Temple Bar Gallery + Studios (TBG+S) is a leading artists’ studio complex and contemporary art gallery in Dublin City Centre. Founded in 1983 - by artists, for artists. At Temple Bar Gallery + Studios, we place artists at the centre of what we do. Our mission is to support the development of artists and the creation of art. We achieve this through high quality studio provision and an ambitious exhibition programme. We support an inclusive environment of learning and creativity and nurture cl ...
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A collection of talks and articles by Thomas S. Monson
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The Slave Is Gone: The Show That Talks Back to AppleTV+'s Dickinson
Jericho Brown, Brionne Janae, and Aífe Murray
Acclaimed poets Jericho Brown and Brionne Janae join forces with “rogue scholar” Aífe Murray for a podcast that celebrates what works and breaks down what doesn’t in this award-winning and popular series. They interrogate what's historically and emotionally true in each episode of Dickinson -- and always bring it back to the poems that continue to intrigue, attract, and inspire.
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Book Launch: Solstice Arts Centre presents Isabel Nolan in conversation with Francis Halsall
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Solstice Arts Centre presented the launch of a new book A DELICATE BOND WHICH IS ALSO A GAP by Isabel Nolan at Temple Bar Gallery + Studios 7 March 2024. Artist Isabel Nolan is in conversation with Francis Halsall, writer, lecturer and co-Director of Art in the Contemporary World Masters Programme, NCAD, Dublin. A DELICATE BOND WHICH IS ALSO A GAP …
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Talk: The Paradoxes of Drawing with Brian Fay and Jan-Philipp Fruehsorge
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A talk with international curator Jan-Philipp Fruehsorge and TBG+ Studio Artist Brian Fay hosted by Temple Bar Gallery + Studios for National Drawing Day.Thinking about contemporary drawing practices internationally and in Ireland this talk explores the innate paradoxes in drawing now: why is drawing described as something special and not at the sa…
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In association with the Douglas Hyde Gallery of Contemporary Art, Temple Bar Gallery + Studios presents an artist talk with representatives of Ireland at Venice, Eva Rothschild (2019) and Niamh O'Malley (2022). The conversation, mediated by Kate Strain of Kunstverein Aughrim, reflects on their exhibitions for the Irish Pavilion as Ireland’s represe…
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Dickinson Season One ends with a funeral, a wedding, and another Funeral, in Emily’s brain. Is Emily subconsciously guilty about her relationship with Sue? Was Mrs. Dickinson a lush? Did George Gould really go for gold? And why are season finales so difficult? Plus, new poems from our cohosts — and the Dickinson verse that launched #emisueforevermo…
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In the finale of Dickinson, Season One, Emily gives Sue a poem so small she has to use a magnifying glass to read it. On this bonus episode, Jericho, Breezy and Aife explore Emily Dickinson's radical experimentation with what we'd now call "mixed media" — using the skills of women's work the AppleTV+ series portrays her as not possessing. +++ That …
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A solar eclipse darkens the skies over Amherst. Is it a miracle of God's creation? A disturbing omen? Or just a great place to take a date? In the series' most emotionally wrenching episode so far, Emily grapples with all these possibilities — and ends up begging Death to let Ben live. Breezy, Jericho, and Aífe, joined by special guest and two-time…
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It's Christmas Eve at the Dickinsons, and they've got visitors, including bestselling author Louisa May Alcott (on a runner's high) and just-returned-from-Spain Aunt Lavinia (experiencing widow's euphoria). Conspicuously absent (though perhaps not missed) is Edward Dickinson, who heads off to DC — but not without leaving a double-edged gift for Emi…
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On Friday, we release bonus material that takes you deeper into the world of Emily Dickinson, and the work of our guest poets. This week Evie Shockley talks about the complexities of Zora Neale Hurston's legacy — and how Black women writers have found meanings and possibilities in Emily Dickinson's poetry far beyond what Dickinson might have had in…
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It’s Election Day, and Rep. Edward Dickinson is showing his true colors, culminating in a literal blow to Emily. Was Edward Dickinson dead set against his daughter becoming a poet? Can his refusal to embrace abolitionism be traced to the fact that both his and his wife's family fortunes depended on enslaved labor? And if her family hadn't profited …
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Death was a constant presence in 19th century America, including Emily Dickinson's Amherst. But if you were poor, Black, or indigenous — or all three — the risk of death from illness and overwork was much greater. As our rogue scholar Aífe Murray describes in this bonus conversation, the prominent citizens of Amherst, including Emily's father Edwar…
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Emily feigns mortal illness so her family will leave her alone in her room to write. Sue, who's already suffered so much loss, hurries back from Boston to visit what she thinks is her friend and lover's deathbed, only to find it's a hoax. And to make it worse, Emily chooses this moment to tell Sue she should marry Austin, her possessiveness apparen…
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In this special episode, cohost Jericho Brown is in conversation with Alena Smith, creator and show runner of AppleTV+'s Dickinson. They go inside the making of the show, and why Emily Dickinson's life and poems continue to inspire. +++ Poems in this episode: You cannot put a fire out by Emily Dickinson The Soul selects her own Society by Emily Dic…
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For Election Day, we're sharing a bit of our recent conversation with poet and scholar Evie Shockley, who shares her poem women's voting rights at 100 (but who's counting?) and talks with Jericho Brown about why, in spite of our democracy's shortcomings and outrages and betrayals, we vote.+++Featured in this episode:Evie Shockley: women's voting ri…
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On Fridays, we bring you bonus material that takes you deeper into the work of our poets, and the world of Emily Dickinson. This week, Jericho asks about the Dickinson men and the Civil War, and Aife reveals the fascinating (and when you look straight at them, shocking) details of Austin Dickinson's absolutely legal evasion of the draft.…
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On Fridays, we bring you bonus materials that take you into the worlds of Emily Dickinson and our poets. This time, it's Jericho on James Baldwin, racial insult, and just wanting to have this drink.
