When the Belfast rap group called out genocide and colonial violence from one of music’s biggest stages, the backlash was immediate: investigations, media smears, and coordinated attempts to silence them. In this episode of The Last Mixed Tape, Stephen White breaks down why Kneecap’s protest matters, why real resistance still scares people, and how the music industry loves rebellion — but only when it’s safe and sanitised. Because protest music doesn’t live in nostalgia — it lives in the now. 00:00 Intro 00:25 James Baldwin 00:58 Kneecap’s Message 02:04 The Backlash 03:00 Kneecap’s Response 04:38 The Festival Facade 05:05 Ireland and Palestine 05:50 Protest 14:25 Art, the communicator 15:45 The Count of Monte Playlisto’s New Irish Music 23:39 Outro…
Lana Del Rey has just quietly dropped two haunting new singles: Henry, Come On and Bluebird. In this episode of The Last Mixed Tape, Stephen White explores the dreamlike mood, stripped-back sound, and emotional undercurrents of these tracks and what they reveal about the next chapter in Lana’s evolution. From the hushed reverb-drenched acoustics to the unraveling of the American myth she’s long been obsessed with, these songs mark a powerful moment of reflection and release. Are Henry and Bluebird her most personal songs yet? Or are they something even deeper, like a gentle goodbye to the past? 00:00 Intro 00:25 Jack Kerouac 01:43 Lana Del Rey 02:38 Who’s Henry? 03:09 Bluebird fly… 04:01 Henry, Come On & Bluebird Reaction 09:47 Lana’s American Dream 10:38 Lana On The Road 11:01 The Count of Monte Playlisto’s Irish Music Reviews 19:54 Outro If you enjoyed this video, don’t forget to subscribe, like, and share—it really helps the channel grow.…
Bon Iver’s new album SABLE, fABLE feels like a closing chapter—part epilogue, part rebirth. In this episode of The Last Mixed Tape, I explore how Justin Vernon blends folk, R&B, ambient, and pop into something both deeply personal and genre-defying.From the quiet intimacy of the Sable EP tracks to the lush pop clarity of Everything Is Peaceful Love, this is Bon Iver’s most emotionally resonant and sonically accessible album in years.I also reflect on my personal connection to Bon Iver’s music—from For Emma, Forever Ago soundtracking heartbreak in Dublin, to the hope and peace found in this new release.00:00 Intro 00:25 Claude Debussy01:31 Finding Bon Iver02:10 The Shape of SABLE, fABLE03:38 Hope in Epilogue 04:26 The Hero’s Journey 10:24 The Count of Monte Playlisto’s Irish Music Reviews17:58 Outro…
Drake’s new single Nokia is dominating the charts—but has the long shadow of Kendrick Lamar’s silence redefined what Drake’s success even means? In this episode of The Last Mixed Tape, Stephen White dives into the power dynamics of the Drake vs Kendrick beef, and asks whether Drake’s legacy is now being shaped by a rivalry he can’t escape.Featuring analysis of Nokia, the history of their lyrical clashes, and what it means to win the narrative in modern hip-hop. 00:00 Intro 00:25 Marcus Aurelius 01:25 Nokia Reception 03:20 Drake’s Image Shift 05:30 Kendrick’s Shadow 06:06 Review 11:29 The Count’s Irish Playlist 18:56 Outro…
I’ll admit it—I was wrong about CMAT. When I first heard her early singles like Rodney and I Wanna Be a Cowboy, Baby, I wasn’t convinced. It felt like the humor was overshadowing the music. But everything changed when I heard If My Wife New I’d Be Dead. From Nashville to Peter Bogdanovich, I finally saw the depth behind the persona. Then came Crazymad, For Me—and by the time Stay For Something became my most-played song of the year, I was hooked. Now, with her latest single Running / Planning and the upcoming album Euro Country, I’m all in. CMAT is a phenomenal songwriter, balancing wit and raw emotion in a way that few artists can. Have you ever misjudged an artist, only to completely change your mind later? Let me know in the comments! 00:00 Intro 00:25 Anaïs Nin 01:23 Seeing CMAT 02:38 Going to Nashville 04:02 The Zenith of Stay For Something 04:49 Loving Being Wrong 11:29 The Count’s Irish Playlist 19:08 Outro…
