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In this series, New York Review contributors document the coronavirus outbreak around the world. Featuring readings by Eduardo Halfon in Paris, Anastasia Edel in Oakland, Miguel-Anxo Murado in Madrid, Ruth Margalit in Tel Aviv, Mark Gevisser in Cape Town, Elisa Gabbert in Denver, Simon Callow in London, Lauren Groff in Gainesville, Anna Badkhen in …

In the second part of this exclusive conversation, President Obama and writer Marilynne Robinson discuss literature, politics, competition, American restlessness, teaching, and citizenship. The conversation was recorded on September 14, 2015 in Des Moines, Iowa.The New York Review of Books

In this exclusive conversation, President Obama and author Marilynne Robinson discuss topics ranging from the problems of American democracy and the responsibilities of citizenship to the challenges of Christianity and their shared sense of the values and virtues of small-town America. The conversation was recorded on September 14, 2015 in Des Moin…

A panel discussion with Laurie Robinson, co-chair of the President’s Task Force on 21st Century Policing, critic and novelist Darryl Pinckney, and Brooklyn Borough President Eric Adams. The panelists reflect on issues of race and bias in law enforcement and whether the recommendations of the White House Task Force, if implemented, can practically a…

Ian Buruma, Joseph Lelyveld, Zoë Heller, Alma Guillermoprieto, and Andrew Delbanco discuss the future of literary journalism. This podcast was recorded on April 3, 2013 at the New York Public Library.The New York Review of Books

Michael Chabon reads from his piece about writing his first novel, The Mysteries of Pittsburgh. Chabon spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Daniel Mendelsohn reads from his 2006 piece, "September 11 at the Movies," a review of United 93 by Paul Greengrass and World Trade Center by Oliver Stone. Mendelsohn spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Mark Danner discusses his time as an editorial assistant at The New York Review and as a contributor from the campaign trail. Danner spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Darryl Pickney discusses his lifelong engagement with the writing of James Baldwin. Pinckney spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Mary Beard discusses The New York Review’s coverage of the classics throughout its history. Beard spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

John Banville discusses his 1997 review "The European Irishman," on the work of Hubert Butler. Banville spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Joan Didion reads from her 1991 essay "New York: Sentimental Journeys" about the Central Park jogger case. Didion spoke on February 5, 2013 at Town Hall in New York City, in a celebration of The New York Review's 50th anniversary.The New York Review of Books

Steve Coll addresses the political implications of the mission to kill Osama bin Laden and how the author of No Easy Day: The Firsthand Account of the Mission That Killed Osama bin Laden sidestepped legal issues to publish his book.The New York Review of Books

Henri Cole reads from his recent book of poems, Touch (2011), and talks about his search for what he calls the "essentialness of emotion."The New York Review of Books

Jonathan Freedland talks with Emily Greenhouse about gilded-coach celebrity in an era of austerity, the hereditary principle, and why all bets are off when it comes to Wills and Kate.The New York Review of Books

Andrew Delbanco talks with Andrew Martin about the first volume of Mark Twain’s unabridged Autobiography and the distinctive joys and challenges of reading Twain in the twenty-first century.The New York Review of Books

Geoffrey O'Brien talks with Chris Carroll about Duke Ellington's mid-career crisis and stunning comeback, revisiting his often-overlooked albums of the 1960s and 1970s.The New York Review of Books

Robert Gottlieb speaks to Andrew Martin about Charles Dickens's troubled life, his best and worst novels, and how to read without editing.The New York Review of Books

Poet Derek Walcott recites "Fare Well" by Walter de la Mare, and reads "The Hulls of White Yachts," from his latest collection White Egrets.The New York Review of Books

Charles Rosen plays the music of Frédéric Chopin and talks to Chris Carroll about the composer's surprising radicalism and the critical controversy surrounding his work, the mysterious spianato style, and whether there is a right way to play Chopin's music.The New York Review of Books

Dan Chiasson reads from The Collected Stories of Lydia Davis, which he reviewed in the April 29, 2010 issue of The New York Review, and talks to Gabriel Winslow-Yost about accidental greatness, lonely translators, and reading at stoplights.The New York Review of Books

Deborah Eisenberg reads from Skylark, a Hungarian novel recently republished by NYRB Classics, and talks with Sasha Weiss about why it's one of the most perfect novels she's encountered.The New York Review of Books

Cathleen Schine speaks with Sasha Weiss about Gail Collins's book When Everything Changed: The Amazing Journey of American Women from 1960 to the Present, and about the victories and failures of the women's movement.The New York Review of Books

Charles Wright reads from his recent collection, Sestets, and talks to Sasha Weiss about the importance of landscape in his work, his writing process, and how he came to experiment with the six-line form.The New York Review of Books

Andrew O'Hagan talks to Sasha Weiss about Samuel Johnson's various and contradictory character, how his Rambler essays shaped our notions of literary talent and professional authorship, and why, in his tercentenary year, Johnson remains essential reading.The New York Review of Books