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Вміст надано Yan Vinterfeld and Final Draft. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Yan Vinterfeld and Final Draft або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Write On: 'Fallout' Co-Creator & Showrunner Graham Wagner

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Manage episode 434450614 series 79914
Вміст надано Yan Vinterfeld and Final Draft. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Yan Vinterfeld and Final Draft або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Almost all the characters [in Fallout, the TV show] are brand new… We really took the world of Fallout that had been built up and iterated upon by other video game writers over the years and we wanted to do our own version of it rather than retell any version that someone else has already done. Our attitude was like, ‘Okay, let's say this is a new Fallout game. What would it be?’ So, we took the world, the background, the themes of the games and the tone. It's a new story. New people,” says Graham Wagner, co-creator and showrunner of Fallout on Amazon Prime. In this episode of the Final Draft’s Write On Podcast, we talk with Graham Wagner about Fallout, a show based on the beloved videogame, that’s earned 17 Emmy nominations including Outstanding Writing for a Drama Series. Wagner talks about taking the structure and tone from Sergio Leone’s Western, The Good, the Bad and the Ugly, and focusing on three central figures: Lucy (Ella Purnell), The Ghoul (Walton Goggins) and Maximus (Aaron Moten), and intertwining their disparate storylines. “We made an intentional collision of genres because Walton Goggins' character is very much of the wasteland of the Western genre, which is sort of apocalyptic in its own way, depending on your perspective. There isn't the infrastructure and people are trying to build civilization on the ashes of the civilization that has been eradicated before them. You know there's a lot of parallels there,” says Wagner. To learn more about the show Fallout and hear Wagner’s advice for writing TV pilots, listen to the podcast.
  continue reading

140 епізодів

Artwork
iconПоширити
 
Manage episode 434450614 series 79914
Вміст надано Yan Vinterfeld and Final Draft. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Yan Vinterfeld and Final Draft або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Almost all the characters [in Fallout, the TV show] are brand new… We really took the world of Fallout that had been built up and iterated upon by other video game writers over the years and we wanted to do our own version of it rather than retell any version that someone else has already done. Our attitude was like, ‘Okay, let's say this is a new Fallout game. What would it be?’ So, we took the world, the background, the themes of the games and the tone. It's a new story. New people,” says Graham Wagner, co-creator and showrunner of Fallout on Amazon Prime. In this episode of the Final Draft’s Write On Podcast, we talk with Graham Wagner about Fallout, a show based on the beloved videogame, that’s earned 17 Emmy nominations including Outstanding Writing for a Drama Series. Wagner talks about taking the structure and tone from Sergio Leone’s Western, The Good, the Bad and the Ugly, and focusing on three central figures: Lucy (Ella Purnell), The Ghoul (Walton Goggins) and Maximus (Aaron Moten), and intertwining their disparate storylines. “We made an intentional collision of genres because Walton Goggins' character is very much of the wasteland of the Western genre, which is sort of apocalyptic in its own way, depending on your perspective. There isn't the infrastructure and people are trying to build civilization on the ashes of the civilization that has been eradicated before them. You know there's a lot of parallels there,” says Wagner. To learn more about the show Fallout and hear Wagner’s advice for writing TV pilots, listen to the podcast.
  continue reading

140 епізодів

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