U2’s Hold Me, Thrill Me, Kiss Me, Kill Me is more than just a forgotten ‘90s anthem—it’s a dark and prophetic take on fame, excess, and rock stardom. Released at the height of U2’s most theatrical era, the song saw Bono channeling his alter ego MacPhisto, a devilish rockstar inspired by Elvis and Jim Morrison, warning of the dangers of celebrity culture. In this episode of The Last Mixed Tape, we break down how Hold Me, Thrill Me, Kiss Me, Kill Me fits into U2’s meta-narrative, its connection to Batman Forever, and why its themes of fame as a Faustian bargain are even more relevant today. 00:00 Intro 00:25 Andy Warhol 01:25 Embracing Alter Egos 04:12 Batman meets MacPhisto 04:35 Roles in modern art 11:42 Fame 12:55 The Count’s Irish Playlist 20:25 Outro…
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1 You Haven’t Found Your Favorite Artist Yet: How Chappell Roan’s Pink Pony Club Found Its Audience 21:39
Chappell Roan’s Pink Pony Club wasn’t an instant hit. In fact, when it was released in 2020, it barely made a dent in the charts. But years later, the song has become an anthem—thanks to her audience, not the industry.In this deep dive, we explore how Pink Pony Club slowly found its people, why streaming algorithms bury great music, and what this says about the modern music industry. SWe also compare Roan’s journey to artists like Mitski, whose careers prove that sometimes, the best music takes time to break through. 00:00 Intro 00:25 Josh Johnson 01:32 The long road to Pink Pony Club 02:45 Finding your audience 03:40 Chappell Roan IS undeniable 04:34 Breaking Through 05:10 Reflections on Roan 12:23 Have you found your favourite artist? 13:29 The Count’s Irish Countdown 21:03 Outro 🔔 Subscribe for more deep dives into music, culture, and the stories behind the songs. #ChappellRoan #PinkPonyClub #MusicIndustry #IndieArtists #Mitski #MusicAnalysis #TheLastMixedTape…
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Peter Gabriel and Kate Bush’s Don’t Give Up is more than just a duet—it’s a masterclass in emotional storytelling. In this deep dive, we explore the song’s themes of resilience, how toxic masculinity prevents men from seeking support, and why Kate Bush’s voice became a musical safe space for so many. We also uncover Peter Gabriel’s original vision for the track, including his attempt to recruit Dolly Parton. Join me as we break down the music, lyrics, and performances that make Don’t Give Up one of the most powerful duets ever recorded.00:00 Intro00:25 A Duet Unlike Any Other00:45 Gabriel’s Vision 01:40 The Voice of Kate Bush03:02 Music Can Heal04:40 The Perfect Duo05:08 Musings on Music07:56 Outro…
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With their latest single, It’s Amazing To Be Young, Fontaines D.C. continue their sonic evolution—embracing Britpop’s anthemic scale while remaining deeply rooted in their Irish identity. But how does an Irish band fit into Britpop’s legacy? And what does it mean for a band shaped by Dublin to make their mark in London?In this deep dive, we trace the band’s shift from post-punk outsiders to arena-ready contenders, linking Favourite to It’s Amazing To Be Young and exploring how their move to London places them within the long tradition of Irish artists navigating British music culture. We also examine how their take on Britpop differs from the past—pulling in art, cinema, and the weight of history to craft something entirely their own.00:00 Intro00:25 Tony Wilson 01:49 The Britpop Connection02:44 From Favourite to Now03:59 Britpop Through an Irish lens?05:00 Fontaines from the Disapora 05:30 “This is Dublin, we do things differently here…”08:48 The Count of Playlisto’s Irish Playlist15:28 Outro…
Kendrick Lamar’s Super Bowl Halftime performance wasn’t just a show—it was a power struggle in real time. Behind the corporate spectacle, Kendrick delivered a performance loaded with subversive messages, playing with ideas of control, propaganda, and rebellion. But did the audience—and the system—fall right into his trap?In this deep dive, Steve breaks down: • The hidden symbolism behind Kendrick’s performance • How Samuel L. Jackson’s Uncle Sam character exposes the fight for artistic freedom • The Trojan Horse & Jester’s Privilege—how Kendrick used the Super Bowl’s stage against itself • Why right-wing media reacted exactly as Kendrick predicted • The meaning behind his chilling line: ‘You picked the right time, but the wrong guy’00:00 Intro 00:25 Bertolt Brecht 01:17 The Super Bowl a Corporate Coliseum 02:35 The Trojan Horse & Jester’s Privilege 03:31 Uncle Sam04:37 You Picked the Right Time, But the Wrong Guy 05:46 Reaction and Review 11:41 Legacy 12:15 Outro…
