Sångarpodden för alla som gillar sång.
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Krishna Katha with Srila Dhanurdhara Swami
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Reflections on 2000 Year Old Tamil Poetry
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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Lecture by H. H. Bhakti Dhira Damodar Goswami Maharaj on Vasudeva Kutumbakam given on 09/02/2013 (Google Hangout Class)
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Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 20 parāṁ kāṣṭhāṁ gataṁ tat-tad- rasa-jātīyatocitam athāpi rāsa-kṛt-tādṛg- bhaktānām astu kā gatiḥ TRANSLATION They have all attained the ultimate limit of happiness, each in his own kind of ecstatic reciprocation with the Lord. But what place is destined for the exceptional devotees of the performer of the …
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In this episode, we perceive a lady’s change of stance, portrayed in Sangam Literary work, Kalithogai 112, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and etches the determined pursuit of a man. தலைவி யார் இவன், என்னை விலக்குவான்? ‘நீர்உளர் பூந்தாமரைப் போது தந்த விரவுத் தார்க் கல்லாப் பொதுவனை நீ மாறு…
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In this episode, we listen to a lady’s plea to a friend, as depicted in Sangam Literary work, Kalithogai 111, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and sketches the petition and dismissal of a man’s requests. தீம்பால் கறந்த கலம் மாற்றிக், கன்றெல்லாம் தாம்பின் பிணித்து, மனைநிறீஇ, யாய் தந்த பூங்க…
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In this episode, we perceive a conversation between a lovelorn man and his beloved, as portrayed in Sangam Literary work, Kalithogai 110, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and presents elements that echo the soul of this land. தலைவி கடி கொள் இருங் காப்பில் புல்லினத்து ஆயர் குடிதொறும் நல்லார…
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In this episode, we listen to a heart’s outpouring, as portrayed in Sangam Literary work, Kalithogai 109, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and etches the mesmerising beauty of a maiden. கார் ஆரப் பெய்த கடி கொள் வியன் புலத்துப் பேராது சென்று, பெரும் பதவப் புல் மாந்தி, நீர் ஆர் நிழல குடம்சுட…
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In this episode, we see sparks fly in a couple’s conversation, as conveyed in Sangam Literary work, Kalithogai 108, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals interesting perspectives about work in ancient times. தலைவன் இகல் வேந்தன் சேனை இறுத்த வாய் போல அகல் அல்குல், தோள், கண், என மூவழிப…
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In this episode, we listen to an amusing conversation, as portrayed in Sangam Literary work, Kalithogai 107, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and paints both the confusion and the relief in the mind of a lady. தலைவி எல்லா! இஃதொன்று கூறு – குறும்பு இவர் புல்லினத் தார்க்கும், குடம் சுட்டவர்க…
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In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we perceive the practical aspects of bull taming, as portrayed in Sangam Literary work, Kalithogai 106, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals the value of courage in a man, as seen from the eyes of their beloved maiden. ஏறு கோடல் கழுவொடு சுடு படை சுருக்கிய தோற்கண், …
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In this episode, we perceive conflict and triumph in a bull taming arena, as depicted in Sangam Literary work, Kalithogai 105, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and reveals happy tidings in the lady’s life. தோழி ‘அரைசுபடக் கடந்துஅட்டு ஆற்றின் தந்த முரைசுகெழு முது குடி முரண்மிகு செல்வற்குச் …
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In this episode, we listen to a detailed account of bull taming events, as portrayed in Sangam Literary work, Kalithogai 104, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and echoes a lady’s pride in her beloved’s conquest in the arena. மலி திரை ஊர்ந்து தன் மண் கடல் வௌவலின், மெலிவு இன்றி, மேல் சென்று,…
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79 Sara Aldén - Jazzens egna rum
1:14:53
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Chris Bendz pratar med Sara Aldén, jazzsångerska, kompositör, ordförande för organisationen IMPRA och engagerad inom gender-frågor. Kul och intressant samtal bl.a. om förväntningar som förhindrar nyskapande och regler som man kan bryta mot. Lyssna!Chris Bendz
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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In this episode, we perceive dynamic scenes from a bull taming arena, as portrayed in Sangam Literary work, Kalithogai 103, penned by Chozhan Nalluruthiran. The verse is situated in the ‘Mullai’ or ‘Forest Landscape’ and relays the importance accorded to courage and determination in an ancient culture. மெல் இணர்க் கொன்றையும், மென் மலர்க் காயாவும், …
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In this episode, we listen to an account of a jubilant bull taming, as depicted in Sangam Literary work, Kalithogai 102, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and sketches the determination of a young man to win the one he loves.Nandini Karky
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In this episode, we perceive the ancient Tamil custom of taming a bull, as portrayed in Sangam Literary work, Kalithogai 101, penned by Chozhan Nalluruthiran. The verse is situated in the 'Mullai' or 'Forest Landscape' and conveys the connection of this ancient custom to the lady's life.Nandini Karky
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In this episode, we perceive the intersection of different aspects of life, as portrayed in Sangam Literary work, Kalithogai 100, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and pleads for a king's kindness.Nandini Karky
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In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we hear a passionate speech in support of another, as depicted in Sangam Literary work, Kalithogai 99, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and puts forth a plea to a king.Nandini Karky
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In this episode, we perceive the practice of bathing in the fresh waters of a river, as portrayed in Sangam Literary work, Kalithogai 98, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and portrays an element of the land in a new light.Nandini Karky
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In this episode, we perceive a scoffing retort, as depicted in Sangam Literary work, Kalithogai 97, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and connects the characteristics of a woman and an elephant.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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In this episode, we listen to an imaginative response to a dishonest explanation, as portrayed in Sangam Literary work, Kalithogai 96, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders a comparative study of women and horses.Nandini Karky
