For many travelers, Antarctica is a bucket-list destination, a once-in-a-lifetime opportunity to touch all seven continents. In 2023, a record-breaking 100,000 tourists made the trip. But the journey begs a fundamental question: What do we risk by traveling to a place that is supposed to be uninhabited by humans? And as the climate warms, should we really be going to Antarctica in the first place? SHOW NOTES: Kara Weller: The Impossible Dilemma of a Polar Guide Marilyn Raphael: A twenty-first century structural change in Antarctica’s sea ice system Karl Watson: First Time in Antarctica Jeb Brooks : 7 Days in Antarctica (Journey to the South Pole) Metallica - Freeze 'Em All: Live in Antarctica Learn about your ad choices: dovetail.prx.org/ad-choices…
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Вміст надано 21st Folio and Discussing modern Shakespeare productions of stage. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією 21st Folio and Discussing modern Shakespeare productions of stage або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
A podcast about modern Shakespeare productions of stage and screen.
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Вміст надано 21st Folio and Discussing modern Shakespeare productions of stage. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією 21st Folio and Discussing modern Shakespeare productions of stage або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
A podcast about modern Shakespeare productions of stage and screen.
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40 епізодів
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1 Ep. 29: Hamlet & Richard III at the Schaubühne 1:53:03
1:53:03 
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Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss the Schaubühne Berlin's recorded productions of Hamlet and Richard III, both directed by Thomas Ostermeier and starring Lars Eidinger. The productions are in German with English subtitles, and were recently streamed on the Schaubühne's website as part of their quarantine programming. The productions are modern dress and in German, with modernized German dialogue, though the English subtitles reproduce Shakespeare's text (rather than translating the modern German back into English). We discuss Ostermeier's interpretations of the two plays, Eidinger's performances, the problematic misogyny in both, the excitement of the improvisations, the costumes, and much more. Excerpts of the productions are available on YouTube though not always with English subtitles!For detailed show notes, visit: :http://21stfolio.com/2020/04/20/ep-29-hamlet-richard-iii-schaubuhneHost: Alex Heeney, Editor-in-Chief at Seventh Row (@bwestcineaste)Guests: Noemi Berkowitz, actor, director, and contributing writer at Seventh Row (@noemiola)Mary Angela Rowe, Editor-at-Large at Seventh Row (@lapsedvictorian)Editor: Edward von AderkisFind 21st Folio online at http://21stfolio.comFollow us on Twitter @21stFolioThis podcast is a subsidiary of Seventh Row, an online publication dedicated to interdisciplinary film criticism. Find us at http://seventh-row.com and on Twitter @SeventhRow. Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 28: Groundling Theatre's Julius Caesar 1:05:02
1:05:02 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:05:02
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss the Groundling Theatre Company's current production of Julius Caesar; the genius of Moya O'Connell, André Sills, and Michelle Giroux; and the influence of Nicholas Hytner.This production is heavily inspired by Nicholas Hytner’s 2018 production (which we discussed here) of the play, featuring similar approaches to gender-swapping characters, as well as much of the same blocking and sets. Directed by Chris Abraham, the Groundling production is in the round in a large space with high ceilings, often with the effect of it feeling like an intimate arena. Unlike Hytner’s production, this is very much Cassius’s show, and Moya O’Connell regularly steals every scene she’s in right out from under Johnstone’s Brutus. André Sills, as Casca, also shines, having been given short shrift as Coriolanus in Stratford’s Coriolanus. And Michelle Giroux, who previously played Marc Antony at Stratford in 