In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Ep. 117: Cannes #3 with Eric Hynes: Eo, Armageddon Time, Ukraine doc Mariupolis 2
Manage episode 329369655 series 2792919
Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Ep. 117: Cannes #3 with Eric Hynes: Eo, Armageddon Time, and Ukraine documentary Mariupolis 2 Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at the Museum of the Moving Image. We talk on an especially lively terrace at Cannes about Jerzy Skolimowski’s formally wild donkey epic Eo, James Gray’s semiautobiographical Armageddon Time, and the posthumously assembled Ukraine documentary Mariupolis 2 (from director Mantas Kvedaravicius). Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass
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Manage episode 329369655 series 2792919
Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Ep. 117: Cannes #3 with Eric Hynes: Eo, Armageddon Time, and Ukraine documentary Mariupolis 2 Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The highlights from the Cannes Film Festival continue with Eric Hynes, curator of film at the Museum of the Moving Image. We talk on an especially lively terrace at Cannes about Jerzy Skolimowski’s formally wild donkey epic Eo, James Gray’s semiautobiographical Armageddon Time, and the posthumously assembled Ukraine documentary Mariupolis 2 (from director Mantas Kvedaravicius). Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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