Arts House is Melbourne’s home for contemporary performance. With a year-round program of dance, theatre, music, sound, new technologies and community projects, Arts House is one of the major forces shaping Melbourne’s cultural and social landscape. We cultivate diverse new audiences for independent artists’ ambitious new work, and we build relationships at both local and international levels. This is a house where change happens. From the crisis of extinction to the rapid transformations of ...
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Expressions of Interest (EOI) submissions for The Warehouse Residency between July 2025 and June 2026 will open Thursday 5 September and close Wednesday 23 October 2024. More information can be found here:www.artshouse.com.au/artist-opportunities/the-warehouse-residencyArts House Listening Program
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Expressions of Interest (EOI) submissions for CultureLAB residencies between July 2025 and June 2026 will open Wednesday 18 September and close Wednesday 23 October.More information can be found here:www.artshouse.com.au/artist-opportunities/culturelab/Arts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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continue reading
ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ನಿರೀಕ್ಷಣೆ nireekshane (‘the act of seeing’) showcases a range of traditional and expanded image-making practices from South Asia and the diaspora.Curated by Vishal Kumaraswamy as part of PHOTO 2024.Image: Millenia of Oppression, 2016, Arun Vijai MathavanArts House Listening Program
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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ಒಡಲಾಳ Odalala (‘from the depths of one’s being’) brings together Australian and international artists to examine histories of caste, migration, gender and sexuality through contemporary expression. Curated by Vishal Kumaraswamy.Image: Caste-pital, durational performance 9.30 hours, 2017, Haus der Kunst Munich, Photo by Marion Vogel, Courtesy of th…
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By Rainbow Chan 陳雋然. To accompany 'The novice, fry and fledging 我全未曉', the lament is reworked into an electronic composition using vocal manipulation, field-recordings and conversation fragments with Weitou elders. 'The novice, fry and fledging 我全未曉' is free to view at Arts House 6-24 May 2024.Arts House Listening Program
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Expressions of Interest (EOI) submissions for CultureLAB residencies between July 2024 and June 2025 will open Thursday 16 November and close Tuesday 23 January 2024. Find out more here https://www.artshouse.com.au/artist-opportunities/culturelab/Arts House Listening Program
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The Warehouse Residency is Arts House’s main commissioning pathway for Deaf and Disability led projects developed at North Melbourne Town Hall.Expression of Interests (EOIs) will open Thursday 16 November 2023 for projects taking place between June 2024 – June 2025, and close Tuesday 23 January 2024. Find out more here https://www.artshouse.com.au/…
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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continue reading
This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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This is a summary of Arts House’s Disability Inclusion Action Plan 2023 – 2028 narrated by Kath Duncan.This plan is available in alternative formats on the Arts House website: www.artshouse.com.auArts House Listening Program
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Equity Builder Track 4 by Arts House Listening ProgramArts House Listening Program
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Equity Builder Track 3 by Arts House Listening ProgramArts House Listening Program
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Equity Builder Track 2 by Arts House Listening ProgramArts House Listening Program
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Equity Builder Track 1 by Arts House Listening ProgramArts House Listening Program
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(suspended brain, projections): Are you projecting other people’s ideas all over my neurology? Head in the clouds, raising my consciousness with the help of the tech team, making my MRI 3D.---Society can project a lot of harmful stereotypes onto the autistic community. We commonly experience a world where people don’t understand our responses.I wan…
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(Self-portrait as both ape and topless woman) wild and tame, strong and vulnerable, stupid and smart, masc and femme, masking and unable to mask: I can’t make a world without discrimination, I can’t end all ableism, I CAN draw a picture that holds us in the face of everything.---Sometimes it’s so raw when you can’t regulate - if you’re under pressu…
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(Mermaid deer mask painting): Don’t look at my mystical mermaid deer winged body. I’m totally a regular norm-core human, that masks real good.---Masking is a terminology for hiding or suppressing one’s attributes. Many autistic people develop this skill in response to discrimination. It can be hard to know what you want, if you’re pretending your n…
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(blob painting): sometimes I like it when my executive functions drop. I can like being over stimulated, sometimes it’s funny and confusing. I can get sound to touch synesthesia; it can tickle me in weird places, like my organs.---It’s nice to show myself without a mouth when I can’t talk. With no eyes, when I can’t process the visual information I…
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(Questionnaire): “I’m not testing your responses, it’s only because I’m not a qualified neurologist and it hasn’t been passed by an ethics board” - and the other barriers between us… I made a game where I secretly test people’s global abstract reasoning. Although it’s not so secret because I have no filter and I tell everyone that’s what I’m doing.…
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(brain canvases)In collection we gestalt:A flock of birds in the windA school of fish in the oceanResponding to water and windLike minds moving in collection, together we gestalt---Because these are the artworks of around 50 contributing artists it is a bit weird to title it for everyone.I don’t feel an ownership over my ideas or artworks. I do not…
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(braille book): Seeing through fingers with the eyes of my body feels good---One of the wonderful things about this project was finding out that some people who are partially sighted or have low vision have a strong relationship with stimming. It is sad to find out that they have experienced similar forms of shaming and restraining to me.I love to …
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(Film): Culture expressed through gesture, sensations all over, and the way the world understands itself: we don’t want to put anything in here that doesn’t make it better.---I wanted to obscure the meaning for the audience, because my experience of autism feels obscure for me.I asked everyone the hardest political questions that I don’t know the a…
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(third sound cone, chin hair recording): Chin Hair is the name of our new band.---Chin Hair is improvisational lyrical abstractionist, dada Da Da dada daa-ists, non-modern modernist in a post-post-post-modernist city, deconstructing slime, pixels, stim vocabularies, and other ephemeral and mutable mediums. Recontextualising recycled and household o…
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(Sound cone that goes with sensory stim brain): I was thinking about you, lovely member of the general public. There’s probably nothing general about you. I don’t believe that normal exists.---I have sound to touch synesthesia and audio sensory issues. It’s like the volume of the world has been turned up way too high. Inside me it is always quiet. …
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(suspended brain, projections): Are you projecting other people’s ideas all over my neurology? Head in the clouds, raising my consciousness with the help of the tech team, making my MRI 3D. ---A papier mache top-down MRI scan of a brain, approximately 2M high by 1M wide. It is suspended high in the space. One side is smooth. The other has contours …
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(meltdown blob): It’s multiple things that collide in common, that’s also right and it’s very different. When my executive functions drop, I forget I have legs and I think I have so many hands because I get so many sensations from them. I’m a meltdown blob.A large sculpture made of paper mache with 4 human shaped arms extending out of it at odd ang…
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