2018, shines in a series of smaller parts, including as Brutus’s wife.Groundling is an independent off-shoot of Ontario’s Stratford Festival, featuring many of the same actors and directors that appear at Stratford; their productions are mounted during Stratford’s off-season. Last year, Groundling produced a revelatory production of Lear starring Seana McKenna. For a history of past productions, visit their website here.For detailed show notes, visit:https://21stfolio.com/2020/01/27/ep-28-groundling-theatre-julius-caesar/Host: Alex Heeney (@bwestcineaste)Guests: Mary Angela Rowe (@lapsedvictorian)Editor: Edward von AderkasFollow the 21st Folio on Twitter @21stFolio, or visit our website at 21stfolio.comFind out more about Seventh Row at seventh-row.com Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 27: The King 1:22:55
1:22:55 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:22:55
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn the latest attempt to adapt Shakespeare for modern audiences, Australian director David Michôd (The Rover) directs Timothée Chalamet in The King, a sort-of rewriting of Shakespeare's Henry IV Part 1 & 2 and Henry V. The film is set in the original time period, but Shakespeare's language has been gutted, while his structure is preserved, in favour of modern English with the occasional "ye olde" touch. The script, written by Joel Edgerton (who stars as Falstaff) and Michôd, turns Falstaff into one of the stars of Henry V (instead of showing his death...) who goes to Agincourt with Hal. In this episode, we try to make sense of why Netflix's The King was made, who it's for, how it hews closely to some aspects of Shakespeare and veers wildly away from it, and why it made us so angry.For show notes, visit: https://21stfolio.com/2019/12/09/ep-27-the-king/Host: Alex Heeney (@bwestcineaste)Guests: Mary Angela Rowe (@lapsedvictorian), Laura Anne Harris (@lauraanneharri1), and Caitlin Merriman (@CaitlinSnark)Editor: Edward von AderkasFollow the 21st Folio on Twitter @21stFolio, or visit our website at http://21stfolio.comFind out more about Seventh Row at seventh-row.com Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 27: Richard Eyre's King Lear starring Anthony Hopkins 1:35:18
1:35:18 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:35:18
Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається 1 Ep. 26: Simon Russell Beale in Richard II 1:02:22
1:02:22 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:02:22
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss the 2019 Almeida Theatre's production of Richard II starring Simon Russell Beale, which was broadcast to cinemas worldwide via NTLive.Joe Hill-Gibbons directed this streamlined 1 hour and 40 minutes (no interval) production of Richard II starring Simon Russell Beale. For detailed show notes, visit: https://21stfolio.com/2019/07/22/ep-26-simon-russell-beale-in-richard-ii/CREDITSHost: Alex Heeney, Editor-in-Chief of Seventh Row (@bwestcineaste)Guests: Mary Angela Rowe, Editor at Large of Seventh Row (@lapsedvictorian) and Noemi Berkowitz (@noemiola)Sound Recordist and Editor: Cam White (@JediDusk)Find us online at 21stfolio.comFollow the 21st Folio on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 25: Robert Lepage's Coriolanus at the Stratford Festival (part 2) 1:06:31
1:06:31 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:06:31
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяThis is the second part of our discussion of the current 2018 Stratford Festival production of Coriolanus directed by Robert Lepage. In this episode, we discuss how the production approaches the relationships between each of the key characters: Volumnia and Coriolanus, Volumnia and Menenius, Menenius and the Tribunes, Menenius and Coriolanus, and Coriolanus and Aufidius. We also delve deeper into how the design choices for the production affect our interpretation of each of the characters and how they relate to each other.This production runs until October 2018. For detailed notes on the production and this episode (including the trailer for the production and a gallery of stills from the production), visit the episode page here: http://21stfolio.com/2018/08/17/robert-lepage-coriolanus-stratford/-----CREDITSHost: Alex