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Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.
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Freaks & Geeks and Spy with Paul Feig

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Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

Our guest today is a storyteller who knows great comedy. As a director, Paul Feig has manned beloved movies like Bridesmaids, Ghostbuster and The Heat, not to mention memorable episodes of smash hit TV shows like Arrested Development and The Office. When it comes to writing, he more often than not passes the baton to brilliant collaborators, like Annie Mumolo, Kristen Wiig and Katie Dippold, concentrating on bringing their scripts to life from the director’s chair. On the occasions that he does write his own screenplays, however, it’s always an absolute laugh riot, full of warmth, affection, inclusivity and infectious positivity.

In the late ‘90s, Paul created Freaks and Geeks – a deeply influential sitcom following the exploits of a band of high school misfits. The actors portraying those misfits would go on to dominate American comedy for decades to come: James Franco, Seth Rogen and Jason Segel all got their breaks in the show, which ran for just one season in 1999.

Its legacy has lived on, though, as has Paul’s reputation as a storyteller who aspires to bring people together in the movies and shows he creates. In this revealing conversation, he breaks down for us not only that show’s pilot, including the scene that he believes got the show cancelled, but also elements of his hilarious 2016 espionage comedy Spy, starring Melissa McCarthy, for a sense of how writing comedy for TV back in the '90s differs from writing comedy for the big screen today. It’s a fascinating conversation – we hope you enjoy.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

  continue reading

103 епізодів

Artwork

Freaks & Geeks and Spy with Paul Feig

Script Apart

169 subscribers

published

iconПоширити
 
Manage episode 339581392 series 2711077
Вміст надано Script Apart. Весь вміст подкастів, включаючи епізоди, графіку та описи подкастів, завантажується та надається безпосередньо компанією Script Apart або його партнером по платформі подкастів. Якщо ви вважаєте, що хтось використовує ваш захищений авторським правом твір без вашого дозволу, ви можете виконати процедуру, описану тут https://uk.player.fm/legal.

Our guest today is a storyteller who knows great comedy. As a director, Paul Feig has manned beloved movies like Bridesmaids, Ghostbuster and The Heat, not to mention memorable episodes of smash hit TV shows like Arrested Development and The Office. When it comes to writing, he more often than not passes the baton to brilliant collaborators, like Annie Mumolo, Kristen Wiig and Katie Dippold, concentrating on bringing their scripts to life from the director’s chair. On the occasions that he does write his own screenplays, however, it’s always an absolute laugh riot, full of warmth, affection, inclusivity and infectious positivity.

In the late ‘90s, Paul created Freaks and Geeks – a deeply influential sitcom following the exploits of a band of high school misfits. The actors portraying those misfits would go on to dominate American comedy for decades to come: James Franco, Seth Rogen and Jason Segel all got their breaks in the show, which ran for just one season in 1999.

Its legacy has lived on, though, as has Paul’s reputation as a storyteller who aspires to bring people together in the movies and shows he creates. In this revealing conversation, he breaks down for us not only that show’s pilot, including the scene that he believes got the show cancelled, but also elements of his hilarious 2016 espionage comedy Spy, starring Melissa McCarthy, for a sense of how writing comedy for TV back in the '90s differs from writing comedy for the big screen today. It’s a fascinating conversation – we hope you enjoy.
Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.
Support for this episode comes from ScreenCraft, Arc Studio Pro and WeScreenplay.
To get ad-free episodes and exclusive content, join us on Patreon.

Support the show

  continue reading

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