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Gary Sinise is an award winning actor, on the stage, TV and big screen. He is best known for playing Lieutenant Dan in Forrest Gump. Inspired by this role and his family members, Gary is now the head of the Gary Sinise Foundation, which offers support for service members who need help with mental wellness, trauma, physical recovery, and loss. He Also plays concerts worldwide for our nation’s defenders and their families, boosting morale and offering gratitude for their sacrifices as part of the Lt. Dan Band. Jay and Gary discuss the changing needs of American service members and their families, the many services the Gary Sinise Foundation provides, how Gary’s work helped him through personal loss and much more. Today's episode was produced by Tani Levitt and Mijon Zulu. To check out more episodes or to learn more about the show, you can visit our website Allaboutchangepodcast.com. If you like our show, spread the word, tell a friend or family member, or leave us a review on your favorite podcasting app. We really appreciate it. All About Change is produced by the Ruderman Family Foundation. Episode Chapters (0:00) intro (1:11) Veterans’ changing needs over the past half century (7:57) Veterans’ appreciation of Gary’s portrayal of Lt. Dan (10:25) By helping others, we step out of ourselves (11:46) The Lt. Dan Band (15:29) How the death of Gary’s son Mac impacts his activism (17:33) Bringing services to American heroes wherever they are (19:45) Accurate portrayals of veterans in film and TV (20:58) How can people get involved with the Gary Sinise foundation (24:24) Goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/ Looking for more insights into the world of activism? Be sure to check out Jay’s brand new book, Find Your Fight , in which Jay teaches the next generation of activists and advocates how to step up and bring about lasting change. You can find Find Your Fight wherever you buy your books, and you can learn more about it at www.jayruderman.com .…
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Check out our website: www.smt-pod.org SMT-Pod is a creative venue for timely conversations about music, with episodes chosen through an open, collaborative peer review process. Audio-only podcasts offer a unique—though non-traditional—way of engaging with music, analysis, and contemporary issues in the field. This new publication medium affords our society both the ability to face outwards, by engaging in public scholarship, and inwards, by hosting meaningful conversations about the activit ...
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Sat Mann Talks to other humans about their life and stuff.
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Hi I'm sondro Myers I'm 12 years old I'm going to be a podcast and radio speaker don't worry my channel is going to be family friendly it's for all ages welcome to SMTV FOR ALL AGES love y'all PEACE!
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Welcome to the SMT Marketing Podcast, we are glad you are here. This is a podcast for business owners and entrepreneurs of Stage 2 companies who want to improve their marketing and sales. The topics we cover are either questions we are asked, issues we've faced or helpful things to know when running a business. We encourage questions from the audience.
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“In the Days of Auld Lang Syne”: Stability and Bagpipe Music in Hong Kong (1997-2024) - Samantha Sasaki
40:17
In this episode, Samantha Sasaki analyzes three bagpipe performances of “Auld Lang Syne” in Hong Kong in order to uncover why this instrument has retained cultural and political significance in the 27 years post-Handover. This episode was produced by Jose Garza along with Team Lead John Heilig. Special thanks to peer reviewers Larry Witzleben and J…
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Brad Osborn talks about the emergence of the major III chord in post-millennial pop music, and how this chromatic chord forms loops that contain elements of both major and minor keys. This episode was produced by Amy Hatch along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Bryn Hughes and Evan Ware. Additional acknowledgements…
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In this week's episode, Jason analyzes the second and third movements of Henryk Górecki’s Symphony No. 3, performing a close reading of the music from a broadened, newer perspective of voice. This episode was produced by Katrina Roush along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Kristen Wallentinsen and Evan Ware. SMT-Pod…
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In this week's episode, Lydia Bangura analyses her own performance choices in comparison to a professional recording using Jennifer Ronyak’s framework of co-performance. This episode was produced by Zach Lloyd along with Team Lead Megan Lyons. Special thanks to peer reviewers Shersten Johnson and Daniel Barolsky. Additional thanks to David Kjar, Ma…