Heeney, Editor-in-Chief of Seventh Row (@bwestcineaste)Guests: Mary Angela Rowe, Editor at Large of Seventh Row (@lapsedvictorian) and Craig Ruttan (@crut)Sound Recordist and Editor: Cam White (@JediDusk)Find us online at 21stfolio.comFollow the 21st Folio on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we discuss the Stratford Festival's current modern dress production of Coriolanus directed by Robert Lepage. Québécois director and set designer Robert Lepage makes his Stratford debut this year with a modern dress production of Coriolanus. André Sills stars as Coriolanus and Stratford Grand Dame Lucy Peacock plays Volumnia. Known for mixing film elements (through projections) with theatre, Lepage creates a series of stunning backdrops and sets to make the settings feel almost as real as if it were film. There's a lot of stage magic involved that's an impressive achievement. Part one of this episode focuses on Lepage's design for the production, the world he creates, and how he uses projections.For detailed production notes, visit: https://21stfolio.com/2018/08/17/robert-lepage-coriolanus-stratford/-----CREDITSHost: Alex Heeney, Editor-in-Chief of Seventh Row (@bwestcineaste)Guests: Mary Angela Rowe, Editor at Large of Seventh Row (@lapsedvictorian) and Craig Ruttan (@crut)Sound Recordist and Editor: Cam White (@JediDusk)Find us online at http://21stfolio.comFollow the 21st Folio on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 23: Nicholas Hytner's Julius Caesar starring Ben Whishaw 1:36:54
1:36:54 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:36:54
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss the NTLive recording of the Bridge Theatre's 2018 production of Julius Caesar. Directed by Nicholas Hytner, the production stars Ben Whishaw as Brutus, David Morrissey as Mark Antony, Michelle Fairley as Caius Cassius, and Adjoa Andoh as Casca. The production was performed in the round, with a constantly shifting stage, and a standing audience in the stalls who also helped served as the Roman mob. We discuss the modern interpretation of the text, its gender-swapped casting (Casca, Cassius, and several others are now women), the way the production works as immersive theatre (and its limits), and more.Host: Alex Heeney, Editor-in-Chief at Seventh Row (@bwestcineaste)Guests: Noemi Berkowitz, actor, director, and contributing writer at Seventh Row (@noemiola)Mary Angela Rowe, Editor-at-Large at Seventh Row (@lapsedvictorian)Edited by: Edward von AderkisFind 21st Folio online at http://21stfolio.comFollow us on Twitter @21stFolioThis podcast is a subsidiary of Seventh Row, an online publication dedicated to interdisciplinary film criticism. Find us at http://seventh-row.com and on Twitter @SeventhRow Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we finish our discussion of the Royal Shakespeare Company’s 2016 production of Hamlet directed by Simon Godwin and starring the 25-year-old Paapa Essiedu. This is part 2/2 of our discussion of the production, and it focuses on Essiedu's superlative performance and the curated information loss from recording the production.0:00–4:20 What to do about the much-hated Osric/Reynaldo4:20–7:12 Ophelia's death7:12–20:32 Paapa Essiedu's dirtbag teenage Hamlet20:32–35:52 How the production was recordedHost: Alex Heeney (@bwestcineaste)Guests: Noemi Berkowitz (@noemiola), Mary Angela Rowe (@lapsedvictorian), and Lesley PetersonEditor and Producer: Cam White (@JediDusk)Follow us on Twitter @21stFolio and find us online at 21stFolio.com. The 21st Folio is a subsidiary of Seventh Row (@SeventhRow), seventh-row.com Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 21: Hamlet starring Paapa Essiedu(RSC, 2016)— Part 1 1:05:46
1:05:46 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:05:46
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss the Royal Shakespeare Company's first production of HAMLET (2016) to star a black actor, rising star Paapa Essiedu, as the melancholy Dane.0:00–1:45 Intro 1:45–19:30 The RSC’s first black Hamlet and setting the production in Ghana19:30–26:00 Costumes and colonialism26:00–35:30 How depressed is Hamlet in this production?35:30–52:45 Hamlet The Cool Kid and his messed up relationship with women, Ophelia The Modern Woman, and a very flat Gertrude52:45– 1:05:46 Rosencrantz and Guildenstern and the key players at court (Claudius, Polonius, etc)Host: Alex Heeney (@bwestcineaste)Guests: Noemi Berkowitz (@noemiola), Mary Angela Rowe (@lapsedvictorian), and Lesley PetersonEditor and Producer: Cam White (@JediDusk)Follow us on Twitter @21stFolio and find us online at http://21stFolio.com. The 21st Folio is a subsidiary of Seventh Row (@SeventhRow), http://seventh-row.com Hosted on Acast. See acast.com/privacy for more information.…