Kendrick Lamar is about to step onto the biggest stage in music—the Super Bowl Halftime Show—and it could be a career-defining moment. In his recent Apple Music interview, Kendrick made it clear; “Hip-hop is not just music. It’s an art form. It’s high art.” With “Not Like Us” dominating the culture, the weight of hip-hop’s fight for recognition, and the legacy of past Super Bowl performances that became cultural statements, this isn’t just a show—it’s a moment. 00:00 Intro00:25 James Baldwin 01:35 Music And Meaning 05:06 The Super Bowl Stage: A Cultural Battleground14:42 Irish Playlist21:12 Outro…
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Marianne Faithfull’s haunting voice in Metallica’s The Memory Remains is unforgettable—but the story behind it is even more powerful. When Metallica needed a voice that sounded like time itself—worn, fractured, yet unshakable—they turned to Marianne Faithfull. But how did a former ‘60s pop star, once known for her angelic voice and tragic downfall, end up shaping one of Metallica’s most haunting songs? 00:00 Intro 00:30 There’s a crack in everything… 01:30 Marianne Faithfull: The Sound of a Life Lived 09:04 Enter Metallica 18:29 Time Becomes an Instrument 19:47 The Count’s Irish Playlist 26:24 Outro…
In this episode, we dive deep into the eerie and enigmatic world of David Lynch’s music, focusing on his 2011 album Crazy Clown Time. Known for his surreal films like Blue Velvet and Mulholland Drive, Lynch’s approach to sound design has always been integral to his storytelling. But how does this translate to a full album of haunting, experimental music? Join host Stephen White as we explore the connections between Lynch’s groundbreaking use of music in his films—like the industrial hum of Eraserhead or the haunting melodies of Twin Peaks—and the unsettling sonic landscapes of Crazy Clown Time. What does this album reveal about Lynch’s artistic vision and his legacy as a creator? Let’s find out on The Last Mixed Tape. 00:00 Intro 01:10 The Atmosphere of Unease 08:05 Emotional Duality – Beauty and Darkness 12:33 Letting Sound Speak 16:16 Lynch’s Unified World of Sound and Vision 17:20 The Count of Monte Playlisto 23:48 Outro…
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From the chaotic rebellion of Generation Terrorists to the introspective evolution of The Holy Bible and beyond, the Manic Street Preachers have carved one of the most compelling paths in rock history. In this episode of The Last Mixed Tape, we explore their remarkable journey, tracing the highs and lows of their career—from the enigmatic brilliance of Richey Edwards to the anthemic triumphs of Everything Must Go and the daring experimentation of Futurology. As we look ahead to their 15th studio album, Critical Thinking, we examine how the band has balanced their rebellious roots with their growth into mature elder statesmen of rock. Early singles like ‘Fragments of Doubt’ hint at a band still driven by questions of identity, culture, and resilience. What are your thoughts on the Manic Street Preachers’ evolution? Are you excited for Critical Thinking? Let us know in the comments! 00:00 Intro 00:30 Sylvia Plath 01:40 Generation Terrorists: Art As Rebellion 13:26 Richey Edwards 13:55 Everything Must Go: Survival and Reinvention 21:17 The Long Road: Reinvention, Triumphs, and Setbacks 26:08 Critical Thinking: Reflection and Maturity…
This week, to mark the anniversary of David Bowie’s passing, Steve delves into how the song Heroes and Bowie’s Berlin Era shaped his artistry and our perspective on his work retrospectively. From chaos to heroes, maximalism to minimalism, the ever changing David Bowie created a masterpiece through adversity. 00:00 Intro 00:30 You remind me of the babe… 01:36 Bowie goes to Berlin 04:17 Heroes in Hansa 11:17 Finding minimalism 15:23 Changes 23:10 Out of the Ashes 24:02 Outro…
