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Architecture and trauma: silver and salvation in baroque Naples
Manage episode 337200747 series 3379936
Вміст надано The British School at Rome. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією The British School at Rome або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
W.T.C. Walker Lecture in Architectural History by Helen Hills (York).
Baroque Naples was tarnished in Protestant Europe with a reputation for excess — most especially an excess of silver in its churches and chapels, part of the mort main of the Spanish church, a prodigious resource that was gathering dust rather than fighting wars or generating interest. Silver was the material par excellence for chalices, pyx and plate, for carte di gloria and sacred and liturgical objects of many kinds, including the spectacular solid silver reliquaries in the Treasury Chapel of San Gennaro in Naples, unsurpassed amongst European treasuries. Silver was intimately implicated in discourses of the sacred, of assaying, of testing, of purity, purification and authenticity and sanctity through the discourse of light, lux and lumen, shine and the capacity to reflect light. And its threads were entangled in noble dress, furniture and accoutrements of aristocratic fashion. Yet silver was particularly implicated, too, in the violence of Spanish colonialism. This paper examines these apparently divergent qualities of silver to investigate relationships between matter and affect, colonialism and culture in baroque Italy.
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Baroque Naples was tarnished in Protestant Europe with a reputation for excess — most especially an excess of silver in its churches and chapels, part of the mort main of the Spanish church, a prodigious resource that was gathering dust rather than fighting wars or generating interest. Silver was the material par excellence for chalices, pyx and plate, for carte di gloria and sacred and liturgical objects of many kinds, including the spectacular solid silver reliquaries in the Treasury Chapel of San Gennaro in Naples, unsurpassed amongst European treasuries. Silver was intimately implicated in discourses of the sacred, of assaying, of testing, of purity, purification and authenticity and sanctity through the discourse of light, lux and lumen, shine and the capacity to reflect light. And its threads were entangled in noble dress, furniture and accoutrements of aristocratic fashion. Yet silver was particularly implicated, too, in the violence of Spanish colonialism. This paper examines these apparently divergent qualities of silver to investigate relationships between matter and affect, colonialism and culture in baroque Italy.
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