1 Ep. 20: King Lear starring Jonathan Pryce Part 2 1:04:22
1:04:22 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:04:22
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяThis is part two of our discussion of the Almeida Theatre's 2012 production of King Lear starring Jonathan Pryce and directed by Michael Attenborough. The production was recorded over two nights, and is now streaming on Digital Theatre where it is available for rent or to watch as a subscriber.00:00–7:35 The theatre space7:35–14:40 Filming the production14:40–24:23 The set and tone of the production24:23–30:52 The costumes30:52–56:23 The production’s target audience & the pros and cons of concept productions56:23–59:20 Incest or no incest, that is the question59:20–1:04:23 Who we think this production is for and whether Lear is a good gateway playFind us online at http://21stFolio.comFind us on Twitter @21stFolioHost: Alex Heeney (@bwestcineaste)Guests: Craig Ruttan (@crut), Caitlin Merriman (@CaitlinSnark)Editor: Cam White (@JediDusk)21st Folio is a subsidiary of Seventh Row (@SeventhRow), http://seventh-row.com Hosted on Acast. See acast.com/privacy for more information.…
The 21st Folio podcast is back from hiatus! We discuss the Almeida Theatre's 2012 production of King Lear starring Jonathan Pryce and directed by Michael Attenborough. 00:00 – 1:28 introduction1:28 – 21:35 duty and nature in King Lear: the daughters, Kent, and Lear’s role as King. “You’ve made your daughters thy mother”. 21:35 – 28:31 The fool’s disappearance28:31 – 38:50 Who gets our sympathy and why?38:50 — Lighting and stagingHost: Alex Heeney (@bwestcineaste)Guests: Craig Ruttan (@crut), Caitlin Merriman (@CaitlinSnark)Editor: Cam White (@JediDusk)Follow 21st Folio on Twitter @21stFolio and check out our website at http://21stfolio.com. The 21st Folio is a subsidiary of Seventh Row (http://seventh-row.com) Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we talk to Argentine director Matias Piñeiro about his latest film, Hermia & Helena, which is more inspired by than loosely based on A Midsummer Night’s Dream. Hermia & Helena is Piñeiro’s English language debut and the fourth film in his Shakespeare cycle, which started with the short Rosalinda in 2011, based on As You Like It.Piñeiro talked eloquently about his experience reading Shakespeare in translation and translating Shakespeare into Spanish himself. He talked about why he loves the Bard’s comedies, which he likened to 1930s screwball comedies, and how these stories allow him to explore new approaches to cinema.Host and editor: Alex Heeney (@bwestcineaste). Follow us on Twitter @21stFolio and visit us online at 21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we continue our discussion from eps. 12–16 on the Laurence Olivier and Ian McKellen Richard III films. We discuss how the two films depict Richard's disability and whether Richard III is a good gateway drug for Shakespeare neophytes.For detailed show notes, visit http://21stfolio.com/2016/07/01/ep-17-richard-iii-film-pt-6-disabilityHost: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut) and Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolioFor more information about the podcast, visit http://21stfolio.com21st Folio is a subsidiary of Seventh Row, http://seventh-row.com, @SeventhRow. Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we continue our discussion from episodes 12–15 on the Richard III films starring Laurence Olivier (1955) and Ian McKellen (1995). We discuss breaking the fourth wall, adapting soliloquies for the screen, entrances and exits, what the camera represents, how Richard is The Worst, and how Shrek stole from Olivier's Richard III.For detailed show notes, visit: http://21stfolio.com/2016/06/27/ep-16-richard-iii-adapting-screenCredits=====Host: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut) and Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information about the podcast, visit http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we continue our discussion from episode 12–14 on the Laurence Olivier and Ian McKellen Richard III films. We discuss the way the films begin and end, how to catch an audience up on 6 hours of Henry VI in a few minutes, how we meet Richard, and how he meets his end.For detailed show notes, visit: http://21stfolio.com/2016/06/24/ep-15-richard-iii-pt-4/Host: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut) and Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information about the podcast, visit http://21stfolio.com. The podcast is a subsidiary of The Seventh Row (http://seventh-row.com). Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we continue our discussion from episode 12 and episode 13 of the Laurence Olivier and Ian McKellen Richard III films. We discuss the interpretations of Buckingham and some minor characters.For detailed show notes, visit: http://21stfolio.com/2016/06/20/ep-14-richard-iii-film-pt-3-buckinghamHost: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut) and Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)Visit our website at 21stfolio.com. Follow us on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we continue our discussion from ep. 12 of the Laurence Olivier and Ian McKellen Richard III films. We discuss the interpretations of Lady Anne and changes to the text for the film adaptation. We also mention the Mark Rylance and Kevin Spacey Richard III productions.For detailed show notes, visit http://21stfolio.com/2016/06/18/ep-13-richard-iii-lady-anne/Host: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut) and Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)Visit our website at http://21stfolio.com. Follow us on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we compare two film versions of Richard III: Laurence Olivier's 1955 film and Richard Loncraine's 1995 film starring Ian McKellen, which was based on the Richard Eyre stage production. This is the first of a several-part discussion on these two films. Here, we discuss our first impressions of the two films and the differences between the two interpretations of Richard and what's driving him.For detailed show notes, visit: http://21stfolio.com/2016/06/13/ep-12-richard-iii-film/00:00–2:00 Introductions 2:00–7:35 First impressions7:35–16:30 The differences between the two Richards and what’s driving them16:30–19:53 Hitler imagery in the Ian McKellen Richard III and why the film is set in the 1930s19:53–20:37 OutroHost: Alex Heeney (@bwestcineaste)Guests: Kevin Condardo (@FearStrikesOut, @NoHoldsBardCast) Mary Angela Rowe (@lapsedvictorian)Sound recordist and editor: Cam White (@JediDusk)For more information about the podcast, visit http://21stfolio.com.Follow us on Twitter @21stFolio. Hosted on Acast. See acast.com/privacy for more information.…
Picking up on our discussion of Twelfth Night from episodes 8–10, we ask, "What is the shelf life of a Shakespeare production?" Is there such thing as a timeless Shakespeare film? What makes a Shakespeare production a product of its time? Why is it important to document theatre productions? In what context do we view new productions of Shakespeare on stage and film? Will we still be watching these films and production recordings in 100 years? And we tangent on the treatment of music on the stage vs. screen for Trevor Nunn's Twelfth Night film and the recording of the 2012 Shakespeare's Globe production of Twelfth Night.For detailed show notes, visit: http://wp.me/p7wRL3-fGHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows), Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. Visit our website at http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