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In this episode, we perceive fighting over the truth, as depicted in Sangam Literary work, Kalithogai 95, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders details about quail fights in ancient times.Nandini Karky
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In this episode, we perceive a unique love story, as portrayed in Sangam Literary work, Kalithogai 94, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the coming together journey of two striking personalities.Nandini Karky
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In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we perceive a sarcastic response to a dubious explanation, as depicted in Sangam Literary work, Kalithogai 93, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches an animated conversation.Nandini Karky
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In this episode, we listen to the narration of a dream, as portrayed in Sangam Literary work, Kalithogai 92, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and presents a fused portrait of dream and reality.Nandini Karky
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In this episode, we listen to a conflict-ridden conversation, as depicted in Sangam Literary work, Kalithogai 91, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and traces how the lady's words turn from scoffing to submission.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we observe the trajectory of a conflict, as depicted in Sangam Literary work, Kalithogai 90, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches a tale of denial and acceptance.Nandini Karky
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In this episode, we perceive sparks fly in a domestic quarrel, as portrayed in Sangam Literary work, Kalithogai 89, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and relates a heated exchange between a couple.Nandini Karky
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In this episode, we observe the inferences of a lady's perceptive eyes, as depicted in Sangam Literary work, Kalithogai 88, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches the quarrelling and conflict in a household.Nandini Karky
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Weekly Sanga – November 20, 2024
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In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we encounter an animated exchange between the lady and the man, as depicted in Sangam Literary work, Kalithogai 87, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a situation of domestic conflict.Nandini Karky
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In this episode, we listen to advice offered by a mother to her young son, as portrayed in Sangam Literary work, Kalithogai 86, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the positive and negative qualities of a man.Nandini Karky
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In this episode, we listen to a mother's words to her child, as depicted in Sangam Literary work, Kalithogai 85, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and paints a portrait of the adornments on a child in an affluent household.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we perceive the lady's ire, as portrayed in Sangam Literary work, Kalithogai 84, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the inferences in the lady's mind about the intentions of courtesans.Nandini Karky
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In this episode, we perceive the angst of the lady, as depicted in Sangam Literary work, Kalithogai 83, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the consequences of the man's actions on the lady.Nandini Karky
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In this episode, we listen to a lady's admonition to her son, as portrayed in Sangam Literary work, Kalithogai 82, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man's infidelity.Nandini Karky
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In today’s sanga, Śrīla Dhanurdhara Swami shares his realizations from his recent studies.
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In this episode, we listen to a striking interaction between the man and the lady, as depicted in Sangam Literary work, Kalithogai 81, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the man's attempts at allaying the lady's ire.Nandini Karky
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In this episode, we perceive the lady's affection for her son, as portrayed in Sangam Literary work, Kalithogai 80, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and conveys a hidden message.Nandini Karky
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In this episode, we listen to a lady's words of rebuke to her man, as depicted in Sangam Literary work, Kalithogai 79, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and spotlights moments of affection.Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 1 śrī-janamejaya uvāca satyaṁ sac-chāstra-vargārtha- sāraḥ saṅgṛhya durlabhaḥ gūḍhaḥ sva-mātre pitrā me kṛṣṇa-premṇā prakāśitaḥ TRANSLATION Śrī Janamejaya said: Truly, my father gleaned the essential meaning of all eternal scriptures, and with great love for Kṛṣṇa he revealed to his mother that rare confide…
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In this episode, we listen to the lady's perspective on the man's thoughts, as portrayed in Sangam Literary work, Kalithogai 78, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reflects the lady's clarity and perception.Nandini Karky
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In this episode, we perceive the lady's loss owing to the man's actions, as portrayed in Sangam Literary work, Kalithogai 77, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's state of despair.Nandini Karky
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78 Kristina Lund Logonom
1:13:43
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Vilket intressant avsnitt av Sångarpodden! Chris Bendz pratar med logonom Kristina Lund om hur man tränar talrösten för att få en hållbar röst. På köpet kan man få en bättre sångröst.Chris Bendz
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In this episode, we perceive elements of a different landscape appearing in the farmlands domain, as portrayed in Sangam Literary work, Kalithogai 76, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a lady's way of revealing her relationship with the man to her friend.…
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