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American Grooves Radio Hour, hosted by filmmaker and collector Joe Lauro, takes you on a deep dive into the music of pre-World War II America. It focuses on the Jazz, pioneering Blues, early Country, Gospel, Vaudeville and World Music which was being performed on the streets and in the taverns and nightclubs of pre-1935 America. ONLY original 78 rpm records from Joe’s world-renowned archive and the libraries of other notable collectors will be played. There will also be stories from the firs ...
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Joe delves into a treasure trove of 1920s-30s test pressings of unissued sides, takes and private recordings that never came out in the 78 rpm era! From Jack Crawford & His Orchestra blistering HURRICANE from 1927 to a 1936 guitar/vocal duo by Piedmont Blues disciples THE TWO CHARLIES and more.
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While most fans of early jazz know the names and legends of Louis Armstrong and King Oliver there were many other brilliant and important trumpet/cornet plays working in the Cresent City during the early decades of the last century - this episode, the first of two, explores the music of some of them! - "KING" FREDDIE KEPPARD, "KID" PUNCH MILLER, OS…
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From the 1880's through the 1930s the Yiddish Theater flourished on New York's lower east side. By 1910 over a million new Jewish immigrants had settling on the lower east side with 1000s still arriving annually. From the Bowery and Houston Street all along 2nd Avenue to 14th Street many theaters exclusively presented new Yiddish plays; original mu…
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Each week American Grooves taps into a collection of 20,000 vintage 78 rpm recordings to select the 15 or so Joe chooses to present- this episode is the first of a series of "MIXED BAG" episodes- new things, old favorites and brave shellac experiments! - tune in for some pre-1940 Country, Jazz, Blues, Gospel, Ethnic and Pop musical surprises !…
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From Fletcher Henderson to Jelly Roll Morton, this lovely, sentimental ballad written by Paul Dreiser in 1905 was recorded by a scad of artists across the genres - from Charles Harrisons straight head 1905 version to Perry Bechtela swinging version in 1935 - this episode show how some great songs last and last!…
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Okeh, Columbia and Victor were the first major record companies to explore the rices of recording local music in New Orleans - PARENTI's LIBERTY SYNCOPATORS , SAM MORGAN, MISSISSIPPI SHIEKS, JOE FALCON andf many others were recorded during theise early "field trips" This episode just scratches the surface…
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During the 1880s-1930's Immigrants from all over Europe flocked to the New Land - most with nothing more than the shirts on their backs and what ever they could salvage of the cultures they left behind..music being a cartable, free commodity and New York City was the center of most of the "Ethnic" recordings made in the new land Italian, Greek, Iri…
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The late Rich Conaty was the voice behind the Big Broadcast radio program for near thirty years. An old friend and inspiration - we will present a series of episodes dedicated to Rich and focused on the sort of thing he played on his BIG BROADCAST - Boswells, Mills Bros, Cab, Whitemans, Hendersons, Armstrongs, Aaronsons and plenty of BING!…
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The late Rich Contay was the voice behind the Big Broadcast radio program for near thirty years. An old friend and inspiration - we will present a series of episodes dedicated to Rich and focused on the sort of thing he played on his BIG BROADCAST - Boswells, Mills Bros, Cab, Whiteman's, Hendersons, Armstrongs, Aaronsons and plenty of BING!…
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The late Rich Contay was the voice behind the Big Broadcast radio program for near thirty years. An old friend and inspiration - we will present a series of episodes dedicated to Rich and focused on the sort of thing he played on his BIG BROADCAST - Boswells, Mills Bros, Cab, Whitemans, Hendersons, Armstrongs, Aaronsons and plenty of BING!…
  continue reading
 
Immigrants from all over Europe flocked to the New Land - most with nothing more than the shirts on their backs and what ever they could salvage of the cultures they left behind..music being a cartable, free commodity and New York City was the center of most of the "Ethnic" recordings made in the new land - this episode explores the patchwork of mu…
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Salvadore Massaro was born in Philadelphia in 1902 -picking up the banjo in the early 1920s by the early 1930s' he became the most sought after recording guitarist - both for jazz and offering accompaniments to a slew of pop and blues singers alike - it all ended to fast- by 1933 he was gone, the victim of a botched tonsillectomy! But he left behin…
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Victor labels budget BLUEBIRD imprint recorded quite extensively in Charlotte North Carolina in the mid-1930s - Iconic "firsts" happened there ( Bill Monroe for one!) and 100s of Hillbilly and some dance and jazz sides by local bands were preserved. We will re-discover some of Charlotte's finest!
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From 1930 into the ealry 1940s MAX FLEISCHER and brother DAVE produced a series of ground breaking animated cartoons that have endured for near a century - popular icons in their day the artists who provided the voices for Betty Boop and Popeye had recording careers on their own and themes from the cartoons were recorded by dance bands of the era -…
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From 1928 to 1932 RCA Victor records had specific series desiganted to the African American recird buying public- The Blues of Tommy Johnson & Frank Stokes, The Jug Band recordings of Gus Cannon and Memphis Jug Band, the sanctified and gospel recordin=gs of Pace JUbilee Singer snd Reverend Gate and the Jazz of the likes of Jelly Roll Morton, Duke E…
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From 1928 to 1932 RCA Victor records had specific series desiganted to the African American recird buying public- The Blues of Tommy Johnson & Frank Stokes, The Jug Band recordings of Gus Cannon and Memphis Jug Band, the sanctified and gospel recordin=gs of Pace JUbilee Singer snd Reverend Gate and the Jazz of the likes of Jelly Roll Morton, Duke E…
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