In this episode, we talk about the advantages of doing Twelfth Night on stage, through the lens of the 2012 Shakespeare's Globe production starring Mark Rylance (directed by Tim Carroll). We make some comparisons with Trevor Nunn's 1996 film to illuminate the advantages of the Globe's production.For detailed show notes, visit: http://21stfolio.com/2016/06/02/ep-10-twelfth-night-stage/ 00:00–00:50 Intro00:50–4:31 Where scenes are set in the Nunn film4:31–9:42 Trap doors and spatial metaphors on stage9:42-11:44 Thrust stages, proscenium stages, and how Twelfth Night works in different theatrical spaces11:44- 14:37 How did the Globe production work as a recording? 14:37–19:54 How do you capture these landmark productions for posterity when interaction with the audience is so key?19:54–23:27 Things that only work on stage & the problem with dealing with soliloquies23:27–24:11 OutroHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows), Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information about the podcast, visit http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
Through the lens of Trevor Nunn's 1996 film and the 2012 Globe Production of TWELFTH NIGHT (which we discuss in ep. 8), we ask: What is the difference between doing Shakespeare on film vs stage? What do we look for in a good production of each? And what can you only do on stage or screen?For detailed show notes, visit http://21stfolio.com/2016/05/31/ep-9-twelfth-night-stage-vs-film/00:00–0:50 Intro00:50–10:10 When you hear Shakespeare on film, what does that mean to you? 10:10–14:36 The role of the director in stage vs film14:36–23:50 The role of the audience23:50–26:55 The control you have on film…and the influence of a theatre background on filmmaking choices26:55–34:10 Did you find the revelations of character more subtle or more aggressive in the film or the stage production? 34:10-34:45 OutroHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows, Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information, visit http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
We continue our discussion of the 2012 Globe Production (starring Mark Rylance)of Twelfth Night and Trevor Nunn's 1996 film adaptation of the play. In part two of our discussion, we focus on Malvolio, Maria, and melancholy in the two productions. This is the second of four parts. For detailed show notes visit http://21stfolio.com/2016/05/24/ep-8-twelfth-night/0:00–0:51 Intro0:51–10:51 Violence, melancholy, and Malvolio10:51–16:35 Nuance and subtlety in the Nunn film16:35–18:10 Maria steals the show at the Globe18:10–25:47 Approaches to status — Maria, Sir Toby25:47–26:30 OutroHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows), Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@Crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. For more information about the podcast, visit http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
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21st Folio Podcast
In this episode, we discuss Trevor Nunn's 1996 film adaptation of Twelfth Night and the 2012 recording of the Globe Theatre production with an all-male case (starring Mark Rylance as Olivia, directed by Tim Carroll). For detailed show notes, visit: http://21stfolio.com/2016/05/24/ep-8-twelfth-night/00:00–1:13 Intro1:13–2:06 Guest intros2:06–8:36 Initial thoughts8:37–33:08 Who is the central character in the Nunn film: Feste or Viola?33:08–46:15 Performance of gender and the queer undertones46:15–52:30 Interpretations of Olivia52:30–53:14 OutroHost: Alex Heeney (@bwestcineaste)Guests: Dan Beaulieu (@DanBeauKnows), Caitlin Merriman (@CaitlinSnark), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolioFor more information, visit: http://21stfolio.com Hosted on Acast. See acast.com/privacy for more information.…
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21st Folio Podcast
1 Ep. 7 Pt. 2: Greg Doran's Hamlet starring David Tennant 1:07:51
1:07:51 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:07:51
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяThis is the second half of our discussion about Greg Doran's film adaptation of his RSC Hamlet production starring David Tennant. For detailed show notes, visit: http://www.seventh-row.com/2016/05/06/ep-7-hamlet-david-tennant/Follow us on Twitter @21stFolio. Find us online at http://seventh-row.comHost: Alex Heeney (@bwestcineaste)Guests: Noemi Berkowitz (@noemiola), Caitlin Merriman (@CaitlinSnark), Mary Angela Rowe (@lapsedvictorian), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)00:00–0:50 Intro0:50–7:50 Ophelia’s madness - why does she always have to be naked when she’s crazy7:51–14:24 Keeping up appearances, how everyone is performing for everyone else in this world, and the surveillance state14:24–30:59 A controlled, diplomatic Polonius, the great Patrick Stewart, and David Tennant's performance31:00–39:35 The problems with Horatio, the need for a dispassionate observer, and the role of the camera39:35–55:50 How does this "hybrid" film/play production work as a means of capturing theatre?55:50–1:05:02 The humour in the production and the Hamlet/Polonius relationship1:05:02–1:07:52 Sign-offs, the Yorick skull story, and outro Hosted on Acast. See acast.com/privacy for more information.…