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Teaching Rhythm and Meter through Rap and Hip Hop: An Interview with Mazbou Q - Olivia Lucas & Mazbou Q
49:19
In this episode, Olivia Lucas and Mazbou Q discuss ways to use techniques from hip hop to build skills in the music theory and aural skills classroom. This episode was produced by Jose Garza along with Team Lead Jennifer Weaver. Special thanks to peer reviewers Leah Frederick and Danny Jenkins. SMT-Pod’s theme music was written by Maria Tartaglia, …
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I will not tell you: Disconnection, Reticence, and Ambivalence in Heyman's “Tortie-Tortue” - Anna Stephan-Robinson
33:48
In this week’s episode, Anna Stephan-Robinson examines Katherine Ruth Heyman's 1920 song, "Tortie-Tortue," considering how the unjustly neglected composer's subtle changes transform a simple poem into a brief but compelling musical drama. This episode was produced by Zach Lloyd along with Team Lead Leah Frederick. Special thanks to peer reviewers H…
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In this week’s episode, Joon Park presents an interpretive strategy for melodic closure that occurs at the start of a song, which he terms a "terminal opening." This episode was produced by Jose Garza along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Cara Stroud and Shersten Johnson. SMT-Pod’s theme music was written by Maria …
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In this week’s episode, Leah Amarosa explores the unique structural and textural features of contemporary worship music, demonstrating how its formal processes are shaped to enhance spiritual and communal engagement. This episode was produced by Katrina Roush along with Team Lead Matthew Ferrandino. Special thanks to peer reviewers Joshua Busman an…
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The Role of Reprise and Revision in 'Shrek the Musical' (2008, 2024) - Zachary Lloyd & John Combs
42:53
In this week’s episode, Zach Lloyd and John Combs demonstrate a need for a broader definition of reprise in musical theater by examining reprises in two contrasting versions of Shrek the Musical, the original 2008 Broadway production, and the recently revised 2024 National Tour. This episode was produced by Zachary Lloyd along with Team Lead Jennif…
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The Impact of Timbre on Perceptions of Genre in Recorded Popular Music - Stefanie Bilidas & Grace Gollmar
49:08
In this week's episode, Stefanie Bilidas and Grace Gollmar discuss the role of timbre in the listener's perception of genre, focusing on cover songs and Massive Attack's discography as two case studies. This episode was produced by Jose Garza along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. …
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Agency and Practical Model Composition in the Music Theory Classroom - Brent Ferguson, Alani Pranzo, Carter Falkenstein, and Nykia Osborne
17:37
In this week's episode, Brent Ferguson talks about a pedagogical approach he implemented with his undergraduate students, an approach he calls the "buffet-style grading system." Let's begin with a student composition from this class. This episode was produced by Jennifer Beavers along with Team Lead Lydia Bangura. SMT-Pod Theme music by Zhangcheng …
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Three’s a crowd: Understanding the rise of two-chorus form in recent popular music - Jeremy Orosz
28:49
In this week's episode, Jeremy Orosz discusses a formal trend that's been emerging in pop and rock songs. In the last decade or so, a surprisingly high number of songs in verse-chorus form contain only two statements of the chorus as opposed to the typical three. Over the course of the episode, Orosz walks us through his detailed corpus-based study…
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“¿Somos la resistencia, no?”: Memory and Manipulation in Netflix’s La Casa de Papel - Tori Vilches
44:15
In this week’s episode, Tori Vilches delves into various adaptations of the Italian folk song “Bella Ciao” in Netflix’s La Casa de Papel, demonstrating its role in symbolizing resistance against oppressive structures and contributing to the humanization of the show’s anti-hero characters, ultimately fostering emotional connections between viewers a…
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“How do you color a sound?”: Hearing Afrofuturism in The 5th Dimension’s “Age of Aquarius/Let the Sunshine In” (1969) - Alejandro Cueto
31:22
This week’s episode will consider The 5th Dimension’s medley, “Age of Aquarius/Let the Sunshine In” (1969) in relation to its Vietnam War Era context and through the lens of Afrofuturism. This episode was produced by David Thurmaier along with Team Lead Richard Desinord. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For …
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Playing With Ghosts: Timbre and the Chiptuning of Canon in the Bardcore Video Game Project - Brent Ferguson, George Reid, and Matthew Ferrandino