This week Steve delves into his favourite U2 song, ‘Stay (Faraway, So Close!)’. Released as part of the 1993 album Zooropa, and inspired by Wim Wenders film Der Himmel Über Berlin and used in its sequel. The song captures the band at the height of their musical and stylistic powers. 00:00 Intro 00:30 U2 Stay (Faraway, So Close!) Review 26:50 Outro…
This week Steve picks out his favourite song of 2024, ‘Starburster’ by Fontaines D.C. taken from the Irish bands’ seminal album Romance. Meanwhile, the Count of Monte Playlisto returns with his end of year Spotify playlist including nods to Kneecap, Trophy Wife, Shark School, Gurriers, New Dad, April, Aoife Wolf, Chalk, Sprints, Really Good Time, and Alisha. 00:00 Intro 00:30 My favourite song 2024 18:59 End of Year Playlist Picks 30:43 Outro…
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In this The Last Mixed Tape Christmas special Steve delves into the cultural impact of ‘Fairytale of New York’ by the Pogues featuring Kirsty MacCall. Decades on from its release, Shane MacGowan’s songwriting zenith hit its peak with the Pogues as he and Kirsty MacCall would change the sound of Christmas forever with a punkish subversion of the holiday sing-a-along. 0:00 Intro 0:30 Vibes Disclaimer 2:30 Fairytale of New York Cultural Deep Dive 26:11 Outro…
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The week’s End-of-Year episode Steve looks back on 2024 through a cultural lens, shining a light on the records, performances and moments where Irish Artists changed the culture both locally and globally. From Kneecap taking on the Tories to the Irish led SXSW boycott these acts have paved the way for 2025. 00:00 Intro 00:30 Irish Artists 2024 02:06 The List 36:19 Outro…
This week Steve delves into Kendrick Lamar’s surprise new album GNX, and explores the continued reign of Lamar’s Imperial Phase and where to next. Is this a victory lap? Or the extension of his long run at the top of his game. Meanwhile, the Count of Playlisto reviews new music by Melina Malone, Annie-Dog, James Vincent McMorrow, Adrian Crowley, and Barra Donovan, adding the, to TLMT’s Irish Mixed-Tape playlist on Spotify. 00:00 Intro 00:30 Kendrick Lamar GNX Review 18:16 Irish Playlist Picks 24:50 Outro…
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This week Steve delves into Father John Misty’s brand new album Mahashmashana, discussing the thematic thread and commanding persona that has dominated Joshua Tillman’s music and if this is the end of Father John Misty as we know him. Meanwhile, the Count of Monte Playlisto reviews new music by the Murder Capital, Queen Bitch, Vera, Ten Hail Mary’s, Laura Elizabeth Hughes, Roe, and Lisa Hannigan & Lux Alma, adding them to his weekly Irish playlist on Spotify. 00:00 Intro 00:30 Father John Misty Mahashmashana Album Review 15:59 Irish Playlist Picks 24:13 Outro…
This week Steve delves into Linkin Park and their brand new album From Zero. The group’s first studio album since the passing of Chester Bennington and the introduction of new vocalist Emily Armstrong. In this episode Steve will discuss the change and where it leaves Linkin Park and their fanbase in 2024. Meanwhile, the Count of Monte Playlisto picks out new Irish music from Modernlove, Maria Kelly, Adore, Negro Impacto, and Ciaran Lavery, adding them to The Last Mixed Tape’s weekly Irish playlist on Spotify. 00:00 Intro 00:30 Linkin Park From Zero Review 16:14 Playlist Picks 22:13 Outro…
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This week Steve reviews Tyler, the Creator’s brand new album Chromakopia, delving into the evolving self-portraits of the acclaimed American rapper and how this album wrestles with his past and present personas. Meanwhile, the Count of Monte Playlisto reviews new music by Rooue, April, Yard, Sister Ghost, Aislinn Logan, Kathy Long and Jerry Fish featuring May Kay. 00:00 Intro 03:00 Tyler, the Creator Chromakopia Album Review 14:55 Playlist Picks 24:05 Outro…
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