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21st Folio Podcast
1 Ep. 7 Pt. 1: Greg Doran's Hamlet starring David Tennant 1:00:50
1:00:50 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:00:50
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn this episode, we discuss Greg Doran's film version of his RSC production of Hamlet starring David Tennant. The production is currently available to stream on PBS.org in the US.For detailed show notes, visit http://www.seventh-row.com/2016/05/06/ep-7-hamlet-david-tennant/00:00–1:58 Intro1:58–7:00 Initial thoughts on the production7:00–11:23 Claudius in Act IV & Act V and the worldbuilding in the production11:23–21:04 Translating the play into a hybrid film of the play (the sets, the cameras within the production, breaking the fourth wall)21:04–31:05 Incest-y things: Laertes-Opehla and Hamlet-Gertrude31:06–36:33 The Laertes-Ophelia-Polonius family unit36:35–42:40 Denmark is a Prison? + Rearranging Act 2 & 3 (and the “To be or not to be” speech)42:40–49:40 Excising (almost all of) Fortinbras and cuts to Horatio’s scenes49:40:–1:00:06 Women in the production1:00:06–1:00:50 OutroHost: Alex Heeney (@bwestcineaste)Guests: Noemi Berkowitz (@noemiola), Caitlin Merriman (@CaitlinSnark), Mary Angela Rowe (@lapsedvictorian), Craig Ruttan (@crut)Sound recordist and editor: Cam White (@JediDusk)Follow us on Twitter @21stFolio. Find us online at http://seventh-row.com/21st-folio Hosted on Acast. See acast.com/privacy for more information.…
In this very special bonus episode, we interview Maxine Peake about playing Hamlet in the Royal Manchester Exchange production of Hamlet (2014/2015), which was recorded on film. The film of the production will be screening across the U.S. this week (mostly on May 2). To find a theatre near you. visit: http://www.hamletmaxinepeake.comFor detailed show notes, visit: http://www.seventh-row.com/2016/05/02/interview-maxine-peake-hamlet/Follow the 21st Folio on Twitter @21stFolio. Host: Alex Heeney (@bwestcineaste)Interviewers: Caitlin Merriman (@CaitlinSnark) and Laura Anne Harris with questions contributed by Lesley Peterson.Sound recordist and editor: Cam White (@JediDusk)00:00–3:13 Introductions3:15–5:08 How did being a woman playing Hamlet as a man (in a production with roles that are gender-swapped) affect Peake's interpretation of Hamlet?5:08–6:25 How did Peake decide to play Hamlet as trans?6:25–8:11 How did the decision to gender-swap some of the characters come about?8:12—11:05 What is the difference between tackling Hamlet when there’s so much text to play with compared with so many female characters (like Ophelia) in Shakespeare where there’s so little and so much of it is what you’re bringing to the role?11:05–13:05 How much discussion did you have with your director about using your sexuality as a tactic in the play?13:05–14:22 How did you feel about moving the ‘to be’ speech to Act 4?14:22–16:56 How important do you think it is for theatre companies to open more opportunities to play famous Shakespearean characters?16:56–17:51 Are there other male parts you’re now itching to play?17:51–20:27 What was your experience of audience interaction and your performance?20:27–22:40 How did doing the play in the theatre in the round at the Exchange affect things?22:40–24:47 How did having cameras in the theatre for the filmed version change the performance or your experience of it?24:47–26:33 There are a few line readings in your performance that are different from the traditional ones. How did these come about?26:34–29:05 How did you develop Hamlet as a 21st century character?29:05–31:01 How did the decision to do the lines so quickly at the beginning