56:12
In this week’s episode, game designer Brent Ferguson and composers George Reid and Matthew Ferrandino discuss their chiptune rearrangements of canonical and marginalized composers’ music for the Bardcore video game project. This episode was produced by Zach Lloyd along with Team Lead Thomas Yee. SMT-Pod Theme music by Zhangcheng Lu; Closing music "…
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What if Octaves Aren’t Equivalent? A Composer’s Guide to Non-Octave-Repeating Scales - Thomas B. Yee
39:57
In this week’s episode, Thomas B. Yee discusses non-octave repeating scales, exploring precedents in the ideas of theorists from outside mainstream music theory and the application of non-octave repeating scales in the works of living composers. This episode was produced by Katrina Roush along with Team Lead Jennifer Weavers. Special thanks to Crai…
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Interrelating Concepts of Texture and Rhythm in Massive Textures and Beatless Rhythms - Nariá Assis Ribeiro & Luís Raimundo
37:36
In this week's episode, Nariá Assis and Luís Raimundo investigate sound masses. Their insightful analytical discussion touches on the intricate relationship between texture and rhythm, the historical evolution of the use of sound masses, and current applications in both modern and contemporary classical and electronic music. This episode was produc…
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This episode introduces a simple, but powerful pedagogical exercise inspired by the short story writer George Saunders, which involves listening to a piece of music one segment at a time, describing what you noticed, and guessing what will happen next. This episode was produced by Jose Garza along with Team Lead Jennifer Weaver. SMT-Pod Theme music…
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Muito Beleza – Ana’s Hands: Postcolonial Gendered Legacies of the Viola da Terra - Abigail Lindo
21:17
This episode explores how women in the Azores, a Portuguese autonomous region in the North Atlantic Ocean, use their musical play on the viola da terra (a native Azorean chordophone) as a resource for postcolonial feminine performance. This episode was produced by David Thurmaier along with Team Lead Shannon McAlister. SMT-Pod Theme music by Zhangc…
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This episode, introducing a new podcast by Joe Straus, is a deep dive into the opening measures of Stravinsky's ballet, Petrushka: a close analysis to hear what makes this music tick. Listen to the rest of Joe Straus's podcast: https://open.spotify.com/show/0kLhnp4GA2qJ5YX9lgMYcL This episode was produced by Katrina Roush along with Team Lead Lydia…
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Season 3 of SMT-Pod launches on January 25, 2024. This preview highlights the variety of topics our authors will present this season. All episodes were chosen through an open collaborative peer review process. Be sure to subscribe and stay tuned for the Season 3 launch! For more information, visit smt-pod.org.…
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Consider submitting your work for Season 3! More information is available on our website: smt-pod.orgSociety for Music Theory
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Theorizing African American Music: Black Women in Academic Music, and Final Thoughts (5) - Phil Ewell (with appearances by Louise Toppin, Teresa Reed, Jewel Thompson, and Chris Jenkins)
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1:05:44
In this week’s episode, the Theorizing African American Music series comes to a close with a poignant conversation between Phil Ewell, Louise Toppin, Teresa Reed, and Jewel Thompson, and a sneak peak at what the future holds for this conference. NY Times article referenced in this episode: https://www.nytimes.com/2022/12/02/opinion/warnock-walker-r…
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Theorizing African American Music: The Participants (4) - Phil Ewell (with appearances by Marvin McNeil, Stephanie Doktor, Alan Reese, and Maya Cunningham)
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In this week’s episode, Phil Ewell sits down with Marvin McNeil, Steph Doktor, Alan Reese, and Maya Cunningham to talk about their experiences at the conference and the fantastic papers they presented and heard. This episode was produced by Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. Undine Smith Moore's "…
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Theorizing African American Music: The Keynote (3) - Phil Ewell (with an appearance by Dwight Andrews)
45:28
In this week’s episode, Phil Ewell sits down with Dwight Andrews to talk about his keynote at the Theorizing African American Music conference and their experiences in the field of music theory. This episode was produced by Megan Lyons. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. Undine Smith Moore's "Before I'd Be A S…
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