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Every Friday, we release bonus material that takes you deeper into the world of Emily Dickinson, and the work of our poets. This week, our Rogue Scholar Aife Murray asks Jericho Brown, Brionne Janae, and special guest Malcolm Tariq about where they first found their voice. And all three recounted experiences from the Black churches of their childho…
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There are rumors there's a fugitive slave in Amherst, which means the the threat of the slavecatcher hangs over all Black people in the town, including the Dickinsons' hired hand Henry. So how does Emily respond? By encouraging Henry to play Othello in her Shakespeare Club's latest production! George, having been rebuffed by Emily, decides to take …
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Every Friday, we release bonus material that takes you deeper into the world of Emily Dickinson, and the work of our guest poets.In Season 1, Episode 4 of Dickinson, Emily has a disappointing encounter with one of her literary heroes, Henry David Thoreau. In this bonus episode, Jericho, Breezy and US Poet Laureate Ada Limón reflect on poets (Caroly…
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Emily's father scoffs at her objection to cutting down an old tree to make way for the railroad, sending her (and suitor George) on a pilgrimage to to see Henry David Thoreau, a visit that ends in disappointment. Should we be disappointed in the portrayal of Thoreau? Why does Emily's sister Lavinia play at being an Indian? Who are the real indigeno…
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Every Friday, we release bonus material that takes you deeper into the world of Emily Dickinson, and the work of our guest poets. This week, Danez Smith talks with Breezy and Jericho about why the title on the cover of their latest book (Homie) is not its real title, and what that has to do with language, access, and who you're writing for. And in …
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A party jumps off at the Dickinsons, and raises lots of questions: Were they taking opium in 19th century Massachusetts? How did the son of a samurai end up there? What's with the colorblind twerking? And why doesn't anybody seem to understand Sue? Plus, the perils of poetry about Black death in a world of white readers. Breezy, Jericho, and Aife, …
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Every Friday, we release bonus material that takes you deeper into the work of our guest poets, and the world of Emily Dickinson. The story of Angeline Palmer reveals how tenuous freedom was for Black people, even in the Yankee North -- and how the Dickinsons weren't exactly reliable allies.
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What do we know about the reality of domestic servants in the Dickinson household, and about Maggie in particular? How was cross-dressing different when the emotional worlds of men and women were sharply separated? And as Emily erupts, sexually and poetically, Jericho asks: Where was queer TV like this when I needed it? Breezy, Jericho, and Aife, j…
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Emily and Sue share a rain-soaked kiss -- what's the historical truth of their queer relationship? How can Emily not realize her father will flip out about her publishing her poems? Why do the first lines from a Black character come from Wiz Khalifa as Death? And how to react to a privileged young white woman who says "I'm a slave"? Jericho, Breezy…
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Season One of The Slave is Gone is finally here! Get a taste of what Jericho, Breezy, and Aife will be talking about with guest poets including Rage Hezekiah, Danez Smith, and US Poet Laureate Ada Limón.
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Soundwork by Richy Carey, with sections taken from the exhibition 'Galalith' by Lauren Gault.Lauren Gault’s exhibition, Galalith, is an expanded staging of her sculptural installations, responding to Temple Bar Gallery + Studios internal gallery space and the building’s external, environmental context.The exhibition incorporates sunlight caught by …
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Tamsin Snow | On Ice | Soundtrack by Temple Bar Gallery + StudiosTemple Bar Gallery + Studios
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Artist Lucy McKenzie takes part in an online conversation with Curator Pádraic E. Moore on the occasion of her solo exhibition, Tour Donas.Featuring paintings, sculptures and elements of décor, this exhibition highlights the heterogeneity of McKenzie's practice. Weaving together fragments of art historical narratives with topical contemporary subje…
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The National Museum of Ireland – Natural History (or ‘Dead Zoo’) has been a major source of inspiration for Mairead O’hEocha in her solo exhibition Tale Ends & Eternal Wakes. O’hEocha recently spoke with Nigel Monaghan, Keeper of the Museum, about some of the fascinating historic stories and collections the museum holds, as well as its contemporary…
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Thomas S. Monson - April 1971 Tuesday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1971 Sunday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1972 Saturday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1972 Sunday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1973 Saturday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1973 Friday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1974 Saturday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1975 Friday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1976 Saturday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1977 Sunday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1977 Saturday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1978 Saturday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - Saturday Afternoon Session October 1981www.ldspodcasts.com
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Thomas S. Monson - April 1982 Sunday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1982 Saturday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1983 Sunday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1983 Saturday Afternoon Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1984 Saturday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1984 Priesthood Sessionwww.ldspodcasts.com
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Thomas S. Monson - April 1985 Sunday Morning Sessionwww.ldspodcasts.com
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Thomas S. Monson - October 1985 Saturday Afternoon Sessionwww.ldspodcasts.com
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