Artwork

Вміст надано Stephanie Drawdy. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Stephanie Drawdy або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Mosse Art Research Initiative: Dr. Meike Hoffmann on Provenance Research, International Cultural of Memory and Degenerate Artists

1:08:47
 
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Manage episode 302106792 series 2822132
Вміст надано Stephanie Drawdy. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Stephanie Drawdy або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

To learn more, please visit MARI's website.
Show Notes

4:00 German culture of memory

5:00 MARI-first collaboration between German public institutions and Holocaust victims

7:00 Historical question addressed about Rudolph Mosse as art lover

8:50 location of objects related to politicians and individuals in culture scene of Mosse’s day

11:00 Hanns Fechner’s portrait of German writer Theodor Fontane held by daughter of Nazi finance Minister Hjalmar Schacht

16:00 Venus Chasing Cupid-sculpture localized during first phase of MARI

17:00 sculpture not included in Nazi arranged auction of Mosse collection

19:00 MARI contact with those believed to hold works from Mosse Collection

20:30 Tel Aviv Museum – tapastries and Jozef Israels’ From Darkness to Light

25:00 Historical justice achieved by making history visible

26:00 MARI’s impact-to prompt scrutiny of provenance of collections

27:30 size of Mosse’s collection

28:30 MARI’s first phase began in early 2017

31:00 MARI’s staff assignment

34:00 Hoffmann’s work on Gurlitt project as researcher and task force member

35:00 portal database for MARI – starts with resources not objects

40:00 Hoffmann began first academic training program for provenance research in 2011

41:30 Adolph Menzel painting – no trace since 1934 auction

43:15 expertize outside of MARI for Eyptian antiquities and Benin Bronzes

46:30 Gurlitt work

50:00 Frie University’s degenerate art program

52:30 Hoffman’s work as Brücke Museum curator

54:40 International Circle of Provenance Research member

59:50 exhibitions that show provenance research

1:02:00 Artist Maria Eichhorn

1:03:00 Hoffmann curated 2019 exhibition Escape Into Art?

1:06:00 future of degenerate artists
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

128 епізодів

Artwork
iconПоширити
 
Manage episode 302106792 series 2822132
Вміст надано Stephanie Drawdy. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Stephanie Drawdy або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

To learn more, please visit MARI's website.
Show Notes

4:00 German culture of memory

5:00 MARI-first collaboration between German public institutions and Holocaust victims

7:00 Historical question addressed about Rudolph Mosse as art lover

8:50 location of objects related to politicians and individuals in culture scene of Mosse’s day

11:00 Hanns Fechner’s portrait of German writer Theodor Fontane held by daughter of Nazi finance Minister Hjalmar Schacht

16:00 Venus Chasing Cupid-sculpture localized during first phase of MARI

17:00 sculpture not included in Nazi arranged auction of Mosse collection

19:00 MARI contact with those believed to hold works from Mosse Collection

20:30 Tel Aviv Museum – tapastries and Jozef Israels’ From Darkness to Light

25:00 Historical justice achieved by making history visible

26:00 MARI’s impact-to prompt scrutiny of provenance of collections

27:30 size of Mosse’s collection

28:30 MARI’s first phase began in early 2017

31:00 MARI’s staff assignment

34:00 Hoffmann’s work on Gurlitt project as researcher and task force member

35:00 portal database for MARI – starts with resources not objects

40:00 Hoffmann began first academic training program for provenance research in 2011

41:30 Adolph Menzel painting – no trace since 1934 auction

43:15 expertize outside of MARI for Eyptian antiquities and Benin Bronzes

46:30 Gurlitt work

50:00 Frie University’s degenerate art program

52:30 Hoffman’s work as Brücke Museum curator

54:40 International Circle of Provenance Research member

59:50 exhibitions that show provenance research

1:02:00 Artist Maria Eichhorn

1:03:00 Hoffmann curated 2019 exhibition Escape Into Art?

1:06:00 future of degenerate artists
Please share your comments and/or questions at stephanie@warfareofartandlaw.com
To hear more episodes, please visit Warfare of Art and Law podcast's website.
Music by Toulme.
To view rewards for supporting the podcast, please visit Warfare's Patreon page.
To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com.
Thanks so much for listening!
© Stephanie Drawdy [2024]

  continue reading

128 епізодів

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