come apart and how did that affect you physically?31:02–33:11 At some point, it slows down. How did you decide where and how to slow down?33:11–35:40 Because the second half is so difficult, what was the strategy for tackling that in rehearsal?35:40–37:35 How did you prepare for the part before rehearsals began?37:35–40:18 How did you find the performance changed across the 7-week run?40:18–42:18 How did you decide to cut Fortinbras?42:18–44:57 How did you edit the Michael Grandage script you were working from?44:58–47:21 What was the backstory between Horatio and Hamlet in your production?47:30–48:45 Closing comments and outro Hosted on Acast. See acast.com/privacy for more information.…
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21st Folio Podcast
1 Ep. 6 Pt. 2: Maxine Peake is Hamlet 1:10:48
1:10:48 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:10:48
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяThis is the 2nd part of our discussion of the film version (dir. Margaret Williams) of the Manchester Royal Exchange Theatre's HAMLET (dir. Sarah Frankcom) starring Peake as Hamlet.Host: Alex Heeney (@bwestcineaste)Guests: Laura Anne Harris, Caitlin Merriman (@CaitlinSnark), Lesley PetersonSound recordist and editor: Cam White (@JediDusk)00:00–0:50 Intro0:50–8:12 Hamlet Sr. The Ghost8:12–12:28 The fishmonger scene12:28–30:00 Gender-swapping in the production30:00–41:27 Using accents as a shorthand in Shakespeare productions41:27–50:30 The Hamlet/Ophelia relationship50:30-58:50 The theatre in the round and how it works58:50–1:10:48 Filming the production for the screen Hosted on Acast. See acast.com/privacy for more information.…
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21st Folio Podcast
1 Ep. 6 Pt. 1: Maxine Peake is Hamlet 1:11:03
1:11:03 Відтворити Пізніше Відтворити Пізніше Списки Подобається Подобається1:11:03
Відтворити Пізніше Відтворити Пізніше Списки Подобається ПодобаєтьсяIn the first part of episode 6, we'll be discussing the film version (dir. Margaret Williams) of the Manchester's Royal Exchange Theatre's 2014/2015 HAMLET(dir. Sarah Frankcom) starring Maxine Peake as the Danish Prince. The production features several gender-swapped characters, including Polonia and Marcella, and features a stage completely surrounded by the audience.Host: Alex Heeney (@bwestcineaste)Guests: Laura Anne Harris (http://lauraanneharris.com), Caitlin Merriman (@CaitlinSnark), and Lesley PetersonEditor and Sound Recordist: Cam White (@JediDusk)Follow us on Twitter @21stFolio.For detailed show notes visit: http://www.seventh-row.com/2016/04/24/ep-6-maxine-peake-hamlet/For more information on the podcast, visit: http://seventh-row.com/21st-folio0:00–2:36: Intro, Addendums to Ep. 5 on Coriolanus, Shakespeare 400 announcements2:36–3:13: How to see the Maxine Peake production3:14–10:30: Guest introductions and first impressions of the production10:30–17:00: Innovations in line readings, including pacing17:00–19:42: Hamlet's madness and his dumb plans19:42–28:00: Where does "To be or not to be" belong anyway?28:00–32:00: Making Act IV work and Hamlet's trip to England32:00–41:30: Staging Act I Scene 2 around the dinner table41:30–53:30: Polonia, the gender-swapped Polonius53:30–55:00: Claudius, the wet noodle, and his relationship with Polonia and Gertrude55:00–1:02:34: Costumes! And clothing! And virginity! Oh my!1:02:34–1:06:20: Why did they rip the mat up off the stage?1:06:20–1:10:20: Bird's eye views of the stage and actors1:10:20–1:11:04: Outro Hosted on Acast. See acast.com/privacy for more information.…
In the second part of our CORIOLANUS discussion, which pits Fiennes against Hiddleston, we discuss the importance of physicality in the productions, Corfidius, Coriolanus' death, how the productions were shot, and what's with all the fight scenes?Host: Alex Heeney (@bwestcineaste)Guests: Danny Bowes (@bybowes), Jeremy Mongeau (@JeremyMonjo), and Mary Angela Rowe (@lapsedvictorian)Follow us on Twitter @21stFolio.For detailed show notes, visit: http://www.seventh-row.com/2016/04/17/21st-folio-coriolanus-ep-5/For more information about the podcast, visit: http://seventh-row.com/21st-folio Hosted on Acast. See acast.com/privacy for more information.…
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