In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Ep. 114: The Aesthetics of Cope, The Cathedral, Deepfake, Slade in Flame with Chloe Lizotte
Manage episode 327521434 series 2792919
Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Ep. 114: The Aesthetics of Cope, The Cathedral, Deepfake, Slade in Flame with Chloe Lizotte Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The show is back from spring break with a special episode starring writer Chloe Lizotte, a contributing editor at Le Cinema Club. She joins us talking about her work for her wide-ranging Reverse Shot column Event Horizon, including her essay about strange media phenomena during the pandemic, called “The Aesthetics of Cope,” and her thoughts on the film The Cathedral and the dangerous art of deepfakes. I chime in with thoughts on the 1975 movie Slade in Flame, starring the band Slade. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass
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Manage episode 327521434 series 2792919
Вміст надано The Last Thing I Saw and Nicolas Rapold. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The Last Thing I Saw and Nicolas Rapold або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
Ep. 114: The Aesthetics of Cope, The Cathedral, Deepfake, Slade in Flame with Chloe Lizotte Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The show is back from spring break with a special episode starring writer Chloe Lizotte, a contributing editor at Le Cinema Club. She joins us talking about her work for her wide-ranging Reverse Shot column Event Horizon, including her essay about strange media phenomena during the pandemic, called “The Aesthetics of Cope,” and her thoughts on the film The Cathedral and the dangerous art of deepfakes. I chime in with thoughts on the 1975 movie Slade in Flame, starring the band Slade. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass
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Схожі до The Last Thing I Saw
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